Acc Distribution (161 results)

Hardback. Condition: Very Good.

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardback. Condition: Very Good.

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. Binding tight and square, Pages are clean and unmarked.

Hardcover. Condition: Good. No Jacket. This is a useful guide for all antique dealers and collectors. Around 7000 detailed entries are arranged by area and information about each shop contains the address, telephone number, opening hours, type of stock and price range. Binding is moderately loose. Moderate shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book. …

Hardcover. Condition: Used - Very Good. Floral prints, motifs and designs are always in fashion, and never more so than when used as the fabric for an English summer dress. From the naturalistic to the painterly, from the graphic to the abstract, every summer almost every woman in Britain in the last 100 years has worn or wanted to wear a floral frock. Floral Frocks explores this unassuming cultural phenomenon from the beginning of the 20th century to the present in a series of broadly themed chronological chapters, each setting floral printed dresses as part of a wider socio-cultural context. Taken together the book will give a general design history, but also raises issues surrounding the zeitgeist of each era through the medium of looking at one specific garment (the dress) rendered in one specific way (floral print). The book discusses in detail over fifty floral printed dresses with over 140 illustrations which will show sumptuous details and full-length shots of the floral frocks with examples of historic and contemporary flor Beautifully illustrated, this text by Jo Turney shows the variety of styles and prints inherent in floral printed dresses worn throughout the 20th century. The author discusses in detail more than 50 dresses from the 1930s to 1970s with examples from both museum and private collections.Antique Collectors Club Ltd. Very nice clean, tight copy free of any marks.…

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Used - Very Good.

Trade Paperback. Condition: Used - Very Good. Open copy in very good condition, English text, light scuffing on covers, tight binding, clean pages.

Hardcover. Condition: Used - Very Good. Dust Jacket Condition: Very Good. This work makes available a mass of useful information, including details of the technical aspects of book making, the vexed question of first editions and the matters of completeness and condition. Contains an excellent glossary. Very nice, clean, tight copy free of any marks. Wrapped in complimentary Brodart dust jacket protector.…

Trade Paperback. Condition: Used - Very Good. Used copy with some wear. BAck cover creased.

Trade Paperback. Condition: Used - Very Good. Book was signed by the previous owner Very nice clean, tight copy free of any marks. wrapped in complimentary Brodart dust jacket protector.

Hardcover. Condition: Used - Very Good. Tutor in graphic design at London's Royal College of Art (1951-64), John Lewis worked post-war in Suffolk, as art director of the distinguished firm of colour printers, W.S. Cowell. In this account, with refreshing modesty, he tells of his life as illustrator, wartime camoufleur, typographer, author, sailor and boat restorer. The war brought him into contact with such like-minded friends as Victor Stiebel, Oliver Messel, Gabriel White, Edward Ardizzone, Basil Spence and Lynton Lamb. Later, he met Benjamin Britten and Peter Pears and designed not only programme books for the Aldeburgh Festival from its beginnings in 1948, but scenery and costumes for Let's Make an Opera. Very nice clean, tight copy free of any marks. …

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardback. Condition: Good.

Hardcover. Condition: new. Hardcover. Another instalment of the highly acclaimed Design series, this time looking at contemporary designer David Gentleman (b.1930). David's early training engraving designs on small boxwood blocks ensured that his unique style retains the characteristic intensity of the miniaturist even when it is enlarged. He attended the Royal College of Art in Kensington from the autumn of 1950, and was tutored by some of the finest artists of the time, including Edward Bawden and John Nash. Lithography became his medium of choice and he has since worked on projects as diverse as designs for postage stamps and wine labels to the hundred-metre long panels at Charing Cross Station. AUTHOR: Brian Webb is a designer and visiting Professor at the University of the Arts London. Peyton Skipwith is an independent art consultant. SELLING POINTS: A new title in the exquisite Design series Foreword by Alan Bennett 150 colour illustrations Presents the work of contemporary designer and lithographer David Gentleman. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…