Isbn: 9788480032049 - Painters in the Theater of the European Avant-garde (13 results)

Hardcover. Condition: Good. No Jacket. Some spine wear; Mild rubbing/scuffing to boards; Spine titles faded.

Hardcover. Condition: Very Good. 1st Edition. Tall 8vo, hardcover, 369pp., ills. VG: lightly rubbed covers, lightly soiled edges; solid body; clean and unmarked text and illustrations. Extra postage may be asked (4).

Condition: Good. Original pictorial boards, decorated endpapers, numerous (double page) illustrations mostly in colour, 8vo.

hardcover. Condition: near fine. Extensively illustrated, mostly in color. 369pp., thick 8vo, glossy pictorial boards. Madrid: Museo Nacional Centro de Arte Reina Sofia, 2000. A near fine copy.

Condition: like_new. This book is in Like New condition. It appears to be NEW, but might have a minor defect.

Hardcover. Gold illustrated boards with red and blue lettering, 369 pp, profusely illustrated in color. The early decades of the 20th century saw unprecedented cooperation between the performing and visual arts. Painters and other visual artists working in a variety of avant-garde styles, such as Cubism, Surrealism, Dadaism, Constructivism, and Futurism, worked in the world of theater and dance throughout Europe, creating masterpieces inspired by the explosion of creativity in the performing arts, from the ballets of Diaghilev and Balanchine to the plays of the Russian Meierkhol'd and Futurists such as Marinetti, and operas by the likes of Wagner and Offenbach. It was this burst of integration that led to the formulation of the idea of the "Total Art Creation," (a term coined by Wagner), and enriched both the theater and the visual arts. This handsome volume, published on the occasion of a major exhibition at the Reina Sophia Museum in Madrid, examines these avant-garde experiments in fusion between the arts with extensive color illustrations by virtually every major painter of the period: artists like Picasso, Kandinsky, Leger, and others, as well as in-depth essays on several of the performing art forms and the ways they involved visual artists in their production. VG (light shelfwear to boards, pages are clean and tight).…

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1250grams, ISBN:9788480032049.

Encuadernación de tapa dura. Condition: Bien. Museo Nacional Centro de Arte Reina Sofía, 2001 Madrid. Essays by John Bowlt, Linn Garafola, Eric Michaud, Maria Teresa Ocana and Marga Paz. The early decades of the 20th century saw unprecedented cooperation between the performing and visual arts. Painters and other visual artists working in a variety of avant-garde styles, such as Cubism, Surrealism, Dadaism, Constructivism, and Futurism, worked in the world of theater and dance throughout Europe, creating masterpieces inspired by the explosion of creativity in the performing arts, from the ballets of Diaghilev and Balanchine to the plays of the Russian Meierkhol'd and Futurists such as Marinetti, and operas by the likes of Wagner and Offenbach. It was this burst of integration that led to the formulation of the idea of the "Total Art Creation," (a term coined by Wagner), and enriched both the theater and the visual arts. This handsome volume, published on the occasion of a major exhibition at the Reina Sophia Museum in Madrid, examines these avant-garde experiments in fusion between the arts with extensive color illustrations by virtually every major painter of the period: artists like Picasso, Kandinsky, Leger, and others, as well as in-depth essays on several of the performing art forms and the ways they involved visual artists in their production. Featuring Works by: Pablo Picasso, Wassily Kandinsky, Piet Mondrian, Fernand Leger, Henri Matisse, Joan Miro, Francis Picabia, Andre Derain, Juan Gris, Georgio De Chirico, Kasimir Malevich, Alexander Rodchenko, George Grosz, El Lissitzky and others. 8ºM (25x17,5 cm) 370 págs. Cartoné ilustrado. Cubierta deslucida. Buen estado general. …

Hardcover without dustjacket in protective plastic overwrap, 370 pages; in English; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

FIRST ENGLISH EDITION 8vo. hardback with illustrated gilt paper-covered boards and spine. Illustrated endpapers. TEXT IN ENGLISH. 369pp., profusely illustrated in colour and b/w. A clean copy with no markings or inscriptions. A VERY GOOD COPY. (Shelf 94) ISBN: 8480032049 PLEASE NOTE: Heavy Book (1.2 kg+) Postage rates vary according to destination, weight and speed. For an accurate overseas quote PLEASE either call or email us before ordering. [AbeBooks shipping quote is based on items weighing up to 1 kilo only]. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.…

2001 edición 25 Tapa dura ilustrada en papel dorado brillante. Buen papel. Cuidada edición, muy ilustrada a color. Diseño de Fernando Gutiérrez@grafica. // Versión inglesa del catálogo de la exposición celebrada en el Museo Nacional Centro de Arte Reina Sofía. Comisaria: Marga Paz // Presentation: Juan Manuel Bonet - «Painters in the Theatre», Marga Paz - «Russian Ballet and Swedish Ballet», Linn Garafola - «Parade and the Russian Ballet», María Teresa Ocaña - «The Futurist Stage», Giovanni Lista - «The Constructivisme in the Theatre», John Bowlt - «Social Criticism and Utopian Experiments», Eric Michaud - Bibliography - List of works // Esta exposición indaga en el diálogo, en los años de las vanguardias históricas, entre teatro (y la floreciente danza) y pintura, entre artes escénicas y artes plásticas, incluyendo diversos movimientos y diversos países (Francia, Italia, Rusia, Alemania). A partir de la irrupción, en el París de 1909, de los ballets rusos, y después de los suecos, la problemática de las relaciones entre el teatro y el arte cobra plena vigencia. Cada ismo de entonces (cubismo, expresionismo, futurismo, dadaísmo, constructivismo, surrealismo) la abordó a su manera, y esa multiplicidad de puntos de vista es la que se reconstruye en este catálogo: Picasso (que colabora con Erik Satie y Jean Cocteau en el ballet "Parade"), Léger, Balla, Fortunato Depero, Prampolini, Giorgio de Chirico, Mondrian, Picabia, Tatlin, Malevich, Alexandra Exter, Rodchenko, Kandinski, Moholy Nagy, etc. páginas/pasges. …

TAPA DURA. Condition: Bien. Arte CONSULTE NUESTRAS CONDICIONES Y GASTOS DE ENVÍO.