ISBN: 9781933360522 - Colleagues (9 results)

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  • Language: English

    Published by Syracus University Press, 2015

    1933360526 / 9781933360522

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    Seller: INDOO, Avenel, NJ, U.S.A.INDOO

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  • Language: English

    Published by RIT Cary Graphic Arts Press, 2015

    1933360526 / 9781933360522

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  • Language: English

    Published by RIT Cary Graphic Arts Press, 2015

    1933360526 / 9781933360522

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  • Language: English

    Published by RIT Cary Graphic Arts Press, 2015

    1933360526 / 9781933360522

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    Seller: California Books, Miami, FL, U.S.A.California Books

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  • Language: English

    Published by RIT Cary Graphic Arts Press, 2011

    1933360526 / 9781933360522

    • Softcover

    Seller: Revaluation Books, Exeter, United KingdomRevaluation Books

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    Paperback. Condition: Brand New. 112 pages. 10.00x8.00x0.50 inches. In Stock.

  • Language: English

    Published by RIT Cary Graphic Arts Press, 2015

    1933360526 / 9781933360522

    • Softcover

    Seller: THE SAINT BOOKSTORE, Southport, United KingdomTHE SAINT BOOKSTORE

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  • Language: English

    Published by RIT Cary Graphic Arts Press, 2015

    1933360526 / 9781933360522

    • Softcover

    Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK

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  • Language: English

    Published by RIT Cary Graphic Arts Press, 2015

    1933360526 / 9781933360522

    • Softcover

    Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK

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  • Language: English

    Published by Rochester Institute Of Technology, Rit Press Feb 2015, 2015

    1933360526 / 9781933360522

    • Softcover

    Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH

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    Taschenbuch. Condition: Neu. Neuware - Using ground-breaking advances in printing technology and a bold approach to graphic design, the RIT Cary Graphic Arts Press presents Colleagues, a visually stunning collection of portraits by John Retallack with a companion poem, 'Enter the Eyes' by Anne C. Coon. The interplay of images and words, introduced by a conversation between Retallack and Coon, challenges the viewer's understanding of the art, aesthetics, and dynamics of portraiture. Retallack's photographs reveal his subjects at rest, at play, and in unguarded moments, while Coon's poem reflects metaphorically on the transformation that takes place when those accustomed to lecturing and performing are caught by the camera's lens. …