Isbn: 9781854372482 - Paint and Purpose: a Study of Technique Over Four Centuries of British Art (11 results)

Condition: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Condition: Very Good. Dust Jacket Condition: 9856632. 1787124692. 8/19/2026 7:31:32 AM.

paperback. Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condition: Near Fine. 1st Edition. A nice clean book, free of inscriptions.

First edition, first printing. Fine paperback original .

Softcover. Condition: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Softcover. English. Pub Year 1999, See images for condition. About the book >.>.> Paint and Purpose: A Study of Technique Over Four Centuries of British Art by Stephen Hackney explores the intricate relationship between materials and artistic expression in British painting. Drawing on extensive research from the Tate Conservation Department, this book examines various artworks created between 1594 and 1958, including portraits, landscapes, and allegorical pieces. The focus is on paintings executed with traditional media such as oils, egg, glues, gums, and waxes, deliberately excluding synthetic materials like acrylic for consideration in a future publication.Hackney emphasises that while the historical study of techniques has flourished, it often lacks a rich comparative framework for analysing artists and their national schools. Thus, this volume avoids presenting a chronological history of British painting techniques. Instead, it centres on individual artists and their unique approaches to materials, akin to letters of the alphabet that can be rearranged in infinite combinations. Artists featured include notable figures such as Whistler, Sargent, Gainsborough, Turner, and Reynolds, among others.The chapters offer insights into the technical details of specific paintings while recognising the need for more comprehensive analysis in the future. Hackney notes that understanding the techniques and materials behind individual works enhances the appreciation of the aesthetic experience, contributing to art history's evolving narrative. As conservation efforts continue, each new addition to the Tate collection not only requires an art historical catalogue entry but also a detailed technical assessment, paving the way for deeper understanding and potential future explorations in art analysis. (MP).…

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Paperback. Condition: New. In shrink wrap. Looks like an interesting title.