ISBN: 9780826516039 - Tilting Cervantes: Baroque Reflections on Postmodern Culture (6 results)

- Softcover
Seller: Better World Books, Mishawaka, IN, U.S.A.Better World Books
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£ 27.76
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Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

- Softcover
Seller: BookManBookWoman Books, Nashville, TN, U.S.A.BookManBookWoman Books
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Soft cover. Condition: New. Oversized softcover book in AS NEW excellent condition. UNREAD. .No underlining.No highlighting.No creases . Shelf 597.

- Softcover
Seller: Turgid Tomes, Nashville, TN, U.S.A.Turgid Tomes
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paperback. Condition: As New. Vanderbilt University Press, 2008. Trade paperback in Fine condition; this is a new, unread copy.

Language: English
Published by VANDERBILT UNIVERSITY PRESS, NASHVILLE, TN, 2008
- Softcover
Seller: Pórtico [Portico], ZARAGOZA, Z, SpainPórtico [Portico]
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Tapa blanda. Condition: New. BURNINGHAM, B. R.: TILTING CERVANTES. BAROQUE REFLECTIONS ON POSTMODERN CULTURE. NASHVILLE, TN, 2008, x 227 p. figuras, 535 gr. Encuadernacion original. Nuevo. (NB-8-7) 535 gr. Libro.

- Softcover
Seller: moluna, Greven, Germanymoluna
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Condition: New. KlappentextrnrnTilting Cervantes examines a number of contemporary cultural texts--from Fight Club and Toy Story to The Matrix and The Moor s Last Sigh--by reflecting them against a cluster of early modern Spanish literary works, principally Mig.

- Softcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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Taschenbuch. Condition: Neu. Neuware - Tilting Cervantes examines several contemporary texts -- Fight Club, Brazil, The Matrix, and The Moor's Last Sigh, among others -- by reflecting them against a cluster of early modern Spanish and Latin American literary works, principally Don Quixote. Through a deliberate juxtaposition of these cross-cultural and cross-epochal texts, this book explores the notion that each of these varied cultural products can be read -in a very Borgesian manner- as precursors to each other, especially for contemporary readers who may not come to them in their 'proper' chronological order. At the same time, and within this larger juxtaposition, this book examines the interrelated baroque and postmodern preoccupation with mirrors and self-reflexivity, and thus argues that many postmodern writers and performers do not so much break new ground as simply rediscover terrain already explored by such baroque literary figures as Cervantes, Lope de Vega, Francisco de Quevedo, and Sor Juana Ines de la Cruz.…