9780807816813 - George Eliot and the Landscape of Time: Narrative Form and Protestant Apocalyptic History by Carpenter, Mary Wilson (5 results)
- Hardcover
Seller: Marbus Farm Books, Winchester, VA, U.S.A.Marbus Farm Books
Contact seller5-star sellerCondition: Used - Very good
£ 12.95
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Hardcover. Condition: Very Good. Hardcover with dust jacket. Light shelfwear to dj. Contents clean and tight. 246 pages, index, notes, bibliography.
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Language: English
Published by University of North Carolina Press, Chapel Hill, North Carolina, 1986
- Hardcover
- First Edition
Seller: Kenneth A. Himber, Lebanon, NJ, U.S.A.Kenneth A. Himber
Contact seller5-star sellerCondition: Used - As new
£ 19.72
£ 4.50 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Almost Like New. Dust Jacket Condition: Very Good +. First Printing. Book is a clean tight unmarked copy.
Language: English
Published by The University of North Carolina Press, 1986
- Hardcover
Seller: Anybook.com, Lincoln, United KingdomAnybook.com
Contact seller5-star sellerCondition: Used - Good
£ 35.00
£ 13.60 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:0807816817.
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Language: English
Published by The University of North Carolina Press, 1986
- Hardcover
- First Edition
Seller: Repton and Clover, Norwich, United KingdomRepton and Clover
Contact seller5-star sellerCondition: Used - Very good
£ 25.00
£ 28.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 1986 first edition hardback in very good condition. A few light pencil marks to occasional pages. No other marks, clean and bright, tight binding, blue cloth boards in excellent condition. In its original, unclipped dust wrapper with a little sunning… to spine, otherwise fine. Items are dispatched the same or the following working day. Please note our excellent customer feedback.
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Language: English
Published by The University of North Carolina Press, 1986
- Hardcover
- First Edition
Seller: killarneybooks, Inagh, CLARE, Irelandkillarneybooks
Contact seller5-star sellerCondition: Used - Good
£ 28.32
£ 28.78 shippingShips from Ireland to U.S.A.Quantity: 1 available
Hardcover. Condition: Good. No Jacket. 1st Edition. Cloth hardcover, xiii + 246 pages, NOT ex-library. Missing the dedication page; a blank sticker on the front endpaper. Pen notations and/or pencil marginalia on 5 pages (mostly in the index section and contents list); highlighting on 7 pages (some very sparse). Else interior is… clean and bright, untanned, free of stamps, firmly bound. A touch of light rubbing to the boards' edges. Missing the dust jacket. -- This scholarly study explores the influence of 19th-century religious interpretation on George Eliot's narrative structures. The book argues that Eliot's later works represent a creative rewriting of Protestant apocalyptic schemes into visionary literary forms. Carpenter investigates how Eliot appropriated formal religious systems to map the "landscape of time" in her fiction. Apocalyptic Narrative Schemes: The book discusses specific apocalyptic structures in major works including Romola, Adam Bede, Middlemarch, and Daniel Deronda, as well as her poetry in The Legend of Jubal. Visionary Poetics: Carpenter demonstrates that Eliot developed a "visionary poetics" by translating 19th-century British interpretations of biblical prophecies into romantic and satiric narrative styles. Septenary Structures: A key analytical point involves "sevenfold" or septenary structures found in Eliot's work, which mirror the seven ages of time often found in Victorian family Bibles and the Book of Revelation. For example, Carpenter notes the visible seven-book division in The Mill on the Floss as a reflection of these apocalyptic frameworks. The work is recognized for offering a new approach to understanding Victorian narrative form by connecting it to contemporary religious history. It is cited as a significant exploration of Eliot's conception of history, arguing that Eliot viewed history as an "imaginary line" imposed on inchoate mass - essentially a form of fiction created through formal systems of codification.



