Isbn: 9780804725682 - the Rules of Art: Genesis and Structure of the Literary Field (meridian: Crossing Aesthetics) (15 results)

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  • Language: English

    Published by Stanford University Press, 1996

    0804725683 / 9780804725682

    • Hardcover

    Seller: Broad Street Books, Branchville, NJ, U.S.A.Broad Street Books

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    Condition: Used - As new

    £ 41.19

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    hardcover. Condition: As New. Hardcover with fine dust jacket. Book is in Excellent condition, pages are clean and tight.

  • Language: English

    Published by Stanford University Press, Stanford, CA, 1996

    0804725683 / 9780804725682

    • Hardcover

    Seller: Daedalus Books, Portland, OR, U.S.A.Daedalus Books

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    Condition: Used - Near fine

    £ 41.97

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    Hardcover. Condition: Near Fine. Near Fine. A nice, clean copy. ; Meridian: Crossing Aesthetics; 8vo 8" - 9" tall; 432 pages.

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    Language: English

    Published by Stanford University Press, 1995

    0804725683 / 9780804725682

    • Hardcover
    • First Edition

    Seller: Nighttown Books, Powell, WY, U.S.A.Nighttown Books

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    Condition: Used - As new

    £ 42.78

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    Hard Cover. Condition: As New. Dust Jacket Condition: As New. First Edition. First Printing in dust jacket, Fine in Fine, no remainder or other markings, a pristine unread copy (dj in mylar protector); 8vo; (xxii) 408pp indexed.

  • Language: English

    Published by Stanford University Press, 1996

    0804725683 / 9780804725682

    • Hardcover

    Seller: Better World Books: West, Reno, NV, U.S.A.Better World Books: West

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    Condition: Used - Very good

    £ 52.18

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    Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Language: English

    Published by Stanford University Press, 1996

    0804725683 / 9780804725682

    • Hardcover

    Seller: medimops, Berlin, Germanymedimops

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    Condition: Used - Good

    £ 48.49

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    Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

  • Language: English

    Published by Stanford University Press, 1996

    0804725683 / 9780804725682

    • Hardcover

    Seller: JuddSt.Pancras, London, United KingdomJuddSt.Pancras

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    Condition: Used - As new

    £ 37.50

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    Hardcover. Condition: As New. Dust Jacket Condition: As New.

  • Language: English

    Published by Stanford University Press, 1996

    0804725683 / 9780804725682

    • Hardcover
    • First Edition

    Seller: Book House in Dinkytown, IOBA, Minneapolis, MN, U.S.A.Book House in Dinkytown, IOBA

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    Condition: Used - Very good

    £ 58.33

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    Hardcover. Condition: Very Good. Good+ Dust Jacket. First Edition. 1st printing of 1st English-language edition. Very good hardcover with good+/very good- DJ, from a personal collection (NOT ex-library). Interior appears free of markings. Binding is tight, sturdy, and square. Top outer corner has a small spot of sun-fading. Unclipped dust jacket has rubbing and a quarter-inch closed tear at edge. Ships from Dinkytown in Minneapolis, Minnesota.…

  • Language: English

    Published by Stanford University Press, 1996

    0804725683 / 9780804725682

    • Hardcover

    Seller: Labyrinth Books, Princeton, NJ, U.S.A.Labyrinth Books

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    Condition: New

    £ 63.76

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    Condition: New.

  • Language: English

    Published by Stanford University Press, 1996

    0804725683 / 9780804725682

    • Hardcover

    Seller: BennettBooksLtd, Los Angeles, CA, U.S.A.BennettBooksLtd

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    Condition: New

    £ 113.67

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    hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

  • Language: English

    Published by Stanford University Press, US, 1996

    0804725683 / 9780804725682

    • Hardcover

    Seller: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA

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    £ 136.42

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    Hardback. Condition: New. Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the world's leading social theorists. Drawing upon the history of literature and art from the mid-nineteenth century to the present, Bourdieu develops an original theory of art conceived as an autonomous value. He argues powerfully against those who refuse to acknowledge the interconnection between art and the structures of social relations within which it is produced and received. As Bourdieu shows, art's new autonomy is one such structure, which complicates but does not eliminate the interconnection. The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.…

  • Language: English

    Published by Stanford University Press, 1996

    0804725683 / 9780804725682

    • Hardcover

    Seller: Buchpark, Trebbin, GermanyBuchpark

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    Condition: Used - Fine

    £ 48.71

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    Condition: Sehr gut. Zustand: Sehr gut | Seiten: 432 | Sprache: Englisch | Produktart: Bücher | 0;"The Rules of Art" is consistently interesting, sometimes enthrallingly so. It is written with a clarity not commonly encountered in French writers on art, and with an irascible authority to which Bourdieu7;s acuity and learning certainly entitle him.1;2;Arthur C. Danto, Johnsonian Professor Emeritus, Columbia University.…

  • Language: English

    Published by Stanford University Press, US, 1996

    0804725683 / 9780804725682

    • Hardcover

    Seller: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United

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    Condition: New

    £ 137.50

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    Hardback. Condition: New. Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the world's leading social theorists. Drawing upon the history of literature and art from the mid-nineteenth century to the present, Bourdieu develops an original theory of art conceived as an autonomous value. He argues powerfully against those who refuse to acknowledge the interconnection between art and the structures of social relations within which it is produced and received. As Bourdieu shows, art's new autonomy is one such structure, which complicates but does not eliminate the interconnection. The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.…

  • Language: English

    Published by STANFORD UNIV PR, 1996

    0804725683 / 9780804725682

    • Hardcover

    Seller: moluna, Greven, Germanymoluna

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    Condition: New

    £ 144.18

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    Gebunden. Condition: New.

  • Language: English

    Published by Stanford Univ Pr, 1996

    0804725683 / 9780804725682

    • Hardcover

    Seller: Revaluation Books, Exeter, United KingdomRevaluation Books

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    Condition: New

    £ 187.78

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    Hardcover. Condition: Brand New. 1st edition. 408 pages. 9.50x6.25x1.25 inches. In Stock.

  • Language: English

    Published by Stanford University Press Jul 1996, 1996

    0804725683 / 9780804725682

    • Hardcover

    Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH

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    Condition: New

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    Buch. Condition: Neu. Neuware - Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the world's leading social theorists. Drawing upon the history of literature and art from the mid-nineteenth century to the present, Bourdieu develops an original theory of art conceived as an autonomous value. He argues powerfully against those who refuse to acknowledge the interconnection between art and the structures of social relations within which it is produced and received. As Bourdieu shows, art's new autonomy is one such structure, which complicates but does not eliminate the interconnection. The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.…