9780719087172 - French Reflections in the Shakespearean Tragic: Three Case Studies by Hillman, Richard (25 results)
- Hardcover
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Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780719087172.
- Hardcover
Seller: Anybook.com, Lincoln, United KingdomAnybook.com
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Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780719087172.
- Hardcover
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Hardback. Condition: Fine. Dust Jacket Condition: Fine. ~Dustwrapper unfaded and unclipped. ~Robust packaging. Overseas tracking available on request. Used books are exempt from USA tariffs. 1st edition. Hardback. Size: viii, 236pp. With dustwrapper. No ownership marks.
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Language: English
Published by Manchester University Press, Manchester and New York 2012
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- Hardcover
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- Hardcover
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- Hardcover
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Hardback. Condition: New. Hillman explores English tragedy in relation to France with a frank concentration on Shakespeare. He sets out to theorise more abstract tragic qualities (such as nostalgia, futility and heroism) with reference to specific French texts and contexts.Three manifestations of the 'Shakespearean tragic' are s…ingled out: Hamlet, Antony and Cleopatra and All's Well That Ends Well, a comedy with melancholic overtones whose French setting is shown to be richly significant. Hillman brings to bear on each of these central works a cluster of French intertextual echoes, sometimes literary in origin (whether dramatic or otherwise), sometimes involving historical texts, memoirs or contemporary political documents which have no obvious connection with the plays but prove capable of enriching interpretation of them It will be of interest not only to scholars specialising in early modern English theatre, but also to both specialists and students concerned with the circulation of information and the production of meaning within early modern European culture.
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- Hardcover
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Condition: New. Num Pages: 256 pages. BIC Classification: 2AB; DSBD; DSGS. Category: (G) General (US: Trade). Dimension: 220 x 145 x 25. Weight in Grams: 448. . 2012. hardcover. . . . .
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Condition: New. Num Pages: 256 pages. BIC Classification: 2AB; DSBD; DSGS. Category: (G) General (US: Trade). Dimension: 220 x 145 x 25. Weight in Grams: 448. . 2012. hardcover. . . . . Books ship from the US and Ireland.
- Hardcover
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- Hardcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
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£ 82.04
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Hardback. Condition: New. Hillman explores English tragedy in relation to France with a frank concentration on Shakespeare. He sets out to theorise more abstract tragic qualities (such as nostalgia, futility and heroism) with reference to specific French texts and contexts.Three manifestations of the 'Shakespearean tragic' are s…ingled out: Hamlet, Antony and Cleopatra and All's Well That Ends Well, a comedy with melancholic overtones whose French setting is shown to be richly significant. Hillman brings to bear on each of these central works a cluster of French intertextual echoes, sometimes literary in origin (whether dramatic or otherwise), sometimes involving historical texts, memoirs or contemporary political documents which have no obvious connection with the plays but prove capable of enriching interpretation of them It will be of interest not only to scholars specialising in early modern English theatre, but also to both specialists and students concerned with the circulation of information and the production of meaning within early modern European culture.
- Hardcover
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Buch. Condition: Neu. Neuware - Richard Hillman pursues his exploration of English tragedy in relation to France with a frank concentration on Shakespeare. Instead of focusing on common paradigms, he sets out to theorise more abstract tragic qualities (such as nostalgia, futility and heroism), but again with reference to specifi…c French texts and contexts.Three manifestations of the 'Shakespearean tragic' are singled out: Hamlet, Antony and Cleopatra and All's Well That Ends Well, a comedy with melancholic overtones whose French setting is shown to be richly significant. Hillman brings to bear on each of these central works a cluster of French intertextual echoes, sometimes literary in origin (whether dramatic or otherwise), sometimes involving historical texts, memoirs or contemporary political documents which have no obvious connection with the plays but prove capable of enriching interpretation of them. Some of this material is quite obscure, at least to literary scholars, and one effect is to suggest the surprising degree to which segments of the English theatre-going public would have responded to the evocation of facts, images and ideas emanating from France in a variety of forms.All in all, this book constitutes a notable advance in Shakespeare criticism, both methodologically and in substance. Its interdisciplinary approach will make it of interest not only to scholars specialising in early modern English theatre, but also to both specialists and students concerned with the circulation of information and the production of meaning within early modern European culture.
