9780521641036 - Modernism, Romance and the Fin De Siècle: Popular Fiction and British Culture by Daly, Nicholas (15 results)

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Condition: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

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hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condition: new. Hardcover. In Modernism, Romance, and the Fin de Siecle Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years, focusing on the work of such authors as Bram Stoker, H. Rider Haggard and Arthur Conan Doyle. Rather than treating these stories as Victorian Gothic, Daly locates them as part of a 'popular modernism'. Drawing on recent work in cultural studies, this book argues that the vampires, mummies and treasure hunts of these adventure narratives provided a form of narrative theory of cultural change, at a time when Britain was trying to accommodate the 'new imperialism', the rise of professionalism, and the expansion of consumerist culture. Daly's wide-ranging study argues that the presence of a genre such as romance within modernism should force a questioning of the usual distinction between high and popular culture. Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years. The presence of a genre such as romance within modernism, he claims, should force a questioning of the usual distinction between high and popular culture. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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Hardcover. Condition: new. Hardcover. In Modernism, Romance, and the Fin de Siecle Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years, focusing on the work of such authors as Bram Stoker, H. Rider Haggard and Arthur Conan Doyle. Rather than treating these stories as Victorian Gothic, Daly locates them as part of a 'popular modernism'. Drawing on recent work in cultural studies, this book argues that the vampires, mummies and treasure hunts of these adventure narratives provided a form of narrative theory of cultural change, at a time when Britain was trying to accommodate the 'new imperialism', the rise of professionalism, and the expansion of consumerist culture. Daly's wide-ranging study argues that the presence of a genre such as romance within modernism should force a questioning of the usual distinction between high and popular culture. Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years. The presence of a genre such as romance within modernism, he claims, should force a questioning of the usual distinction between high and popular culture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years, focusing on authors such as Bram Stoker, H. Rider Haggard and Arthur Conan Doyle. Drawing on recent work in cultural studies, Daly argues that these adventure narratives provided a narrative of cultural change at a time when Britain was trying to accommodate the 'new imperialism.' The presence of a genre such as romance within modernism, he claims, should force a questioning of the usual distinction between high and popular culture.

Hardcover. Condition: new. Hardcover. In Modernism, Romance, and the Fin de Siecle Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years, focusing on the work of such authors as Bram Stoker, H. Rider Haggard and Arthur Conan Doyle. Rather than treating these stories as Victorian Gothic, Daly locates them as part of a 'popular modernism'. Drawing on recent work in cultural studies, this book argues that the vampires, mummies and treasure hunts of these adventure narratives provided a form of narrative theory of cultural change, at a time when Britain was trying to accommodate the 'new imperialism', the rise of professionalism, and the expansion of consumerist culture. Daly's wide-ranging study argues that the presence of a genre such as romance within modernism should force a questioning of the usual distinction between high and popular culture. Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years. The presence of a genre such as romance within modernism, he claims, should force a questioning of the usual distinction between high and popular culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: Like New. Like New. book.

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 540.

Hardcover. Condition: Brand New. 1994-95 edition. 232 pages. 9.25x6.00x0.75 inches. In Stock. This item is printed on demand.

Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Nicholas Daly explores the popular fiction of the romance revival of the late Victorian and Edwardian years. The presence of a genre such as romance within modernism, he claims, should force a questioning of the usual distinction between high and popular .