ISBN: 9780300079814 - Drawing in Early Renaissance Italy Rev Ed: Revised Edition (6 results)

- Softcover
Seller: Ezekial Books, LLC, Manchester, NH, U.S.A.Ezekial Books, LLC
Contact seller5-star sellerCondition: Used - Good
£ 10.12
£ 3.68 shippingShips within U.S.A.Quantity: 1 available
paperback. Condition: Good. 100% Satisfaction Guaranteed.

- Softcover
Seller: Better World Books, Mishawaka, IN, U.S.A.Better World Books
Contact seller5-star sellerCondition: Used - Good
£ 16.22
Free ShippingShips within U.S.A.Quantity: 1 available
Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

- Softcover
Seller: WorldofBooks, Goring-By-Sea, WS, United KingdomWorldofBooks
Contact seller5-star sellerCondition: Used - Very good
£ 34.00
£ 5.60 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Paperback. Condition: Very Good. During the fifteenth century drawing developed from a subsidiary role in the production of finished paintings to an art form in its own right. In this beautiful book, Francis Ames-Lewis examines the works of the major draughtsmen of the centuryPisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio, and Leonardoin order to discuss the new types of drawing that evolved.Ames-Lewiss insight into his chosen subject-matters is impressive; so is his simple and lucid presentation. His enthusiasm and real feeling for these early draughtsmen are very infectious and will no doubt commend this book as a kind of primer for students.Keith Andrews, Times Literary SupplementAn important statement of theory about the drawings emergence as a finished and autonomous work of art; it also offers succinct and enlightening description of the purposes, technique and limitations of drawings in silverpoint, pen and ink, chalk and brush, and as such it will assist and educate every collector concerned with this field.Godfrey Baker, The ConnoisseurThis pioneering book . . . makes a persuasive case for the study of drawing as vital to a fuller understanding of Early Renaissance art.Eve King, Art Book Review. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

- Softcover
Seller: Widney Manor Books, solihull, MIDLA, United KingdomWidney Manor Books
Contact seller5-star sellerCondition: Used - Very good
£ 30.00
£ 20.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Soft cover. Condition: Very Good. Book in very good condition. 208pp in b/w photographs.

- Softcover
Seller: BennettBooksLtd, Los Angeles, CA, U.S.A.BennettBooksLtd
Contact seller5-star sellerCondition: New
£ 67.08
£ 5.17 shippingShips within U.S.A.Quantity: 1 available
paperback. Condition: New. In shrink wrap. Looks like an interesting title.

- Softcover
Seller: BWS BKS, Ferndale, NY, U.S.A.BWS BKS
Contact seller2-star sellerCondition: New
£ 1,512.58
£ 2.23 shippingShips within U.S.A.Quantity: 1 available
Paperback. Condition: New. During the fifteenth century drawing developed from a subsidiary role in the production of finished paintings to an art form in its own right. In this beautiful book, Francis Ames-Lewis examines the works of the major draughtsmen of the century -- Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio, and Leonardo -- in order to discuss the new types of drawing that evolved.…