Drawing in Early Renaissance Italy Rev Ed: Revised Edition
Language: English
Published by Yale University Press, United States, 2000
- Softcover
- Used
Seller: WorldofBooks, Goring-By-Sea, WS, United KingdomWorldofBooks
AbeBooks seller since March 16, 2007
Condition: Used - Very good
£ 34.00
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Add to basketItem description from seller
During the fifteenth century drawing developed from a subsidiary role in the production of finished paintings to an art form in its own right. In this beautiful book, Francis Ames-Lewis examines the works of the major draughtsmen of the centuryPisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio, and Leonardoin order to discuss the new types of drawing that evolved.Ames-Lewiss insight into his chosen subject-matters is impressive; so is his simple and lucid presentation. His enthusiasm and real feeling for these early draughtsmen are very infectious and will no doubt commend this book as a kind of primer for students.Keith Andrews, Times Literary SupplementAn important statement of theory about the drawings emergence as a finished and autonomous work of art; it also offers succinct and enlightening description of the purposes, technique and limitations of drawings in silverpoint, pen and ink, chalk and brush, and as such it will assist and educate every collector concerned with this field.Godfrey Baker, The ConnoisseurThis pioneering book . . . makes a persuasive case for the study of drawing as vital to a fuller understanding of Early Renaissance art.Eve King, Art Book Review. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…
Seller Inventory # GOR004306889
- Title
- Drawing in Early Renaissance Italy Rev Ed: Revised Edition
- Author
- Francis Ames-Lewis
- Publisher
- Yale University Press, United States
- Publication year
- 2000
- Condition
- Very Good
- Binding
- Paperback
- Language
- English
- ISBN 10
- 0300079818
- ISBN 13
- 9780300079814
- Item weight
- 730 grams
- Dimensions
- 191.0 x 254.0
During the fifteenth century drawing developed from a subsidiary role in the production of finished paintings to an art form in its own right. In this beautiful book, Francis Ames-Lewis examines the works of the major draughtsmen of the century―Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio, and Leonardo―in order to discuss the new types of drawing that evolved.
“Ames-Lewis’s insight into his chosen subject-matters is impressive; so is his simple and lucid presentation. His enthusiasm and real feeling for these early draughtsmen are very infectious and will no doubt commend this book as a kind of primer for students.”―Keith Andrews, Times Literary Supplement
“An important statement of theory about the drawing’s emergence as a finished and autonomous work of art; it also offers succinct and enlightening description of the purposes, technique and limitations of drawings in silverpoint, pen and ink, chalk and brush, and as such it will assist and educate every collector concerned with this field.”―Godfrey Baker, The Connoisseur
“This pioneering book . . . makes a persuasive case for the study of drawing as vital to a fuller understanding of Early Renaissance art.”―Eve King, Art Book Review
"Synopsis" may belong to another edition of this title.
About the Author
Francis Ames-Lewis is lecturer in the history of art at Birkbeck College, University of London.
"About the title" may belong to another edition of this title.
WorldofBooks
Goring-By-Sea, WS, United Kingdom
AbeBooks seller since March 16, 2007
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