ISBN: 9780300074611 - Graphic Design Sources (19 results)

Hardback. Condition: Good. This text is aimed at helping readers to understand the principles and process of good design, showing how inventive graphic design arises from diverse stimulus sources. Interweaving theory and creative activity, it demonstrates the integration of such stimuli as nature, music and statistical data. …

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardback. Condition: Good. This text is aimed at helping readers to understand the principles and process of good design, showing how inventive graphic design arises from diverse stimulus sources. Interweaving theory and creative activity, it demonstrates the integration of such stimuli as nature, music and statistical data. …

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Softcover. Condition: Near Fine. First Edition. Book is in NF condition with trace edge wear noted, light bumping to corners else a bright and solid copy. ARN W.08; 4to - over 9¾" - 12" tall.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,200grams, ISBN:9780300074611.

Hardcover. Condition: Used - Very Good. 'Food for thought for communication/information/interface/interaction designers -- in short, anyone involved in human-to-human communication. What an exquisite feast'. -- Daniel Boyarski 'This book represents the best of writing on design. Hiebert's project-based explanations are fascinating deconstructions that make sense and demystify the process of design'. -- Douglass Scott, Yale School of Art and Rhode Island School of Design In this visually exciting book, an award-winning graphic designer and teacher addresses students, educators, computer graphics users, practicing designers, and others seeking to understand the principles and process of good design. Kenneth J. Hiebert extends the innovative approach he used in his previous book, Graphic Design Processes, showing how inventive graphic design arises from diverse stimulus sources. Interweaving theory and concrete, creative activity, he demonstrates the integration of such stimuli as nature, music, personal experience, statistical data, vernacular expression, and architecture in well-designed work. With clear explanations and hundreds of revealing illustrations, Hiebert discusses and demonstrates the process of design creation: first finding more universal and latent beginning points inherent in sources, then engaging in a thought process that leads to fresh and unpredictable interpretive results. He explains how to use the computer as an enabling tool while avoiding the cliche forms of obvious computer-generated design. When designers understand how to meld form, technique, and communication, Hiebert says, design becomes an exciting personal process, independent of stylistic trends. With clear explanations and hundreds of revealing illustrations, the author of GRAPHIC DESIGN PROCESSES continues to discuss and demonstrate the process of design creation and how inventive graphic design inspiration arises from diverse sources. Hiebert reveals how by melding form, technique, and communication, design becomes an exciting personal process. 240 color and 400 b&w illustrations. Very nice clean, tight copy free of any marks.…

Paperback. Condition: Brand New. illustrated edition. 224 pages. 11.50x8.25x0.50 inches. In Stock.

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Condition: Sehr gut. 224 S. Einband leicht berieben. - In this visually exciting book, an award-winning graphic designer and teacher addresses students, educators, computer graphics users, practicing designers, and others seeking to understand the principles and process of good design. Kenneth Hiebert extends the innovative approach he used in his previous book, Graphic Design Processes, showing how inventive graphic design arises from diverse stimulus sources. Interweaving theory and concrete, creative activity, he demonstrates the integration of such stimuli as nature, music, personal experience, statistical data, vernacular expression, and architecture in well-designed work. With clear explanations and hundreds of revealing illustrations, Hiebert discusses and demonstrates the process of design creation: first finding more universal and latent beginning points inherent in sources, then engaging in a thought process that leads to fresh and unpredictable interpretive results. The computer is used as an enabling tool while avoiding the cliché forms of obvious computer-generated design. When designers understand how to meld form, technique, and communication, Hiebert says, design becomes an exciting personal process, independent of stylistic trends. ISBN 9780300074611 Sprache: Deutsch Gewicht in Gramm: 550 Mit zahlr. auch farb. Abb. Broschiert.…