9780300063813 - Albion?s Classicism ? the Visual Arts in England 1550?1650 ? Studies in British Art V 2: the Visual Arts in Britain, 1550-1660 by Gent, Lucy (25 results)

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. A few small stains.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Visual arts in Britain between 1550 and 1650 have long been considered part of the classical Italian Renaissance canon. Now a distinguished group of scholars demonstrates that attitudes to classical art were in fact somewhat ambivalent during this period in Britain (or, as it is called poetically, Albion). For town halls and funeral monuments, for paintings and theatrical works, British artists, patrons, and builders made informed choices from the classical vocabulary while continuing to work within systems and circumstances quite distinct from those of classicism. The authors focus on the ways that local influences, habits, and visual sensibilities interacted with classicism and the work and methods of such masters as Inigo Jones in the evolution of British art, architecture, and literature in this era. Introduced and edited by Lucy Gent, this handsome book was written by contributors who come from the fields of history, art and architectural history, literary criticism, and emblematics. The book consists of essays by Lisa Jardine, Maurice Howard, Deborah Howard, Michael Bath, Paula Henderson, Nigel Llewellyn, Susan Foister, Margaret Aston, Keith Thomas, Christy Anderson, Ellen Chirelstein, Thomas Greene, Sasha Roberts, Alice Friedman, Gloria Kury, and Catherine Belsey. viii, 470 p. : ill. ; 27 cm. First edition, first printing. Grey cloth boards, unclipped dust jacket (now in a removable protective sleeve). Old tape repair to verso at head of spine, shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition.

Hardcover. Size: [7.25" X 10.25"] 200 b&w figures, 470pp. As new, clean, tight and bright condition, with bright and crisp dust jacket which is now in a clear protective mylar sleeve.

hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. A clean, tight copy. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Condition: New. These essays show how unpredictable attitudes to classical art turn out to be in Britain during the period 1550-1650. They aim to show how British artists, patrons and builders made informed choices from the classical vocabulary while working within systems distinct from those of classicism. Editor(s): Gent, Lucy. Series: The Paul Mellon Centre for Studies in British Art. Num Pages: 478 pages, 200 b&w illustrations. BIC Classification: 1DBKE; 3JB; 3JD; ACN. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 254 x 178 x 38. Weight in Grams: 1650. . 1996. Hardcover. . . . .

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: new.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. These essays show how unpredictable attitudes to classical art turn out to be in Britain during the period 1550-1650. They aim to show how British artists, patrons and builders made informed choices from the classical vocabulary while working within systems distinct from those of classicism. Editor(s): Gent, Lucy. Series: The Paul Mellon Centre for Studies in British Art. Num Pages: 478 pages, 200 b&w illustrations. BIC Classification: 1DBKE; 3JB; 3JD; ACN. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 254 x 178 x 38. Weight in Grams: 1650. . 1996. Hardcover. . . . . Books ship from the US and Ireland.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Hardback. Condition: New. Visual arts in Britain between 1550 and 1650 have long been considered part of the classical Italian Renaissance canon. Now a distinguished group of scholars demonstrates that attitudes to classical art were in fact somewhat ambivalent during this period in Britain (or, as it is called poetically, Albion). For town halls and funeral monuments, for paintings and theatrical works, British artists, patrons, and builders made informed choices from the classical vocabulary while continuing to work within systems and circumstances quite distinct from those of classicism. The authors focus on the ways that local influences, habits, and visual sensibilities interacted with classicism and the work and methods of such masters as Inigo Jones in the evolution of British art, architecture, and literature in this era. Introduced and edited by Lucy Gent, this handsome book was written by contributors who come from the fields of history, art and architectural history, literary criticism, and emblematics. The book consists of essays by Lisa Jardine, Maurice Howard, Deborah Howard, Michael Bath, Paula Henderson, Nigel Llewellyn, Susan Foister, Margaret Aston, Keith Thomas, Christy Anderson, Ellen Chirelstein, Thomas Greene, Sasha Roberts, Alice Friedman, Gloria Kury, and Catherine Belsey.Published for the Paul Mellon Center for Studies in British Art.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: New.

Hardcover. Condition: new. Hardcover. Visual arts in Britain between 1550 and 1650 have long been considered part of the classical Italian Renaissance canon. Now a distinguished group of scholars demonstrates that attitudes to classical art were in fact somewhat ambivalent during this period in Britain (or, as it is called poetically, Albion). For town halls and funeral monuments, for paintings and theatrical works, British artists, patrons, and builders made informed choices from the classical vocabulary while continuing to work within systems and circumstances quite distinct from those of classicism. The authors focus on the ways that local influences, habits, and visual sensibilities interacted with classicism and the work and methods of such masters as Inigo Jones in the evolution of British art, architecture, and literature in this era. Introduced and edited by Lucy Gent, this handsome book was written by contributors who come from the fields of history, art and architectural history, literary criticism, and emblematics. The book consists of essays by Lisa Jardine, Maurice Howard, Deborah Howard, Michael Bath, Paula Henderson, Nigel Llewellyn, Susan Foister, Margaret Aston, Keith Thomas, Christy Anderson, Ellen Chirelstein, Thomas Greene, Sasha Roberts, Alice Friedman, Gloria Kury, and Catherine Belsey.Published for the Paul Mellon Center for Studies in British Art These essays show how unpredictable attitudes to classical art turn out to be in Britain during the period 1550-1650. They aim to show how British artists, patrons and builders made informed choices from the classical vocabulary while working within systems distinct from those of classicism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: Brand New. 470 pages. 10.50x7.50x1.50 inches. In Stock.

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Condition: New.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. Published by Yale University Press in 1995, here is the first hardback printing of Albion's Classicism: The Visual Arts in Britain, 1550-1650 (Studies in British Art Volume 2) edited by Lucy Gent. Grey cloth binding, silver spine lettering, 470 pages, sensational illustrations, the book is in very good condition. The dust jacket is good with some creasing to the top edge culminating in a small tear to the spine at the rear. The book is very, very heavy, weighing nearly 1.7 kg when wrapped and therefore additional postage MUST be applied to areas OUTSIDE the UK as follows: Europe £7, Rest of the World £11. UK postage is as quoted and will be tracked for this item.

Hardcover. Condition: new. Hardcover. Visual arts in Britain between 1550 and 1650 have long been considered part of the classical Italian Renaissance canon. Now a distinguished group of scholars demonstrates that attitudes to classical art were in fact somewhat ambivalent during this period in Britain (or, as it is called poetically, Albion). For town halls and funeral monuments, for paintings and theatrical works, British artists, patrons, and builders made informed choices from the classical vocabulary while continuing to work within systems and circumstances quite distinct from those of classicism. The authors focus on the ways that local influences, habits, and visual sensibilities interacted with classicism and the work and methods of such masters as Inigo Jones in the evolution of British art, architecture, and literature in this era. Introduced and edited by Lucy Gent, this handsome book was written by contributors who come from the fields of history, art and architectural history, literary criticism, and emblematics. The book consists of essays by Lisa Jardine, Maurice Howard, Deborah Howard, Michael Bath, Paula Henderson, Nigel Llewellyn, Susan Foister, Margaret Aston, Keith Thomas, Christy Anderson, Ellen Chirelstein, Thomas Greene, Sasha Roberts, Alice Friedman, Gloria Kury, and Catherine Belsey.Published for the Paul Mellon Center for Studies in British Art These essays show how unpredictable attitudes to classical art turn out to be in Britain during the period 1550-1650. They aim to show how British artists, patrons and builders made informed choices from the classical vocabulary while working within systems distinct from those of classicism. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardback. Condition: New. Visual arts in Britain between 1550 and 1650 have long been considered part of the classical Italian Renaissance canon. Now a distinguished group of scholars demonstrates that attitudes to classical art were in fact somewhat ambivalent during this period in Britain (or, as it is called poetically, Albion). For town halls and funeral monuments, for paintings and theatrical works, British artists, patrons, and builders made informed choices from the classical vocabulary while continuing to work within systems and circumstances quite distinct from those of classicism. The authors focus on the ways that local influences, habits, and visual sensibilities interacted with classicism and the work and methods of such masters as Inigo Jones in the evolution of British art, architecture, and literature in this era. Introduced and edited by Lucy Gent, this handsome book was written by contributors who come from the fields of history, art and architectural history, literary criticism, and emblematics. The book consists of essays by Lisa Jardine, Maurice Howard, Deborah Howard, Michael Bath, Paula Henderson, Nigel Llewellyn, Susan Foister, Margaret Aston, Keith Thomas, Christy Anderson, Ellen Chirelstein, Thomas Greene, Sasha Roberts, Alice Friedman, Gloria Kury, and Catherine Belsey.Published for the Paul Mellon Center for Studies in British Art.

Hardcover. Condition: new. Hardcover. Visual arts in Britain between 1550 and 1650 have long been considered part of the classical Italian Renaissance canon. Now a distinguished group of scholars demonstrates that attitudes to classical art were in fact somewhat ambivalent during this period in Britain (or, as it is called poetically, Albion). For town halls and funeral monuments, for paintings and theatrical works, British artists, patrons, and builders made informed choices from the classical vocabulary while continuing to work within systems and circumstances quite distinct from those of classicism. The authors focus on the ways that local influences, habits, and visual sensibilities interacted with classicism and the work and methods of such masters as Inigo Jones in the evolution of British art, architecture, and literature in this era. Introduced and edited by Lucy Gent, this handsome book was written by contributors who come from the fields of history, art and architectural history, literary criticism, and emblematics. The book consists of essays by Lisa Jardine, Maurice Howard, Deborah Howard, Michael Bath, Paula Henderson, Nigel Llewellyn, Susan Foister, Margaret Aston, Keith Thomas, Christy Anderson, Ellen Chirelstein, Thomas Greene, Sasha Roberts, Alice Friedman, Gloria Kury, and Catherine Belsey.Published for the Paul Mellon Center for Studies in British Art These essays show how unpredictable attitudes to classical art turn out to be in Britain during the period 1550-1650. They aim to show how British artists, patrons and builders made informed choices from the classical vocabulary while working within systems distinct from those of classicism. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.