Visual arts in Britain between 1550 and 1650 have long been considered part of the classical Italian Renaissance canon. Now a distinguished group of scholars demonstrates that attitudes to classical art were in fact somewhat ambivalent during this period in Britain (or, as it is called poetically, Albion). For town halls and funeral monuments, for paintings and theatrical works, British artists, patrons, and builders made informed choices from the classical vocabulary while continuing to work within systems and circumstances quite distinct from those of classicism. The authors focus on the ways that local influences, habits, and visual sensibilities interacted with classicism and the work and methods of such masters as Inigo Jones in the evolution of British art, architecture, and literature in this era.
Introduced and edited by Lucy Gent, this handsome book was written by contributors who come from the fields of history, art and architectural history, literary criticism, and emblematics. The book consists of essays by Lisa Jardine, Maurice Howard, Deborah Howard, Michael Bath, Paula Henderson, Nigel Llewellyn, Susan Foister, Margaret Aston, Keith Thomas, Christy Anderson, Ellen Chirelstein, Thomas Greene, Sasha Roberts, Alice Friedman, Gloria Kury, and Catherine Belsey.
Published for the Paul Mellon Center for Studies in British Art
"synopsis" may belong to another edition of this title.
Lucy Gent was formerly senior lecturer in English at the University of North London.
"About this title" may belong to another edition of this title.
Seller: WeBuyBooks, Rossendale, LANCS, United Kingdom
Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. A few small stains. Seller Inventory # rev8975798460
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Seller: Springhead Books, Rochester, United Kingdom
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Visual arts in Britain between 1550 and 1650 have long been considered part of the classical Italian Renaissance canon. Now a distinguished group of scholars demonstrates that attitudes to classical art were in fact somewhat ambivalent during this period in Britain (or, as it is called poetically, Albion). For town halls and funeral monuments, for paintings and theatrical works, British artists, patrons, and builders made informed choices from the classical vocabulary while continuing to work within systems and circumstances quite distinct from those of classicism. The authors focus on the ways that local influences, habits, and visual sensibilities interacted with classicism and the work and methods of such masters as Inigo Jones in the evolution of British art, architecture, and literature in this era. Introduced and edited by Lucy Gent, this handsome book was written by contributors who come from the fields of history, art and architectural history, literary criticism, and emblematics. The book consists of essays by Lisa Jardine, Maurice Howard, Deborah Howard, Michael Bath, Paula Henderson, Nigel Llewellyn, Susan Foister, Margaret Aston, Keith Thomas, Christy Anderson, Ellen Chirelstein, Thomas Greene, Sasha Roberts, Alice Friedman, Gloria Kury, and Catherine Belsey. viii, 470 p. : ill. ; 27 cm. First edition, first printing. Grey cloth boards, unclipped dust jacket (now in a removable protective sleeve). Old tape repair to verso at head of spine, shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. Seller Inventory # 017810
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Seller: Paul Hughes - PBFA, Bishop Auckland, United Kingdom
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Seller Inventory # ABE-1758271049512
Seller: HALCYON BOOKS, LONDON, United Kingdom
hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. A clean, tight copy. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING. Seller Inventory # mon0000980612
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Seller: J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, U.S.A.
Hardcover. Size: [7.25" X 10.25"] 200 b&w figures, 470pp. As new, clean, tight and bright condition, with bright and crisp dust jacket which is now in a clear protective mylar sleeve. Seller Inventory # 225235
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. These essays show how unpredictable attitudes to classical art turn out to be in Britain during the period 1550-1650. They aim to show how British artists, patrons and builders made informed choices from the classical vocabulary while working within systems distinct from those of classicism. Editor(s): Gent, Lucy. Series: The Paul Mellon Centre for Studies in British Art. Num Pages: 478 pages, 200 b&w illustrations. BIC Classification: 1DBKE; 3JB; 3JD; ACN. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 254 x 178 x 38. Weight in Grams: 1650. . 1996. Hardcover. . . . . Seller Inventory # V9780300063813
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 837043
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 837043-n
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new. Seller Inventory # d0cea1b42c4838b3630b30f9469a7286
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # WY-9780300063813
Quantity: 5 available