Published by Columbia University Press, 2001
ISBN 10: 0231121350 ISBN 13: 9780231121354
Language: English
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Published by Columbia University Press, 2001
ISBN 10: 0231121350 ISBN 13: 9780231121354
Language: English
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Published by Columbia University Press, 2001
ISBN 10: 0231121350 ISBN 13: 9780231121354
Language: English
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Published by Columbia University Press, 2001
ISBN 10: 0231121350 ISBN 13: 9780231121354
Language: English
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Add to basketPaperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.7.
Published by Columbia University Press, 2001
ISBN 10: 0231121350 ISBN 13: 9780231121354
Language: English
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Published by Columbia University Press, 2001
ISBN 10: 0231121350 ISBN 13: 9780231121354
Language: English
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Published by Columbia University Press, 2001
ISBN 10: 0231121350 ISBN 13: 9780231121354
Language: English
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Published by Columbia University Press, 2001
ISBN 10: 0231121350 ISBN 13: 9780231121354
Language: English
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Published by Columbia University Press, 2001
ISBN 10: 0231121350 ISBN 13: 9780231121354
Language: English
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Published by Columbia University Press, 2001
ISBN 10: 0231121350 ISBN 13: 9780231121354
Language: English
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Published by Columbia University Press, 2001
ISBN 10: 0231121350 ISBN 13: 9780231121354
Language: English
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Published by Columbia University Press, US, 2001
ISBN 10: 0231121350 ISBN 13: 9780231121354
Language: English
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Add to basketPaperback. Condition: New. Although deconstruction has become a popular catchword, as an intellectual movement it has never entirely caught on within the university. For some in the academy, deconstruction, and Jacques Derrida in particular, are responsible for the demise of accountability in the study of literature. Countering these facile dismissals of Derrida and deconstruction, Herman Rapaport explores the incoherence that has plagued critical theory since the 1960s and the resulting legitimacy crisis in the humanities. Against the backdrop of a rich, informed discussion of Derrida's writings-and how they have been misconstrued by critics and admirers alike-The Theory Mess investigates the vicissitudes of Anglo-American criticism over the past thirty years and proposes some possibilities for reform.
Published by Columbia University Press, 2001
ISBN 10: 0231121350 ISBN 13: 9780231121354
Language: English
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Published by Columbia University Press, 2001
ISBN 10: 0231121350 ISBN 13: 9780231121354
Language: English
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Published by Columbia University Press, 2001
ISBN 10: 0231121350 ISBN 13: 9780231121354
Language: English
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Paperback. Condition: Brand New. 188 pages. 9.00x6.00x0.50 inches. In Stock.
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Add to basketCondition: New. A clarifying account of the general landscape of critical theory in the United States over the last 30 years ending with the current eclipse of deconstruction.Über den AutorrnrnHerman RapaportInhaltsverzeichnisrnrn.
Published by Columbia University Press Jan 2001, 2001
ISBN 10: 0231121350 ISBN 13: 9780231121354
Language: English
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Add to basketTaschenbuch. Condition: Neu. Neuware - Although deconstruction has become a popular catchword, as an intellectual movement it has never entirely caught on within the university. For some in the academy, deconstruction, and Jacques Derrida in particular, are responsible for the demise of accountability in the study of literature.
Published by Columbia University Press, 2001
ISBN 10: 0231121350 ISBN 13: 9780231121354
Language: English
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Published by Columbia University Press, US, 2001
ISBN 10: 0231121350 ISBN 13: 9780231121354
Language: English
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
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Add to basketPaperback. Condition: New. Although deconstruction has become a popular catchword, as an intellectual movement it has never entirely caught on within the university. For some in the academy, deconstruction, and Jacques Derrida in particular, are responsible for the demise of accountability in the study of literature. Countering these facile dismissals of Derrida and deconstruction, Herman Rapaport explores the incoherence that has plagued critical theory since the 1960s and the resulting legitimacy crisis in the humanities. Against the backdrop of a rich, informed discussion of Derrida's writings-and how they have been misconstrued by critics and admirers alike-The Theory Mess investigates the vicissitudes of Anglo-American criticism over the past thirty years and proposes some possibilities for reform.