Language: English
Published by Oxford University Press, 2014
ISBN 10: 0199832811 ISBN 13: 9780199832811
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Language: English
Published by Oxford University Press, Incorporated, 2014
ISBN 10: 0199832811 ISBN 13: 9780199832811
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Language: English
Published by Oxford University Press, 2014
ISBN 10: 0199832811 ISBN 13: 9780199832811
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Published by Oxford University Press, 2014
ISBN 10: 0199832811 ISBN 13: 9780199832811
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Published by Oxford University Press, 2014
ISBN 10: 0199832811 ISBN 13: 9780199832811
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Language: English
Published by Oxford University Press, USA, 2014
ISBN 10: 0199832811 ISBN 13: 9780199832811
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Language: English
Published by Oxford University Press, 2014
ISBN 10: 0199832811 ISBN 13: 9780199832811
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Language: English
Published by Oxford University Press, 2014
ISBN 10: 0199832811 ISBN 13: 9780199832811
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Language: English
Published by Oxford University Press 2014-10, 2014
ISBN 10: 0199832811 ISBN 13: 9780199832811
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Language: English
Published by Oxford University Press, 2014
ISBN 10: 0199832811 ISBN 13: 9780199832811
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Language: English
Published by Oxford University Press, 2014
ISBN 10: 0199832811 ISBN 13: 9780199832811
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Language: English
Published by Oxford University Press, 2014
ISBN 10: 0199832811 ISBN 13: 9780199832811
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Published by Oxford University Press, 2014
ISBN 10: 0199832811 ISBN 13: 9780199832811
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Language: English
Published by Oxford University Press, 2014
ISBN 10: 0199832811 ISBN 13: 9780199832811
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Published by Oxford University Press Inc, 2014
ISBN 10: 0199832811 ISBN 13: 9780199832811
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Language: English
Published by Oxford University Press, 2014
ISBN 10: 0199832811 ISBN 13: 9780199832811
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Language: English
Published by Oxford University Press OUP, 2014
ISBN 10: 0199832811 ISBN 13: 9780199832811
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Language: English
Published by Oxford University Press, 2014
ISBN 10: 0199832811 ISBN 13: 9780199832811
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Language: English
Published by Oxford University Press Inc, New York, 2014
ISBN 10: 0199832811 ISBN 13: 9780199832811
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Paperback. Condition: new. Paperback. This volume is about the many ways we perceive. In nineteen new essays, philosophers and cognitive scientists explore the nature of the individual senses, how and what they tell us about the world, and how they interrelate. They consider how the senses extract perceptual content from receptoral information and what kinds of objects we perceive and whether multiple senses ever perceive a single event. Questions pertaining to how many senses we have, what makes onesense distinct from another, and whether and why distinguishing senses may be useful feature prominently. Contributors examine the extent to which the senses act in concert, rather than as discretemodalities, and whether this influence is epistemically pernicious, neutral, or beneficial. Many of the essays engage with the idea that it is unduly restrictive to think of perception as a collation of contents provided by individual sense modalities. Rather, contributors contend that to understand perception properly we need to build into our accounts the idea that the senses work together. In doing so, they aim to develop better paradigms for understanding the sensesand thereby to move toward a better understanding of perception. This volume is about the many ways we perceive. Contributors explore the nature of the individual senses, how and what they tell us about the world, and how they interrelate. The volume begins to develop better paradigms for understanding the senses and perception. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Language: English
Published by Oxford University Press, 2014
ISBN 10: 0199832811 ISBN 13: 9780199832811
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Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This volume is about the many ways we perceive. In nineteen new essays, philosophers and cognitive scientists explore the nature of the individual senses, how and what they tell us about the world, and how they interrelate. They consider how the senses extract perceptual content from receptoral information and what kinds of objects we perceive and whether multiple senses ever perceive a single event. Questions pertaining to how many senses we have, what makes one sense distinct from another, and whether and why distinguishing senses may be useful feature prominently. Contributors examine the extent to which the senses act in concert, rather than as discrete modalities, and whether this influence is epistemically pernicious, neutral, or beneficial. Many of the essays engage with the idea that it is unduly restrictive to think of perception as a collation of contents provided by individual sense modalities. Rather, contributors contend that to understand perception properly we need to build into our accounts the idea that the senses work together. In doing so, they aim to develop better paradigms for understanding the senses and thereby to move toward a better understanding of perception.