Willem Pijper (78 results)

Stapled wraps. Condition: Good+. No Dust Jacket. Cover soil, edgewear, cover curl. Solid paperback stapled booklet. ; Six adagios by Willem Pijper, "considered to be among the most important Dutch composers of the first half of the 20th century."; 22 pages.

Publisher's printed wrappers. Size: Folio. 6pp.

Paperback. Condition: Good. Copyright 1931. One copy as issued. Wrappers worn/chipping with some tape repair. Brown paper repair to spine. Some staining to fore-edge.

Hardcover. Condition: Good. Originele grijze hardcover met goudopdruk op rug, stofomslag, 8vo.

Hardcover. Condition: Good. Originele grijze hardcover met goudopdruk op rug, stofomslag, 8vo.; Naam end atum met rode pen op schutblad.

Paperback. Condition: Very Good. No date. Slight wear. Only some of my sheet music and scores are listed on ABE, visit my website to view all of my stock.

Paperback. Condition: Good. Copyright 1947. Some wear/dust-staining. Only some of my scores are listed on ABE, visit my website to view all of my stock.

Softcover. Condition: Good. Original stapled wrappers with ribbon, softcover, numerous illustrations in colour, unpaged, 4to.; Small tear and crease at top corner front cover.

Paperback. Condition: Good. Piano score and part. Somewhat worn and dust-stained. Previous owner's signature and pencil markings. Only some of my sheet music and scores are listed on ABE, visit my website to view all of my stock.

Paperback. Condition: Very Good. Copyright 1925. Slight wear. Previous owner's signature. Only some of my sheet music and scores are listed on ABE, visit my website to view all of my stock.

Size: 8vo. [i], 18pp. Stapled as issued in publisher's printed wrappers.

Size: Small 8vo. 23ff. Spiral bound with publisher's printed front wrapper. Reproduction of the composer's manuscript.

Size: Folio. [ii], 30pp. Spiral bound in publisher's printed wrappers. Reproduction of the Oxford University Press edition of 1931.

Paperback. Condition: Very Good. Copyright 1952. Slight wear. Only some of my music and scores are listed on ABE, visit my website to view all of my stock.

Paperback. Condition: Very Good. Copyright 1950. Slight wear. Only some of my music and scores are listed on ABE, visit my website to view all of my stock.

Gebonden. Condition: Lichte gebruikssporen. Derde druk. 158 pp.

Overall condition: Very good / Zustand: Sehr gut. Sheetmusic / Noten.

Overall condition: Very good / Zustand: Sehr gut. Sheetmusic / Noten.

Paperback.

Gr.-4°. OKart. 8 S. Sprache: Niederländisch Gewicht in Gramm: 300.

Gr.-4°. OKart. Klavierauszug. 23 S. Sprache: Französisch Gewicht in Gramm: 800.

Size: Folio. 16, 6pp. Sewn as issued in publisher's printed wrappers.

36 S. 3. Nederlandse componisten van de xixe en xxe eeuw / Joh. Daniskas. - 32 S. 4. Het concertwezen in Nederland / Kees van Baaren. - 30 S. 5. De componist Alphons Diepenbrock / E. Reeser. - 28 S. Uitvoerende en paedagigische kunstenaars / J. Kasander. - 36 S. Jedes: Sprache: Niederländisch Gewicht in Gramm: 350.…

8°. Geheftet. 13 S. Sprache: Niederländisch Gewicht in Gramm: 300.

Size: Folio. [ii], 60pp. Spiral bound in publisher's printed wrappers.

Studienpartitur. 25 S. Plastik OU. 0 Gewicht in Gramm: 400.

Geniette band, 24 cm, 45 pp. Ills.: zwart/wit illustraties. Cond.: goed / good.

Soft cover. Condition: Very Good. File copy stamp on each part, otherwise a VG unmarked set of parts in slightly faded soft covers. 34 pages. Shipping Category: Book/Large Score.

Folio. Original publisher's brown printed wrappers with titling to upper. Score: 24; Violin: 5; Cello: 5 pp. Wrappers slightly worn; partial split to spine; monogrammatic sticker to upper. Performance annotations in string parts throughout. First Edition. Kloppenburg, p. 59. "Pijper was, with Vermeulen, the most important composer in the Netherlands in the first half of the 20th century; his teaching and writing also made a significant impact. He grew up in a working-class Calvinist milieu in a village outside Utrecht. Already studying the organ, he left school in 1911 to enroll in the Utrecht Toonkunst Muziekschool, where he studied composition with Johan Wagenaar and the piano with Helena van Lunteren-Hansen. His final examination, in 1915, was in theory, and he continued composition lessons privately for three more years. A radical new compositional style. made Pijper leader of the Dutch musical avant garde. He represented the Netherlands at the founding of the ISCM in Salzburg, 1922; soon after, backed by Sem Dresden, he established the Dutch ISCM section. The String Quartet no.4 (1928), based on an octatonic germ cell, attains polymetric extremes; during moments in the finale, none of the players share a common downbeat." Harrison Ryker in Grove Music Online.…

19 S. OU. Sprache: Französisch Gewicht in Gramm: 350.