Whiteman Stephen (56 results)

HARDCOVER. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. Large octavo hc w/jacket, 271pp, color ill., tight binding, clean throughout, clean boards with sharp corners, Fine. Jacket is clean and colorful with touches of edge wear, Near Fine .

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Paperback. Condition: new. Paperback. Floating Time: Chinese Prints, 19542002 brings together, for the first time, the University of Sydney Art Collection's 93 modern and contemporary Chinese prints.One of only three major collections of twentieth-century Chinese prints in Australia, this substantial collection includes national-prize winning prints and works by internationally acclaimed artists, including Zhao Zongzao and Su Xinping.The half-century represented here reveals not only the development of the powerful woodcut tradition under Mao, but also the rapid expansion of printmaking as artists embraced a broader set of themes and more experimental techniques. Such developments reflect the tumultuous periods in which these works were produced and offer a unique and intimate glimpse into the lives of these fifty artists-a vastly different perspective from the familiar forms of contemporary Chinese art seen in better-known international art circuits.'This book presents readers with in-depth discussions on an array of fine modern Chinese prints in the University of Sydney Art Collection. The historical, social, and political contexts outlined by the authors offer fresh insight into this important collection.' Yin Cao, Curator, Chinese Art, Art Gallery of New South Wales Floating Time: Chinese Prints,19542002 brings together, forthe first time, the University ofSydney Art Collection's 93 modernand contemporary Chinese prints. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Good. 1992 revised edition.

Condition: New.

Paperback. Condition: new. Paperback. 'How does one define the art of a region without losing sight of cultural specificity? This question has often plagued art historical studies of the "global," but this exceptional collaborative research effort, conceived through archival research, extensive fieldwork and new theoretical perspectives, succeeds where others have failed: in presenting transnational perspectives on post-war artistic practices and the processes of de-colonisation in Southeast Asia without losing sight of national singularities.' - Nora A. Taylor, Alsdorf Professor of South and Southeast Asian Art, School of the Art Institute of ChicagoThis new volume explores the art and architecture of Southeast Asia in the postwar period. Ten essays by emerging scholars draw upon unexplored archives and works of art, bearing witness to rich local histories and uncovering complex artistic exchanges across Cambodia, Indonesia, Hong Kong, Myanmar, the Philippines, Singapore, Thailand and beyond.The collection sheds new light on the significance of architecture, painting, installation, photography, and sculpture in the historical narratives of this period and offers fresh insights into artistic production and reception within the cultural and political contexts of postcolonialism and the Cold War, the legacies of which continue to shape the region today. This new volume explores the art and architecture of Southeast Asia in the postwar period. Ten essays by emerging scholars draw upon unexplored archives and works of art, bearing witness to rich local histories and uncovering complex artistic exchanges across Cambodia, Indonesia, Hong Kong, Myanmar, the Philippines, Singapore, Thailand and beyond. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: As New. Unread book in perfect condition.

HARDCOVER. Condition: Very Good. Dust Jacket Condition: Very Good. Trillium Center Press. HARDCOVER. 2006. . Very Good.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. A nice, bright copy. ; Color illustrations; 7.25 X 0.75 X 10.25 inches; 292 pages.

Hardcover. Condition: As New. Fine in glazed pictorial boards, essentially as new copy. This artistic collaboration between a Chinese emperor and a western missionary-artist marked a significant moment in intercultural imagination, production, and transmission during an earlier phase of globalization.

Condition: New. 2018. Paperback. . . . . .

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condition: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Soft cover. Condition: Near Fine. Minimal wear to covers. Spine not creased. Internally clean. 332pp This volume sheds new light on the signi cance of architecture, painting, installation, photography, and sculpture in the historical narratives of this period and offers fresh insights into artistic production and reception within the cultural and political contexts of post-colonialism and the Cold War, the legacies of which continue to shape the region today. Size: 170mm x 245mm. Book.

Hardcover. Condition: Brand New. 148 pages. 6.00x0.38x9.00 inches. In Stock.

Paperback. Condition: new. Paperback. Floating Time: Chinese Prints, 19542002 brings together, for the first time, the University of Sydney Art Collection's 93 modern and contemporary Chinese prints.One of only three major collections of twentieth-century Chinese prints in Australia, this substantial collection includes national-prize winning prints and works by internationally acclaimed artists, including Zhao Zongzao and Su Xinping.The half-century represented here reveals not only the development of the powerful woodcut tradition under Mao, but also the rapid expansion of printmaking as artists embraced a broader set of themes and more experimental techniques. Such developments reflect the tumultuous periods in which these works were produced and offer a unique and intimate glimpse into the lives of these fifty artists-a vastly different perspective from the familiar forms of contemporary Chinese art seen in better-known international art circuits.'This book presents readers with in-depth discussions on an array of fine modern Chinese prints in the University of Sydney Art Collection. The historical, social, and political contexts outlined by the authors offer fresh insight into this important collection.' Yin Cao, Curator, Chinese Art, Art Gallery of New South Wales Floating Time: Chinese Prints,19542002 brings together, forthe first time, the University ofSydney Art Collection's 93 modernand contemporary Chinese prints. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: new. Paperback. 'How does one define the art of a region without losing sight of cultural specificity? This question has often plagued art historical studies of the "global," but this exceptional collaborative research effort, conceived through archival research, extensive fieldwork and new theoretical perspectives, succeeds where others have failed: in presenting transnational perspectives on post-war artistic practices and the processes of de-colonisation in Southeast Asia without losing sight of national singularities.' - Nora A. Taylor, Alsdorf Professor of South and Southeast Asian Art, School of the Art Institute of ChicagoThis new volume explores the art and architecture of Southeast Asia in the postwar period. Ten essays by emerging scholars draw upon unexplored archives and works of art, bearing witness to rich local histories and uncovering complex artistic exchanges across Cambodia, Indonesia, Hong Kong, Myanmar, the Philippines, Singapore, Thailand and beyond.The collection sheds new light on the significance of architecture, painting, installation, photography, and sculpture in the historical narratives of this period and offers fresh insights into artistic production and reception within the cultural and political contexts of postcolonialism and the Cold War, the legacies of which continue to shape the region today. This new volume explores the art and architecture of Southeast Asia in the postwar period. Ten essays by emerging scholars draw upon unexplored archives and works of art, bearing witness to rich local histories and uncovering complex artistic exchanges across Cambodia, Indonesia, Hong Kong, Myanmar, the Philippines, Singapore, Thailand and beyond. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condition: New.

Paperback. Condition: new. Paperback. Floating Time: Chinese Prints, 19542002 brings together, for the first time, the University of Sydney Art Collection's 93 modern and contemporary Chinese prints.One of only three major collections of twentieth-century Chinese prints in Australia, this substantial collection includes national-prize winning prints and works by internationally acclaimed artists, including Zhao Zongzao and Su Xinping.The half-century represented here reveals not only the development of the powerful woodcut tradition under Mao, but also the rapid expansion of printmaking as artists embraced a broader set of themes and more experimental techniques. Such developments reflect the tumultuous periods in which these works were produced and offer a unique and intimate glimpse into the lives of these fifty artists-a vastly different perspective from the familiar forms of contemporary Chinese art seen in better-known international art circuits.'This book presents readers with in-depth discussions on an array of fine modern Chinese prints in the University of Sydney Art Collection. The historical, social, and political contexts outlined by the authors offer fresh insight into this important collection.' Yin Cao, Curator, Chinese Art, Art Gallery of New South Wales Floating Time: Chinese Prints,19542002 brings together, forthe first time, the University ofSydney Art Collection's 93 modernand contemporary Chinese prints. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condition: Brand New. 448 pages. 10.00x7.00x1.10 inches. In Stock.

Hardcover without dustjacket as issued, 300 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: New.