Condition: New. Brand new! Factory sealed in plastic. New.
Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.
Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.
Paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.
Language: English
Published by Yale University Press, 2019
ISBN 10: 0300233272 ISBN 13: 9780300233278
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by Yale University Press, 2019
ISBN 10: 0300233272 ISBN 13: 9780300233278
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Condition: New.
Condition: New. pp. 208.
Language: English
Published by Yale University Press, US, 2019
ISBN 10: 0300233272 ISBN 13: 9780300233278
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. This unconventional publication explores the process of making art through the work and studio practice of Sophie Whettnall (b. 1973), a contemporary Belgian artist whose works range from video art, installation, and performance to sculpture and drawing. In addition to copious illustrations of Whettnall's artwork that highlight its relationship to the studio and the artist's creative process, the book features three conversations. The first, between Whettnall and fellow artist Marina Abramovic, explores transmission, violence, and femininity. The second, between Emiliano Battista and Scott Samuelson, situates Whettnall's work and practice in the broader context of contemporary art and the theoretical framework that shapes it. In the third, Carine Fol and Whettnall share with the reader the behind-the-scenes discussions and decisions that go into the mounting of an exhibition.Distributed for MercatorfondsExhibition Schedule:CENTRALE for contemporary art, Brussels (04/04/19-08/04/19).
Language: English
Published by Yale University Press 2019-05-07, 2019
ISBN 10: 0300233272 ISBN 13: 9780300233278
Seller: Chiron Media, Wallingford, United Kingdom
£ 35.12
Quantity: Over 20 available
Add to basketPaperback. Condition: New.
Condition: New. pp. 208.
Condition: as new. Brussels : Mercatorfonds, 2019. Paperback. (208) pp. color illustrations. 33 cm. - This unconventional publication explores the process of making art through the work and studio practice of Sophie Whettnall (b. 1973), a contemporary Belgian artist whose works range from video art, installation, and performance to sculpture and drawing. In addition to copious illustrations of Whettnall's artwork that highlight its relationship to the studio and the artist's creative process, the book features three conversations. The first, between Whettnall and fellow artist Marina Abramovic, explores transmission, violence, and femininity. The second, between Emiliano Battista and Scott Samuelson, situates Whettnall's work and practice in the broader context of contemporary art and the theoretical framework that shapes it. In the third, Carine Fol and Whettnall share with the reader the behind-the-scenes discussions and decisions that go into the mounting of an exhibition. Condition : as new copy. ISBN 9780300233278. Keywords : ART,
Condition: New.
Condition: As New. Unread book in perfect condition.
Condition: As New. Unread book in perfect condition.
Paperback. Condition: Brand New. 208 pages. 12.75x9.25x1.00 inches. In Stock.
Language: English
Published by Yale University Press, US, 2019
ISBN 10: 0300233272 ISBN 13: 9780300233278
Seller: Rarewaves.com UK, London, United Kingdom
Paperback. Condition: New. This unconventional publication explores the process of making art through the work and studio practice of Sophie Whettnall (b. 1973), a contemporary Belgian artist whose works range from video art, installation, and performance to sculpture and drawing. In addition to copious illustrations of Whettnall's artwork that highlight its relationship to the studio and the artist's creative process, the book features three conversations. The first, between Whettnall and fellow artist Marina Abramovic, explores transmission, violence, and femininity. The second, between Emiliano Battista and Scott Samuelson, situates Whettnall's work and practice in the broader context of contemporary art and the theoretical framework that shapes it. In the third, Carine Fol and Whettnall share with the reader the behind-the-scenes discussions and decisions that go into the mounting of an exhibition.Distributed for MercatorfondsExhibition Schedule:CENTRALE for contemporary art, Brussels (04/04/19-08/04/19).