Welzel Barbara (324 results)

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Good. 1 Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condition: Good. 1 Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft Cover. Condition: Very Good. This is a very good softcover copy, almost fine, but for a bit of shelfwear to the covers. Spine not creased. Completely clean inside and out. This catalog was prepared to accompany the travelling exhibition, which came to the National Gallery in Washington in the spring of 1992. The show originated in Berlin. The three largest collections of Rembrandt etchings are in Berlin, Amsterdam and London. 40 etchings in the show. All illustrated in black & white. Extensive entries. Bibliography. 11" high X 10" wide, 136 pages. A beautiful copy.…

perfect. Condition: Brand New. 24 pages. 4.29x0.12x6.69 inches. In Stock.

Condition: New.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

hardcover. Condition: fine. Dust Jacket Condition: very good+. 288 pages; 10 x 11 3/4" Jacket top edge at rear upper corner has 1/2" tear; jacket in mylar sleeve. Shipping will be extra for this heavy book, please inquire.

Condition: good. This book is in Good condition. There may be some notes and highligting but otherwise the book is in overall good condition.

Paperback. Condition: Fine. First American edition. 4tp. 136 [ages. black wrappers "In Berlin and Amsterdam the exhibited etchings are from the respective collections ( the Kupferstitchkabinett SMPL and the Rijksprentenkabinet). In London the exhibited etchings are from the collection of th4e British Museum. In the catalogue inventory numbers are given in brackets and * indicates the example which is illustrated - Introduction." With variants of 40 etchings.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. The binding is tight, corners sharp. Text and images unmarked. The dust jacket shows some very light handling, in a mylar cover. The plain cardstock slipcase shows some light handling. 4to. 288pp.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Unread. No markings in book. Binding is fine. DJ with minor shelf wear to edges. Plain cardboad slipcase is with light sunning to edges. 288pp.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condition: Near Fine. 1st. 136 pages, illustrations, portraits; 29 cm. Exhibition held at the Kupferstichkabinett at the Altes Museum, Berlin, 12 September to 27 October, 1991; Rijksmuseum, Amsterdam, 4 December, 1991 to 19 January, 1992; and the National Gallery, London, 26 March to 24 May, 1992. Near fine. Firm binding, clean inside copy. Light edgewear to wraps, age toning. *** "Rembrandt is an artist who has excited exceptional interest since his own lifetime: the remarkable combination of his work, his complex personal relationships, his financial difficulties and the relative lack of documentary evidence has generated a vast body of scholarship. As a result, by the middle of this century, innumerable paintings and drawings were attributed to Rembrandt and a romantic mythology had replaced the facts of his life. The Rembrandt Research Project, comprising the foremost Rembrandt scholars, based in Amsterdam, has undertaken the formidable task of establishing a body of works which can be securely attributed to Rembrandt. This has resulted in the deattribution of many paintings, once unquestioningly accepted as Rembrandts. Others have focused on artists known to have studied in Rembrandt's workshop and the attribution of paintings to these students. This magnificent book unites these two strands of research to present for the first time a clear picture of Rembrandt's relationship with the members of his workshop. The book also serves as a catalogue of the exhibition organised by curators from Berlin, Amsterdam and London--galleries which have three of the finest collections of Rembrandts. It includes essays on Rembrandt's biography and social status, his technique, the organisation of his workshop, and the history of critical response to him. The catalogue contains detailed study of fifty-one paintings by Rembrandt, providing a chronological overview of his entire output from his earliest subjects to the last self-portrait. This is followed by sections for pupils, including Ferdinand Bol, Gerrit Dou and Nicolaes Maes, in which paintings once given to Rembrandt are reattributed to members of his workshop and related to paintings known to be by them. Thus readers may judge these new ideas for themselves on the basis of the evidence provided." - Publisher. *** CONTENTS: Size: 4to. Collectible.…

Condition: As New. Unread book in perfect condition.

Condition: New.

perfect. Condition: Brand New. 24 pages. German language. 4.88x0.12x7.01 inches. In Stock.

Condition: New.

Condition: New.

Hardcover. Condition: As New. Dust Jacket Condition: Fine. First Edition. First Edition, First Printing, a gorgeous copy of a museum exhibition catalog paying due homage to the famed Dutch artist Rembrandt, produced by estimable scholars from the Rembrandt Research Project. From the publisher's blurb, "this book serves as the catalogue for a major exhibition of Rembrandt's paintings, drawings, and etchings opening at the Altes Museum in Berlin and the Rijksmuseum in Amsterdam in 1991. Paintings and etchings from this exhibition will later be on display at the National Gallery in London; the drawings will be shown at the British Museum. This volume surveys Rembrandt' s entire graphic oeuvre, relating his works to those of his students, who learned by copying his drawings and etchings. There are essays on Rembrandt's development and technique as a graphic artist and a detailed study of 40 drawings and 40 etchings by Rembrandt. There are also drawings by members of Rembrandt's workshop." Handsomely produced in heavy black cloth, with sharp and distinct lettering to spine. Bright and shiny dust jacket, illustrated, showing only very minor wear, protected by a plastic coat, dust jacket not being price-clipped. List of patrons, an exhibition checklist, the Director's Foreword, a long essay by Peter Schatborn, a full catalog of Rembrandt's drawings, ten more by his students, an art critical essay by Holm Bevers on Rembrandt's etchings and then a full catalog thereof. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. [6], 7-288 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…