Weislogel Andrew (23 results)

Soft cover. Condition: Very Good. Artwork (illustrator). 1st Edition. Clean, tight and unmarked in stiff paper covers.

Paperback. Condition: VG-. VERY-GOOD-MINUS TRADE-PAPERBACK.

Hardcover. Condition: Very Good. No Jacket. Cover is in excellent condition. Text is otherwise tight in binding. Text is clean and free of blemishes throughout, save for small spot of damage on FEP (likely caused by adhesive tearing off top layer of paper). No other markings or indications of note. Due to the size of this book, additional shipping charges may apply. Size: 4to - over 9¾" - 12" tall.

Hardcover. Condition: Fine. No Jacket. 1st Edition. Fine copy in hardcover. No jacket.

Hardcover. Condition: As New. No Jacket. (Covers, Text and Plates are clean, neat and tight). Book.

paperback. Condition: Very Good. stapled exhibition catalog Very Good paperback with light shelfwear - NICE! Standard-sized.

Hardcover. Condition: Very Good. Dust Jacket Condition: No Dustjacket as issued. In Very Good+ condition. Front cover corner a bit bumped. Published on the occasion of an exhibition held at the Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, Aug. 11-Dec. 23, 2012.

paperback. Condition: Very Good. By Andrew C. Weislogel, 2005. Pages unmarked, modest wear.

paperback. Condition: Very Good. Stapled exhibition catalog. Very Good paperback with light shelfwear - NICE! Oversized.

Paperback. Condition: Very Good. crisp clean w/light shelfwear/edgewear - NICE! - may have remainder mark Standard-sized.

Soft cover. Condition: Fine. 1st Edition. Volume, measuring approximately 10" x 10", is bound in stapled pictorial wrappers, is in fine condition. Interior is clean and bright. 28 pages. Catalogue of an exhibition held at the Herbert F. Johnson Museum of Art, Cornell University, Apr. 21-July 29, 2007 and Frances Lehman Loeb Art Center, Vassar College, Aug. 17-Oct. 19, 2007. Contents: "Labrador Fishing Village" by William Bradford; "Sailing off the New England Coast (Coastal Scene)" by Alfred Thompson Bricher; "Andean Sketch" by Frederic Edwin Church; "On the Susquehanna River" by Jasper Francis Cropsey; "Fall Landscape" by Jasper Francis Cropsey; "Derwentwater" by Sanford Robinson Gifford; "A Foggy Autumn Morning in the Catskill Mountains" by Sanford Robinson Gifford; "Sunset Glow, Roman Campagna" by William Stanley Haseltine; "Northern Marsh : Sunset (Old Life in New England)" by Martin Johnson Heade; "Florida Marsh : Dawn (New Life in Florida)" by Martin Johnson Heade; "Mill Brook Near Shelburne, NH" by William Louis Sonntag.

56pp. 16 color plates. 4to. Wraps. Published in conjunction with an exhibition at the Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, Aug.-Oct. 2007.

Hardcover. Condition: VG. Color illus. paper over boards; Color illus. endpapers; 80 pp.; Profusely illustrated. Accompanied the exhibition of the same name. Includes four essays. 134 items featured, with extensive annotations, including maps, textiles, paintings, and more.

unknown_binding. Condition: Very Good. Stapled exhibition catalog. Very Good paperback with light shelfwear - NICE! Oversized.

Softcover. Condition: VG. Color illus. wraps; 52 pp.; 33 figures. Accompanied a 2006 exhibition; Includes a foreword by the collectors, as well as an essay by Andrew C. Weislogel.

Hardcover. Condition: Fine. 1st Edition. 4to. 176 pp., color illustrations throughout, booklet in sleeve at rear pastedown. Printed paper boards. Fine.

Soft cover. Condition: As New. Softcover volume, measuring approximately 7.25" x 10.25", is like new. 36 pages. Accompanies an exhibition examining the role of women in Northern Renaissance art and explores their surprising duality as virtuous beings and temptresses. Cranach's "Judith with the Head of Holofernes" (1525) and "Lucretia Committing Suicide" (1529) reveal his fascination with the relationship between femininity and violence, and exemplify the demand for images of illustrious women who caused the downfall of powerful men. The ambivalent nature of the female nude in western art is strongly apparent during the Renaissance, when nudity could be interpreted as either an expression of simplicity and sincerity, or as an indication of lust and amorality. As a way to explore these variations, the exhibition investigates conventions of dressand undressin these works. One important theme in Northern Renaissance art was the Power of Women genre, to which both the Judith and the Lucretia paintings belong. In the late fifteenth century, artists began to produce images poking fun at men made foolish by their lust for women. Though the subjects varied greatly, they all expressed the male fear of being undone by a woman's sexuality, offering male viewers a thrill at the perverse thought of a woman holding power over them. Did the people who paid for these paintings and collected these prints take them as warnings about their conduct, or did they admire these powerful women, or both?

Paperback. Condition: Very Good/NO DUSTJACKET. Black & White/Color Illus. & Photos (illustrator). Ithaca, NY: Herbert F. Johnson Museum of Art. Very Good/NO DUSTJACKET. 2024. . Paperback. Sm 4to., 152 pp., cover very light shelf wear to edges and corners, otherwise very good; pages clean and unmarked. .

Softcover. Condition: VG. Color-illus. wraps with no title. 36 pp. with occasional color and bw illus. Catalogue which accompanied the exhibition of the same title, April - August 2005. Includes and introduction, Dress & Undress; and an essay, Judith & Lucretia, Two Cranach Heroines. With a checklist of the 33 works from the exhibtion, including Beham, Durer, Bos, and others.

Wrappers. Condition: Fine. First Edition. Printed wraps (softcover), 11 x 8.5 inches. Trade paperback. 224 pages; illustrated. This catalogue highlights new research on initiatives that examine the enduring status of Rembrandt the printmaker and the multivalent nature of his works, including watermark identification in Rembrandt's etchings. An "as new" copy, unopened in publisher's shrinkwrap.

Couverture rigide. Condition: Très bon état. In-4 relié 29,7 cm sur 23,9. 272 pages. Très bon état d'occasion. in-4°.

Softbound. Condition: VG. Color pictorial wraps. 28 pp., 11 color plates. These 11 paintings are drawn from the collection of Maryan K. and Al Friedman. Includes works by Bradford, Bricher, Church, Cropsey (2), Sanford R. Gifford (2), Haseltine, Heade (2), Sonntag. Includes selected bibliography.

paperback. Condition: New. In shrink wrap. Looks like an interesting title!