Wave New (38 results)

Condition: NEW.

Condition: NEW.

Condition: NEW.

Condition: New. . Paperback. Dimension: 295 x 206 x 6. Weight in Grams: 262. . . . . .

paperback. Condition: New.

Condition: New. . Paperback. Dimension: 295 x 206 x 6. Weight in Grams: 262. . . . . . Books ship from the US and Ireland.

Soft cover. Condition: Very Good. 210 pages. Illustrated. Jeremy Montagu "Musical instrumentals in Hans Memling's paintings" / Peter Walls "Reconstructing the archangel: Corelli 'ad vivum pinxit'" / Rebecca Cypess "Chambonnieres, Jollain and the first engraving of harpsichord music in France" / Lionel Sawkins "Exotic nectar transformed: the grands motets of Lalande's maturity" / John Koster "Towards an optimal instrument: Domenico Scarlatti and the new wave of Iberian harpsichord making" / Carl Sloane "A fresh look at Domenico Scarlatti's Essercizi per gravicembalo, and the 'tremulo di sopra'" / John Byrt "Elements of Rhythmic inequality in the arias of Alessandro Scarlatti and Handel".

Soft cover. Condition: Very Good. 1st Edition. 4to. Stapled sheets. Cast lists and synopsis. Frayed and tear 2cm into spine.

Glossy wrappers saddle-stapled. Condition: Very Good. The Pizz [cover] (illustrator). First Edition. Small 4to (8.25 x 11 inches). Pp. 87, including covers. Illustrated throughout with black & white photography and comix. Printed on newspaper stock with glossy wraps, saddle-stapled with a color cover illustration by The Pizz. Just a hint of edge-wear. A bright copy. This issue features a cover illustration by The Pizz, with articles on Vertigo, Stripminers, Don Fleming, Jerry Lee Lewis, the Dwarves, Crawlspace, etc. Now housed in a removable, clear archival sleeve with an acid-free backing.

Condition: New.

Condition: New.

Glossy wrappers saddle-stapled. Condition: Near Fine. First Edition. Small 4to (8.25 x 11 inches). Pp. 84, including covers. Illustrated throughout with black & white photography and comix. Printed on newspaper stock with photo-illustrated glossy wraps, saddle-stapled. Some age-toning and slight edge wear. A bright copy. This issue with features a Charles Peterson cover photo, with articles on Poison Idea, Laughing Hyenas, Seattle's Cat Butt featuring David Duet and Charlie Ryan ("Circus Charlie"), and a fine Peterson photo of the U-Men. Now housed in a removable, clear archival sleeve with an acid-free backing.

Condition: New.

Printed wrappers. Condition: Near Fine. First Edition. 8vo. Pp. 24, including covers. Illustrated with black & white illustrations and comix. Bound in loose paper wrappers. A bright copy with just a suggestion of wear. A super cool fanzine largely devoted to the Cramps and the garage milieux, with references to the Fuzztones, "Riot on Sunset Strip," the Nomads, the Legendary Stardust Cowboy, etc. Includes a two-sided Tim Elcoch poster measuring 12 x 17 inches. Now housed in a removable, clear archival sleeve with an acid-free backing.

Unbound. Condition: Very Good. No producer, place or date. Presumed late 1970s. 1 ½ inches in diameter. Safety pin style back. A pinback for the British punk band Penetration, formed in 1976 and led by Pauline Murray. The band broke up in 1979. They are perhaps best known for their song "Don't Dictate." This pinback has the words wig, eye lashes, bosom, waist, tummy, hips on it, between two images of women. VERY GOOD condition. Minor rusting to the reverse.

Poster. Condition: Good+. First Edition. Single sheet 11 x 17 poster printed on buff card stock. Light foxing, chips and pinholes to corners. Jim Basnight's second band the Moberlys was formed in 1978 and disbanded in 1980. Now housed in a removable, clear archival sleeve with acid-free backing.

s/w-Porträtpostkarte, von allen 4 Musikern eigenhändig signiert.

Poster. Condition: Good+. First Edition. Single sheet 11 x 17 poster printed on yellow card stock. Light foxing to upper portion, chips and pinholes to corners. Chinas Comidas was founded by ex-Red Dress members Cynthia Genser and Rich Riggins, and the bands frequently gigged together around 1980. Now housed in a removable, clear archival sleeve with acid-free backing.

Condition: Fine. KOS02201095.

Condition: Fine. Volume: 1.

Condition: Very Good. R. K. Sloane [front cover]; Jeff Gaither, Michael Roden, Ed Roth [rear cover] (illustrator). First Edition. 4to. Pp. 56, including covers. Illustrated throughout with black & white photography and comix. Printed on newspaper stock, saddle-stapled with an illustration by R. K. Sloane on front cover and rear cover illustration by Jeff Gaither, Michael Roden. Old horizontal fold now mellowed, minor edge-wear. An early issue in the original large format, before the fanzine transitioned to the smaller glossy size. This issue features articles on Anthrax, Big Stick, Doctors Mob, Faith No More, Seattle stand-outs the U-Men, The Mentors, Samhain, etc. Now housed in a removable, clear archival sleeve with an acid-free backing. Printed wrappers saddle-stapled.

Kunstpostkarte Atelierszene (1981), eigenhändig signiert.

Paperback. Condition: Good. Good with wear and markings. Ex-library. Looks like an interesting title!

Condition: Very Good. First Edition. Loose sheet printed both sides, bifolium measures 8 x 11.75 inches; opened, 16 x 11.75 inches. Illustrated with black & white photographs and comix. Crease across middle now mellowed. A newsletter and guide to the Tom Robinson Band's 1979 North American Tour - North American inasmuch as it included a single Canadian stop in Vancouver, BC. Scarce. The "Seattle" venue was a short-lived spot on Pacific Highway South near Federal Way. Now housed in a removable, clear archival sleeve with an acid free backing.

Couverture souple. Condition: Bon. RARE - French book signed in person in Cannes in 1975 : Alain Resnais par Gaston Bounoure Paris, Seghers, 1974. Size : 16x13.5 cm. Condition : please see scans. Provenance : Georges Flour (1945-2013) collection. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

Farbige Fotokunstpostkarte ("Strange Ritual" (Chicago 1995), bildseitig mit Goldtinte eigenhändig signiert.

Original-Einladung (Bütten-Klappkarte, 10,5 x 20,5 cm, leichte Knickspur, mit Prägesiegel des im Jahre 1050 in Goslar geborenen Kaisers Heinrich IV.) zur Verleihung des Kaiserring der Stadt Goslar 2005 an ROBERT LONGO, von diesem eigenhändig signiert (auch vorhanden : Farbige Kunstpostkarte "Men in the Cities 1980" mit eigenhändiger Widmung, Unterschrift in Silberstift signiert "For Ingrid, Euro 45,-).

Wraps. Condition: Very good. An official merchandising kit for the influential English heavy metal band Diamond Head, prepared in conjunction with the release of their album Canterbury (1983). Included here are a pictorial tour program, an official fan club and merchandising brochure, and two copies of a pictorial order form featuring merchandise from the band's 1983 British tour. All the pieces are printed in full color on glossy stock and housed in printed black cardstock folder emblazoned with the Diamond Head logo. Some minor edgewear to the folder; else crisp and clean. Scarce. Formed in 1976, Diamond Head was part of the New Wave of British Heavy Metal (NWOBHM), which drew on the hard rock of the 1970s and infused it with the intensity of punk rock to produce fast and aggressive songs. The DIY attitude of the these bands led to the spread of raw-sounding, self-produced recordings that were crucial to the rise of thrash and other extreme metal subgenres. Few NWOBHM bands are as revered as Diamond Head, who have been acknowledged as an important influence on Metallica and Megadeth, among many others. In fact, prior to a performance of the Big Four (Metallica, Megadeth, Anthrax, and Slayer) at the 2011 Sonicsphere Festival in Knebworth, drummer Lars Ulrich said that there was "a pretty good chance that none of us would be here" without Diamond Head guitarist Brian Tatler, whose songwriting credits include essential cuts like "The Prince", "It's Electric", "Helpless", and "Am I Evil?" . yes, I am.

1p, 4to. In fair condition, aged and lightly creased. Folded twice. The letter begins: 'Dear Bernard, | You probably know that I have just returned from Cuba and it was an exciting trip. | Unfortunately, one of the most depressing things was their very bad theatre; this is particularly because it is new and has no tradition, but also, to a great extent, due to their intolerable isolation.' Although there is little that they can do, Wesker promised to 'send as many plays and books' as he can. 'They really don't have hard currency to purchase more than a handful of international works', so Wesker has promised 'to write to a few writers and publishers asking whether they would contribute copies of their work which I would send, together with the Leyland buses, on a ship to Cuba'. Kops cannot imagine 'how hungry they are to be in contact'. He asks for copies of Kops's plays and of his book 'The Whole World is a Wedding'. He would buy the books, but this 'would work out very expensive', so he is 'asking lots of writers to share the burden'. He ends with best wishes to 'Erica and the children'.

TIEFE STILLE / DEEP SILENCE (zweisprachiger Kunstkatalog, deutsch-englisch, mit einem Text von Werner Spies Mönchehaus-Museum für moderne Kunst Goslar, 1. Auflage 2005, ERSTAUSGABE, 80 SS. illustriertes Pb. 8°, gut erhalten - von Robert Longo mit Jahr 2005 (als grad ernannter Träger des Goslarer Kaiserrings 2005 !) eigenhändig signiert.