Warsaw (899 results)

Condition: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly. …

Hardback. Condition: Fair. "A refreshingly fun guide" that reads "as if you're a fly on the wall in conservatory auditions, cutthroat competitions and the obsessive practice routines of professional musicians." (The New York Times) Arianna Warsaw-Fan Rauch's life-long fascination with classical music has taken her through Juilliard and into the shiny world of symphony halls and international concert tours. She's loved classical music her whole life. But she's also hated classical music her whole life. After all, if you can like Beyoncé without liking Bieber, you can certainly like Brahms without liking Bach--especially since they were born 148 years apart and the thing we call "classical music" is really just centuries of compositions shoved into one hodge-podge of a genre.   In Declassified, Warsaw-Fan Rauch blows through the cobwebs of elitism and exclusion and invites everyone to love and hate this music as much as she does. She offers a backstage tour of the industry and equips you for every listening scenario, covering: the 7 main compositional periods (even the soul-crushingly depressing Medieval period), a breakdown of the instruments and their associated personality types (apologies to violists and conductors), what it's like to be a musician at the highest level (it's hard), how to steal a Stradivarius (and make no money in the process), and when to clap during a live performance (also: when not to). Declassified cheekily demystifies the world of High Art while making the case that classical music matters, perhaps now more than ever.…

Hardback. Condition: Good. "A refreshingly fun guide" that reads "as if you're a fly on the wall in conservatory auditions, cutthroat competitions and the obsessive practice routines of professional musicians." (The New York Times) Arianna Warsaw-Fan Rauch's life-long fascination with classical music has taken her through Juilliard and into the shiny world of symphony halls and international concert tours. She's loved classical music her whole life. But she's also hated classical music her whole life. After all, if you can like Beyoncé without liking Bieber, you can certainly like Brahms without liking Bach--especially since they were born 148 years apart and the thing we call "classical music" is really just centuries of compositions shoved into one hodge-podge of a genre.   In Declassified, Warsaw-Fan Rauch blows through the cobwebs of elitism and exclusion and invites everyone to love and hate this music as much as she does. She offers a backstage tour of the industry and equips you for every listening scenario, covering: the 7 main compositional periods (even the soul-crushingly depressing Medieval period), a breakdown of the instruments and their associated personality types (apologies to violists and conductors), what it's like to be a musician at the highest level (it's hard), how to steal a Stradivarius (and make no money in the process), and when to clap during a live performance (also: when not to). Declassified cheekily demystifies the world of High Art while making the case that classical music matters, perhaps now more than ever.…

Condition: Very Good. A bright, square, and overall a nice copy.

Hardback. Condition: Fair. "A refreshingly fun guide" that reads "as if you're a fly on the wall in conservatory auditions, cutthroat competitions and the obsessive practice routines of professional musicians." (The New York Times) Arianna Warsaw-Fan Rauch's life-long fascination with classical music has taken her through Juilliard and into the shiny world of symphony halls and international concert tours. She's loved classical music her whole life. But she's also hated classical music her whole life. After all, if you can like Beyoncé without liking Bieber, you can certainly like Brahms without liking Bach--especially since they were born 148 years apart and the thing we call "classical music" is really just centuries of compositions shoved into one hodge-podge of a genre.   In Declassified, Warsaw-Fan Rauch blows through the cobwebs of elitism and exclusion and invites everyone to love and hate this music as much as she does. She offers a backstage tour of the industry and equips you for every listening scenario, covering: the 7 main compositional periods (even the soul-crushingly depressing Medieval period), a breakdown of the instruments and their associated personality types (apologies to violists and conductors), what it's like to be a musician at the highest level (it's hard), how to steal a Stradivarius (and make no money in the process), and when to clap during a live performance (also: when not to). Declassified cheekily demystifies the world of High Art while making the case that classical music matters, perhaps now more than ever.…

Hardback. Condition: Good. "A refreshingly fun guide" that reads "as if you're a fly on the wall in conservatory auditions, cutthroat competitions and the obsessive practice routines of professional musicians." (The New York Times) Arianna Warsaw-Fan Rauch's life-long fascination with classical music has taken her through Juilliard and into the shiny world of symphony halls and international concert tours. She's loved classical music her whole life. But she's also hated classical music her whole life. After all, if you can like Beyoncé without liking Bieber, you can certainly like Brahms without liking Bach--especially since they were born 148 years apart and the thing we call "classical music" is really just centuries of compositions shoved into one hodge-podge of a genre.   In Declassified, Warsaw-Fan Rauch blows through the cobwebs of elitism and exclusion and invites everyone to love and hate this music as much as she does. She offers a backstage tour of the industry and equips you for every listening scenario, covering: the 7 main compositional periods (even the soul-crushingly depressing Medieval period), a breakdown of the instruments and their associated personality types (apologies to violists and conductors), what it's like to be a musician at the highest level (it's hard), how to steal a Stradivarius (and make no money in the process), and when to clap during a live performance (also: when not to). Declassified cheekily demystifies the world of High Art while making the case that classical music matters, perhaps now more than ever.…

hardcover. Condition: Good.

Condition: Good. EX-LIBRARY. A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact (including dust cover, if applicable). The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include "From the library of" labels or limited small stickers. Book may have a remainder mark or be a price cutter.…

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: good. Signs of wear and consistent use.

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Good. Satisfaction 100% guaranteed.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: As New. Dust Jacket Condition: Very Good. Red leatherette over boards with gilt print stamped on spine and embellishment on front board; inscribed in Ms. Warsaw's lovely handwriting on front free end paper: "For Virgnia Ohlmann, with warmest good wishes and with gratitude for her friendly interest in these words in edgewise. Irene Warsaw"; 80 pages; no external or internal marks; no chips, tears, or creases; dust jacket (now protected in archival brodart wrapper) displays moderate wear at top edge along with several small tears; text block is bright and clean; sixth printing, 1975. Inscribed by Author(s).…

Hardcover. Condition: Used: Good. Two presentation inscriptions are written on first front end paper. One inscription is written on Irene Warsaw. A nice copy with a tight and square binding. Text is clean. Blue boards are good. Dust jacket is lightly scuffed. Careful packaging and fast shipping. We recommend EXPEDITED MAIL for even faster delivery. Signed.…

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. We are spurred into action by our troubles and fears; but all too often our action fails to address the true causes of our worries. When trying to make sense of our lives, we tend to blame our own failings and weaknesses for our discomforts and defeats. And in doing so, we make things worse rather than better. Reasonable beings that we are, how does this happen and why does it go on happening? These are the questions addressed in this new book by Zygmunt Bauman - one of the most original and perceptive social thinkers writing today. For Bauman, the task of sociology is not to censor or correct the stories we tell of our lives, but to show that there are more ways in which our life stories can be told. By bringing into view the many complex dependencies invisible from the vantage point of private experience, sociology can help us to link our individual decisions and actions to the deeper causes of our troubles and fears - to the ways we live, to the conditions under which we act, to the socially drawn limits of our imagination and ambition. Sociology can help us to understand the processes that have shaped the society in which we live today, a society in which individualization has become our fate. And sociology can also help us to see that if our individual but shared anxieties are to be effectively tackled, they need to be addressed collectively, true to their social, not individual, nature. The Individualized Society will be of great interest to students of sociology, politics and the social sciences and humanities generally. It will also appeal to a broader range of readers who are interested in the changing nature of our social and political life today. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

hardcover. Condition: Good.

Hardcover. Condition: New. Hardcover. Publisher overstock, may contain remainder mark on edge.

paperback. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

paperback. Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. 'Liquid life is the kind of life commonly lived in our contemporary, liquid-modern society. Liquid life cannot stay on course, as liquid-modern society cannot keep its shape for long. Liquid life is a precarious life, lived under conditions of constant uncertainty. The most acute and stubborn worries that haunt this liquid life are the fears of being caught napping, of failing to catch up with fast moving events, of overlooking the use by dates and being saddled with worthless possessions, of missing the moment calling for a change of tack and being left behind. Liquid life is also shot through by a contradiction: it ought to be a (possibly unending) series of new beginnings, yet precisely for that reason it is full of worries about swift and painless endings, without which new beginnings would be unthinkable. Among the arts of liquid-modern living and the skills needed to practice them, getting rid of things takes precedence over their acquisition. This and other challenges of life in a liquid-modern society are traced and unravelled in the successive chapters of this new book by one of the most brilliant and original social thinkers of our time. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. …