Walter Grasskamp (273 results)

163 pp.; 25.7 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Bice Curiger. Essays "Orozco in Paris," by Claude Gintz; "Kasseböhmer's Trees," by Walter Grasskamp; "Felix Gonzalez-Torres: Travelogue," by Nancy Spector; "In Purgatory: The Work of Felix Gonzalez-Torres," by Simon Watney; "Felix Gonzalez-Torres: Social Works," by Susan Tallman; "A Room by Wolfgang Laib in the Centre Pompidou," by Didier Semin; "More than Myself," by Clare Farrow; "A Waxroom in the Mountain," by Jean-Marc Avrilla; "Medicine Man - Proposing a Context for Wolfgang Liab's Work," by Thomas McEvilley; "Matthew Barney's Fornication with the Fabric of Space," by Neville Wakefield; "Les Infos Du Paradis: On Burt Barr," by Lynne Cooke and Klaus Kertess; "Cumulus Aus Europa," by Eric Troncy; "Cumulus From America," by Meyer Vaisman "Balkon," by Laura Arici. Insert by Roni Horn. Text in German and English. Fair / Very Good. Small surface loss at bottom edge and wrinkling of front cover. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders. …

127 pp.; 22.8 x 17.7 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1984 issue of October, edited by Rosalind Krauss and Annette Michelson. Essays include: "Broadness and Diversity of the Ludwig Brigade," by Hans Haacke; "An Unpublished Text for an Unpainted Picture," by Walter Grasskamp; "A Conversation with Hans Haacke," by Yves-Alain Bois, Douglas Crimp and Rosalind Krauss; "The Art of Exhibition," by Douglas Crimp; "From Faktura to Factography," by Benjamin H. D. Buchloh and "Francis Picabia: From Dada to Pétain," by Yves-Alain Bois. Fair / Good. Significant water damage and staining and separating of some pages from spine. Light wave to interior pages, otherwise clean and unmarked.…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. Cloth, 232 pages, illustrations; 25 cm. First published under title: Andre Malraux und das imaginare Museum. Translated from the German. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. *** "In 1954, the French writer, politician, and publisher Andre Malraux (1901-1976) posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le mus e imaginaire de la sculpture mondiale. The enchanting metaphor of the mus e imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications, he adopted images and responded to ideas. Indeed, Malraux's book on the floor is a variation of photographer Andr Vigneau's spectacular Encyclop die photographique de l'art, published in five volumes from 1935 onyears before Malraux would enter this field. Both authors were engaged in juxtaposing artworks via photographs and publishing these photographs by the hundreds, but Malraux was the better sloganeer. Starting from a close examination of the photograph of Malraux in his salon, art historian Walter Grasskamp takes the reader back to the dawn of this genre of illustrated art book. He shows how it catalyzed the practice of comparing works of art on a global scale. He retraces the metaphor to earlier reproduction practices and highlights its ubiquity in contemporary art, ending with an homage to the other pioneer of the 'museum without walls,' the unjustly forgotten Vigneau." - Publisher. *** CONTENTS: The book on the floor; A stunning image; Journey into an interior; Overtones; Down on one knee; At home; "The greatest art historian of our time"; Demystification; Thought transference; Malraux-Benjamin-Valery; Malraux-Salmony; Imaginary museum and photographic encyclopedia; Andre Vigneau and the encyclopedie photographique de l'art; Photo credits; The "logistics of the spirit"; A "museum in the home"; Image and text; Frozen sculptures; The discourse of design; The layout of world art; Deregulating the concept of art; Reproduction fever; Agents of world art; The "anthropological turn"; The concept of art in parallel universes; The universe of forms; Reception histories; World art returns to Germany; The imaginary museum at Documenta 1; Topic of reception; Update; Imaginary museums; Painted picture galleries; Collections of plaster casts; Musees des etudes; Paper museums; The imaginary museum director; The museum as space of representation; Metaphors of the century; Artists' museums; Curated memory; Marcel Broodthaers; Dennis Adams or the revival of Malraux; Andre Vigneau; A media nomad; A phantom in media history; Vigneau-Benjamin; Coda: the floor as exhibition space. Size: 8vo. Collectible.…

hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condition: New. *NEW* hardcover in DJ. Sealed in plastic. Fresh from a distributor with no price tags and no remainder marks.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.…

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. Condition: Very Good. Dust Jacket Condition: very good. --ALL INVENTORY 40% OFF in Sept--Factory sealed. In 1954, the French writer, politician, and publisher Andr? Malraux (1901?1976) posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le mus?e imaginaire de la sculpture mondiale. Starting from a close examination of the photograph of Malraux in his salon, art historian Walter Grasskamp takes the reader back to the dawn of this genre of illustrated art book. Andre Malraux (1901-1976) was a French novelist, art theorist, and minister of cultural affairs. Measures 7x9.75 inches. 240p.…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First Edition. 9.75 x 7.25 inches. 232 pp. b/w illustrations. Grey cloth lettered in silver at spine. Illustrated jacket. Fine in Fine dust jacket. In mylar sleeve.

Hardcover. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Hardback book (232 pages) illustrated with numerous b/w photographs/reproductions. Bookseller since 1995 (LL-Base2-BS-8-Middle-L) rareviewbooks.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Taschenbuch. Condition: Gut. 271 Seiten; Das Buch befindet sich in einem gut erhaltenen Zustand. Sprache: Deutsch Gewicht in Gramm: 220.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: as new. Wie neu/Like new.

Softcover with clear plastic dustjacket, 46 pages; very good condition, light rubbing to dj; no internal marks. Foreign shipping may be extra.

Paperback. Size: 8.25"x11.75", 45pp., colour plates. As new, clean, tight & bright condition.

Softcover, 120 pages, in English; very good condition except crease to upper right corner of cover and most pages; no internal marks.

Softcover. Condition: Fine. 8vo. 326 pages. We specialize in fine books in collectible condition. Orders are professionally packaged and shipped promptly.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Condition: Fine. Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Verformung / umgeknickte Seiten. Seit über fünfzig Jahren ist Hans Mayer Galerist für moderne und zeitgenössische Kunst. Von Esslingen, wo er 1965 die (op)art galerie eröffnete, zog er 1967 ins Rheinland, zunächst nach Krefeld, dann nach Düsseldorf, wo die Galerie Hans Mayer seit 45 Jahren gegenüber der Kunstsammlung Nordrhein-Westfalen liegt. In der Reihe Energien Synergien ist Hans Mayer der zweite Galerist neben Rudolf Zwirner, der von der Nachkriegszeit bis zur Gegenwart aus der Geschichte des rheinischen und internationalen Kunstbetriebs erzählt. Im Gespräch mit dem Kunsthistoriker Walter Grasskamp blickt Hans Mayer auf das halbe Jahrhundert zurück, in dem seine Galerie von Beginn an ein Forum für das Crossover von Kunst, Theater, Musik, Architektur und Mode bot.…

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

OBroschur. Condition: Sehr gut. 192 S. mit zahlr., tls. farb. Abb., OBroschur, 8°. Aus dem Inhalt: Balance Oder: in Zweiffel stehen (M. Hulverscheid). Theater u. Performance in Italien (G. Bartolucci). La Gaia Scienza (E. Bargiacchi). Jenseits des Tanzes (J. Zutter). Weit. Texte: Musik als Möbel: Das Deutsche Rundfunkmuseum in Berlin (W. Grasskamp). Im Reich der "Leere" [Japan] (Chr. Schenker). Ecken gering berieben. Sehr gutes Exemplar. Buch. …

192 Seiten 13,5 x 21,5 Sehr gut, ungelesen. ISBN 3-88960-009-3. 900 Gramm Sprache: Deutsch. Karton mit Original Schutzumschlag.

127 pp.; 22.8 x 17.7 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1984 issue of October, edited by Rosalind Krauss and Annette Michelson. Essays include: "Broadness and Diversity of the Ludwig Brigade," by Hans Haacke; "An Unpublished Text for an Unpainted Picture," by Walter Grasskamp; "A Conversation with Hans Haacke," by Yves-Alain Bois, Douglas Crimp and Rosalind Krauss; "The Art of Exhibition," by Douglas Crimp; "From Faktura to Factography," by Benjamin H. D. Buchloh and "Francis Picabia: From Dada to Pétain," by Yves-Alain Bois. Very Good. Light yellowing and scratching of covers with light rubbing of cover corners. Pages 115 to 130 have separated from the spine. Light yellowing of page edges. Contents clean and unmarked.…

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.