Vure Sarah (15 results)

Condition: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Trade Paperback. Condition: Used - Very Good. Very nice clean, tight copy free of any marks.

Soft cover. Condition: Fine. First edition. 46p, many large color ills. The cover, which is cropped at the bottom, is by Emil Jean Kosa, Jr. (ca. 1948). Exhibition of 33 views of California cities by Dong Kingman, Ed Ruscha, Wayne Thiebaud, Millard Sheets, Robert Bechtle, and many other 20th-century painters. The theme is how they "responded to the state's changing metropolitan landscape . . . from the early 1930s to the early 1990s,"especially its "architectural and transportation structures.".…

Paperback. Condition: Near Fine. 1st. 47 pages, chiefly colour illustrations; 25 x 27 cm. Catalogue of an exhibition held at Orange County Museum of Art, Newport Beach, January 17 to April 25, 2004. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. Richly illustrated with colour plates. *** "Cities of Promise: Imaging Urban California looks at the growth of cities in California from the early 1930s to the early 1990s and how artists responded to the state's changing metropolitan landscape over the course of those six decades." - Publisher. *** CONTENTS: Preface and Acknowledgements, by Dennis Szakacs; Cities of Promise: California Views in Context, by Sarah Vure; In Search of the Middle Class Landscape, by Robert Bruegmann; Plates; Catalogue of the Exhibition. *** Includes: Peter Alexander - Carlos Almaraz - Roger Armstrong - Robert Bechtle - Edward Biberman - Gordon Brusstar - Larry Cohen - Merv Corning - Phil Dike - John Haley - Dong Kingman - Emil Jean Kosa Jr. - Roger Kuntz - Jake Lee - Maurice Logan - Erle Loran - Louis Macoulliard - Joseph O'Malley - Charles Payzant - James Patrick - Elmer Plummer - Kenneth Potter - Edward Reep - Edward Ruscha - Millard Sheets - Pierre Sicard - Wayne Thiebaud. Size: Oblong. Collectible.…

Soft cover. Condition: Very Good. 1st Edition. Light bending to top front corner o/w clean, unmarked with a solid and crease-free spine. BP/Impressionism/California.

Softcover. Pale yellow-green & color illus. wraps, French flaps, 135 pp., 70+ color & BW illus. Issued in conjunction with a 2000 exhibition. With essays by Kevin STarr and Sarah Vure, a chronology by Nancy Moure, and an extensive catalog of plates. A nice introduction to the genre. VG- (Slight wear to edges and corners.).…

paperback. Condition: Good. minor wear and creasing.

paperback. Condition: Good. Ex-library Portand Art Museum paperback book with library stickers, labels and stamps on cover and inside. Cover is in good condition. Spine is tight. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Paperback. Condition: New. NEW; SEALED IN SHRINK WRAP!!.

Condition: Good. 8vo. [47 pp]. Portfolio Case On Soft Covers. Fine. Color Illustrations & Plates. Curated by Sarah Vure. Essay by Robert Bruegmann. Features works by Alexander, Almaraz, Armstrong, Bechtle, Biberman, Brusstar, Cohen, Corning, Dike, Haley, Kingman, Kosa Jr., Kuntz, Lee, Logan, Loran, Macoulliard, O'Malley, Payzant, Patrick, Plummer, Potter, Reep, Ruscha, Sheets, Sicard & Thiebaud. …

Soft cover. Condition: As New. 1st Edition. (California) CIRCLES OF INFLUENCE / Impressionism to Modernism in Southern California Art, 1910-1930. By Sarah Vure. Orange County Museum of Art, 2000. 4to size softback in stiff wrappers in extra fine condition. 135-pages w/a profusion of illustration. I'm open to offers on any item priced at $20 or more. …

Paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Paperback. Condition: New.

Chicago Terra Foundation for American Art 2009 Hardcover, 176pp., 24x30.5cm., richly illustr. in col., in very good condition. ISBN 9780932171566. Frustrated by the art world's elitism and the snobbish exclusivity of the academy's juries, eight American painters united in 1908 to upend the established norms and stage their own exhibition of modernist art. Led by the charismatic Robert Henri, they came to be known as "The Eight," and their two-week show at New York's Macbeth Galleries drew a multitude of visitors, who crowded into the galleries to critique the much-publicized work of these "revolutionary" artists. Their paintings of urban scenes marked a significant departure from the prevailing style?which emphasized physical and natural beauty?and met with critical success. The established chronicle maintains that The Eight were rendered dysfunctional and artistically irrelevant after European modernism arrived in the United States at the 1913 Armory Show. The Eight and American Modernisms revises this account and reevaluates these respected artists' careers, including their late works. Accompanying a traveling exhibition, this lushly illustrated volume challenges the accepted wisdom about the evolution of the modernist style. In addition to Henri, "The Eight" included William Glackens, George Luks, Everett Shinn, John French Sloan, Arthur B. Davies, Ernest Lawson, and Maurice Prendergast.…

Paperback. Condition: New.