Language: English
Published by Flame Tree Collections, 2025
ISBN 10: 1835622518 ISBN 13: 9781835622513
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Published by Flame Tree Collections, 2025
ISBN 10: 1835622518 ISBN 13: 9781835622513
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Language: English
Published by Flame Tree Collections, 2025
ISBN 10: 1835622518 ISBN 13: 9781835622513
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Language: English
Published by Flame Tree Collectibles, 2025
ISBN 10: 1835622518 ISBN 13: 9781835622513
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Hardcover. Condition: Brand New. 480 pages. 9.26x6.01x1.38 inches. In Stock.
Language: English
Published by Flame Tree Collections, 2025
ISBN 10: 1835622518 ISBN 13: 9781835622513
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Language: English
Published by The Arden Shakespeare, 2025
ISBN 10: 1350326682 ISBN 13: 9781350326682
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Language: English
Published by The Arden Shakespeare, 2025
ISBN 10: 1350326682 ISBN 13: 9781350326682
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Language: English
Published by The Arden Shakespeare, 2025
ISBN 10: 1350326682 ISBN 13: 9781350326682
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Language: English
Published by Bloomsbury Publishing, 2025
ISBN 10: 1350326682 ISBN 13: 9781350326682
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Language: English
Published by The Arden Shakespeare, 2025
ISBN 10: 1350326682 ISBN 13: 9781350326682
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Language: English
Published by The Arden Shakespeare, 2025
ISBN 10: 1350326682 ISBN 13: 9781350326682
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Paperback. Condition: Brand New. 272 pages. 8.50x5.43x1.00 inches. In Stock.
Language: English
Published by The Arden Shakespeare, 2023
ISBN 10: 135032664X ISBN 13: 9781350326644
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Language: English
Published by The Arden Shakespeare, 2023
ISBN 10: 135032664X ISBN 13: 9781350326644
Seller: Ria Christie Collections, Uxbridge, United Kingdom
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Language: English
Published by The Arden Shakespeare, 2023
ISBN 10: 135032664X ISBN 13: 9781350326644
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Condition: As New. Unread book in perfect condition.
Language: English
Published by The Arden Shakespeare, 2023
ISBN 10: 135032664X ISBN 13: 9781350326644
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Language: English
Published by Bloomsbury Publishing, 2023
ISBN 10: 135032664X ISBN 13: 9781350326644
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Published by The Arden Shakespeare, 2023
ISBN 10: 135032664X ISBN 13: 9781350326644
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Language: English
Published by The Arden Shakespeare, 2023
ISBN 10: 135032664X ISBN 13: 9781350326644
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Language: English
Published by The Arden Shakespeare, 2023
ISBN 10: 135032664X ISBN 13: 9781350326644
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Hardcover. Condition: Brand New. 259 pages. 8.50x5.75x1.00 inches. In Stock.
Language: English
Published by Bloomsbury Publishing (UK), 2025
ISBN 10: 1350326682 ISBN 13: 9781350326682
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Language: English
Published by Bloomsbury Publishing PLC, London, 2025
ISBN 10: 1350326682 ISBN 13: 9781350326682
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. This volume reframes the critical conversation about Shakespeares histories and national identity by bringing together two growing bodies of work: early modern race scholarship and adaptation theory. Theorizing a link between adaptation and intersectionality, it demonstrates how over the past thirty years race has become a central and constitutive part of British and American screen adaptations of the English histories. Available to expanding audiences via digital media platforms, these adaptations interrogate the dialectic between Shakespeares cultural capital and racial reckonings on both sides of the Atlantic and across time. By engaging contemporary representations of race, ethnicity, gender, sexuality, disability and class, adaptation not only creates artefacts that differ from their source texts, but also facilitates the conditions in which race and its intersections in the plays become visible. At the centre of this analysis stand two landmark 21st-century history adaptations that use non-traditional casting: the British TV miniseries The Hollow Crown (2012, 2016) and the American independent film H4 (2012), an all-Black Henry IV conflation. In addition to demonstrating how the 21st-century screen history illuminates both past and present constructions of embodied difference, these works provide a lens for reassessing two history adaptations from Shakespeares 1990s box office renaissance, when actors of colour were first cast in cinematic versions of the plays. As exemplified by these formal adaptations reappropriations of race in history, non-traditional Shakespearean casting practices are also currently shaping digital cultures conversations about race in non-Shakespearean period dramas such as Bridgerton. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by Bloomsbury Publishing, 2025
ISBN 10: 1350326682 ISBN 13: 9781350326682
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. Print on Demand pages cm.
Language: English
Published by Bloomsbury Publishing, 2025
ISBN 10: 1350326682 ISBN 13: 9781350326682
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Language: English
Published by Bloomsbury Publishing PLC, London, 2025
ISBN 10: 1350326682 ISBN 13: 9781350326682
Seller: CitiRetail, Stevenage, United Kingdom
Paperback. Condition: new. Paperback. This volume reframes the critical conversation about Shakespeares histories and national identity by bringing together two growing bodies of work: early modern race scholarship and adaptation theory. Theorizing a link between adaptation and intersectionality, it demonstrates how over the past thirty years race has become a central and constitutive part of British and American screen adaptations of the English histories. Available to expanding audiences via digital media platforms, these adaptations interrogate the dialectic between Shakespeares cultural capital and racial reckonings on both sides of the Atlantic and across time. By engaging contemporary representations of race, ethnicity, gender, sexuality, disability and class, adaptation not only creates artefacts that differ from their source texts, but also facilitates the conditions in which race and its intersections in the plays become visible. At the centre of this analysis stand two landmark 21st-century history adaptations that use non-traditional casting: the British TV miniseries The Hollow Crown (2012, 2016) and the American independent film H4 (2012), an all-Black Henry IV conflation. In addition to demonstrating how the 21st-century screen history illuminates both past and present constructions of embodied difference, these works provide a lens for reassessing two history adaptations from Shakespeares 1990s box office renaissance, when actors of colour were first cast in cinematic versions of the plays. As exemplified by these formal adaptations reappropriations of race in history, non-traditional Shakespearean casting practices are also currently shaping digital cultures conversations about race in non-Shakespearean period dramas such as Bridgerton. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Language: English
Published by Bloomsbury Publishing (UK), 2023
ISBN 10: 135032664X ISBN 13: 9781350326644
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Language: English
Published by Bloomsbury Publishing (UK), 2023
ISBN 10: 135032664X ISBN 13: 9781350326644
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
£ 92.67
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Add to basketHRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Language: English
Published by Bloomsbury Publishing, 2023
ISBN 10: 135032664X ISBN 13: 9781350326644
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. Print on Demand.
Language: English
Published by Bloomsbury Publishing PLC, London, 2023
ISBN 10: 135032664X ISBN 13: 9781350326644
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. This volume reframes the critical conversation about Shakespeares histories and national identity by bringing together two growing bodies of work: early modern race scholarship and adaptation theory. Theorizing a link between adaptation and intersectionality, it demonstrates how over the past thirty years race has become a central and constitutive part of British and American screen adaptations of the English histories. Available to expanding audiences via digital media platforms, these adaptations interrogate the dialectic between Shakespeares cultural capital and racial reckonings on both sides of the Atlantic and across time. By engaging contemporary representations of race, ethnicity, gender, sexuality, disability and class, adaptation not only creates artefacts that differ from their source texts, but also facilitates the conditions in which race and its intersections in the plays become visible.At the centre of this analysis stand two landmark 21st-century history adaptations that use non-traditional casting: the British TV miniseries The Hollow Crown (2012, 2016) and the American independent film H4 (2012), an all-Black Henry IV conflation. In addition to demonstrating how the 21st-century screen history illuminates both past and present constructions of embodied difference, these works provide a lens for reassessing two history adaptations from Shakespeares 1990s box office renaissance, when actors of colour were first cast in cinematic versions of the plays. As exemplified by these formal adaptations reappropriations of race in history, non-traditional Shakespearean casting practices are also currently shaping digital cultures conversations about race in non-Shakespearean period dramas such as Bridgerton. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.