Vidal Annette (17 results)

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Soft cover. Condition: read description. 381 pages. French text. Small size (19cm x 12cm). Soft card covers slightly worn but quite sound. Paper moderately browning. A couple of pages badly opened at edges. A few annotations. Sound paperback (Henri Barbusse. Soldat de la Paix).

Hardcover. Condition: Good. Erstausgabe. Annette Vidal: Henri Barbusse. Soldat des Friedens. Verlag Volk und Welt Berlin 1955 (1. Auflage). Leinen gebunden, 375 Seiten, ordentlicher Zustand.

Softcover. Condition: Good. Qué palo tener que aguantar a los padres No me dejan salir nunca, ni vestirme cómo quiero Solo me dan órdenes y me gritan. No me entienden Así que, he decidido devolverles la jugada. Durante un año entero voy a hacerles la vida imposible, como hacen ellos conmigo. Que se preparen Padres preocupados por lo que va a llegar, descubrid el diario de tu futura hija adolescente.…

Couverture souple. Condition: Bon état. In-12 broché 18,6 cm sur 12. 382 pages. Pages non coupées. Tranche supérieure et couverture touchées par l'humidité mais n'affectant pas le texte. Bon état d'occasion.

12 X 19, 382 pp., broché, bon état. Préface de Marcel Cachin.

12 x 19, 382 pp., broché, non coupé, bon état. Préface de Marcel Cachin.

Hardcover. Condition: Sehr gut. mit leichten Gebrauchsspuren: seitl. Riss auf Seite 76, Buchrücken etwas nachgedunkelt, mit wenigen winzigen Druckstellen am rückseitigen Coverdeckel, Schlafpass fehlt (nicht unbedingt erforderlich)! In deutscher Sprache. 106 pages. 20 x 27 cm.

Condition: Good. Etat correct. Six pages mal coupées sinon bon état. collection Grandes figures. in-8. 1953. Percaline titrée au dos en lettres dorées. 382 pages. Good.

Original black-and-white still photograph from the 1957 French film, here under the original title, "Une manche et la belle." Vidal and Demongeot are seen sunbathing worriedly on marble. Numerical annotations in manuscript pencil, French film title, and Demongeot's and Vidal's names in manuscript ink, on the versos. Noirish murder drama loosely based on Chase's novel "The Sucker Punch" (1954). Betty Farnwell (Miranda) is a rich widow living in Nice with a bewitching daughter, Eva (Demongeot). Betty marries Philippe (Vidal), a good-looking but self-interested man. Cue Eva. Philippe falls for the calculating, femme fatale, who has plans to marry someone else. Betty's life is in danger as Philippe struggles with his transgressions. 7 x 9.25 inches, small white border at the foot. Very Good plus, with brief ink on the recto, and faint creases. Selby France.…

Collection of 130 vintage black-and-white still photographs and 3 medium-format negatives for the 1957 French-Italian film. The collection consists of two unique but complimentary pieces, one being a set housed in the original paper box with "Crumiere / Paris" paper label, and annotations on the box top in manuscript ink noting French film title and "B. Bardot," the other being nearly 100 smaller photographs elegantly presented mounted on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper, and an affixed paper title label featuring the film's poster art of Bardot. Several photographs with series number on the verso in manuscript pencil, a few with rubber-stamps crediting film title and starring actors, and photos in notebook numbered at the edges prior to being printed. Bardot is seen in nearly every image, highlighting an array of hairstyles and costumes, scenes in the pilot's cockpit, snacking between takes, dancing, being curious at galas. Contact sheets, glamour portraits of Madeleine Lebeau, action sequences of bar fights, and on-the-set images are equally prominent. Negatives show costume design illustrations for men in military uniforms. Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet (Vidal), who happens to be a womanizer. Taking control of the situation, she has an weekend affair with a prince (Boyer), and ultimately reunites with her husband after somewhat passive apologies. Photographs in large quarto notebook 4 x 5 inches to 8 x 10.5 inches, mounted on thick stock. Boxed photographs 4.75 x 7 inches to 9.25 x 11.75 inches, with 3 medium-format negatives, 3.5 x 4.5 inches. Photographs Near Fine overall, light curling, a handful with short creases, negatives Very Good, notebook Very Good plus, box Very Good.…

Seven original black-and-white photographs from the 1957 French film, here under the original French title, "Une manche et la belle." Henri Vidal and Isa Miranda are seen in most, and in two with Demongeot in the background. All with numerical annotations in manuscript pencil, three with blue rubber-stamps (Victorine), and one with French film titles in manuscript pencil on the versos. Housed in a French Kodak photo paper box. Noirish murder drama loosely based on Chase's novel "The Sucker Punch" (1954). Betty Farnwell (Miranda) is a rich widow living in Nice with a bewitching daughter, Eva (Demongeot). Betty marries Philippe (Vidal), a good-looking but self-interested man. Cue Eva. Philippe falls for the calculating, femme fatale, who has plans to marry someone else. Betty's life is in danger as Philippe struggles with his transgressions. Photographs 5 x 7 inches. Near Fine, with slight curling and light foxing, box Very Good overall.…

Two original uncut Japanese stamp sheets for the 1957 French-Italian film. Bardot is amply represented in red and green variants, 10 stamps per sheet, also with an image of the Eiffel Tower. Produced by the Towa Corporation (Japan) with "BB" and film titles in Japanese represented. The film was released in Japan in December, about one week after the French premiere. Scarce and cool Bardot ephemera, and a unique Japan-France collaboration, circa 1957-1958. Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet (Vidal), who happens to be a womanizer. Taking control of the situation, she has an weekend affair with a prince (Boyer), and ultimately reunites with her husband after somewhat passive apologies. Sheets 4.5 x 8 inches, stamps 1.25 x 1.75 inches. Very Good plus overall, with a little light handling and toning.…

Five vintage borderless reference photographs from the 1957 French film, including four oversize photographs. Numerical annotations and annotations identifying subjects in manuscript pencil and ink on the versos. Loosely based on Hadley Chase's 1954 novel "The Sucker Punch." A rich widow's daughter marries a good-looking but self-interested man, who promptly falls in love with another woman. Oversize photographs 9.5 x 12 inches, and one photograph 9.5 x 7.25 inches. Generally Near Fine. Selby France.…

Collection of 150 vintage black-and-white keybook contact sheet photographs and 8 loose photographs for the 1957 French-Italian film. The film is represented in test shots, set design shots, and many candid moments from the set, including dramatic high-contrast images of starring actors, Bardot amply represented in the collection and seen in nearly every image, off-camera with the cast and crew, spinning records on a portable player, and traveling by plane and train. Most keybook photos with 12 images per sheet, and a few have been trimmed to only a few images per sheet, amounting to over 1700 images captured. Nearly all images with series number bordering the image, but unlike similar examples from France, all sheets lack credits for the photo laboratory, film studio, film title, and often, the photographer. A few with layout annotations in manuscript pencil on the image, a few with brief annotations on the verso in manuscript ink, and two loose photographs with ditto-style mimeo snipes on the verso, crediting original title, Boyer, Vidal, Bardot, and Boisrond. Housed in a blue paper 2-ring binder with French title mounted on the front with cello tape. Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet (Vidal), who happens to be a womanizer. Taking control of the situation, she has an weekend affair with a prince (Boyer), and ultimately reunites with her husband after somewhat passive apologies. Most keybook contact sheets and 3 loose photos 7 x 9.25 inches, binder slightly larger, and 5 loose photos 5 x 7 inches. A few contact sheets are cropped slightly smaller, and all are 2-hole punched. Very Good Plus overall, keybook photos rubbed.…