Hardcover without dustjacket as issued, 324 pages, in English, French and Italian; small crimps to bottom of spine; otherwise as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.
Published by Dilecta Editions / MAMAC, Paris / Nice, 2019
ISBN 10: 2373720663 ISBN 13: 9782373720662
Hardcover. Black cloth over boards with white lettering; 333 pp.; richly illustrated. Created on the occasion of an exhibition held October 12, 2018 to March 24, 2019 at MAMAC in Nice. VG (Boards are lightly edgeworn/scuffed/smudged; light smudging to textblock edges; interior is very clean; binding is solid.).
Published by [New York], [NY], 1969
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[1] pp.; 28 x 21.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Flyer / announcement published to promote events held between 13th and 14th Streets and 6th and 5th Avenues, New York City, on April 18, 1969. Participating artists included Vito Hannibal Acconci, Terence Anderson, Arakawa, Gregory Battcock, Matthew Benedict, Michael Brownstein, Scott Burton, James Lee Byars, Rosemarie Castoro, Eduardo Costa, Bill Creston, Larry Fagin, Madeline Gins, John Giorno, Bobbi Gormley, Tom Gormley, Dan Graham, Katherine Greef, Stephen Kaltenbach, Joseph Kosuth, Leandro Katz, Alcides Lanzy, Lucy Lippard, Rosemary Mayer, Ben Patterson, John Perreault, Lil Picard, Adrian Piper, H Alexander Roberts, Marjorie Strider, Mr. T., Bernar Venet, Frank Lincoln Viner, Anne Waldman, Lewis Warsh, Luis Wells, Hannah Weiner and Lawrence Weiner. These organized street works can be understood as extensions of both the Pop art Happenings of the earlier 1960s and the street protests taking place in New York City and throughout the country during the 1968 elections, the Civil Rights Movement, and the Vietnam War. Whereas the Pop happenings usually took place in galleries and performance spaces, the street works were unconfined by physically walled-in spaces. Enacted in open environments, comingled with the natural flow of pedestrians, these performances created unlimited possibilities for happenstance with the sidewalk as the stage and the city as backdrop, the inhabitants of New York became active participants with the artists, willingly or not. Fair / Good. Folded in three and two tape stains. Name of recipient on verso in ink.