Toyojiro Hida (22 results)

Hardcover. Condition: NF. Hardback in Near Fine condition with Near Fine dust jacket. . 8vo 8" - 9" tall. 80 pages. * Quick Shipping * All Books Mailed in Boxes * Free Tracking Provided *.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Soft cover. Condition: As New. 1st Edition. This is a fine, as new, first edition paperback copy, 177 pages, white spine. Photos on request.

Hardcover. Condition: Good. No DJ. 1st Edition. First Edition (1995.) Hardcover without dust jacket. Ex-Library, 4to with 165 pages The book is in good condition with some shelf wear and some discoloration of covers. Interior is clean and tight. Ex-Library stamps and stickers. Yellow spine/Black text. Size: 4to. Ex Library/ Jewellery.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Text and images are unmarked; pages are bright, though the page edges are a little foxed. Binding has a slight backward lean. Dust jacket shows very little wear. International/Priority shipping at cost. 151pp.

Hardcover. Condition: As New. Dust Jacket Condition: Near Fine. 1st Edition. Quarto. Pp.151. Richly illustrated with 84 color plates, a book commemorating the exhibition of painted cramics by the artist. INSCRIBED BY AKIO TAKAMORI ON THE FRONT ENDPAPER. As new in a near-as new dust jacket with faint toning to spine and bump to one corner. Inscribed by Artist.…

Hardcover in Dust Jacket. Condition: Very Good. Bound in grey cloth 11 1/4 x 8 3/4 inches with pictorial jacket - a beautiful crisp copy illustrated throughout.

softcover. Condition: Collectible; Like New. First Edition; First Printing. SIGNED on front endpaper by Nagatoshi Onishi. ; Numerous full page color plates. Introduction by Martha Longenecker. With an esay by Masami Shiraishi, and an interview with the artist by Toyojiro Hida. Text in English. Published on the occasion of the exhibition at the Mingei International Museum, San Diego, CA, September 24, 1999 - January 9, 2000. ; As New. Tight, clean and crisp. No inscriptions. No remainder mark. Not ex-library. In excellent condition. As New. Signed. …

Hardcover. Condition: Very Good. Text is LIKE NEW. Very Clean. No writing or tears to text. Book and Dust Jacket have minor wear.

Softcover. Condition: FINE. AUSTRALIAN ART CRAFT -First published on the occasion of the exhibition 'Nature as object - craft and design from Japan, Finland and Australia', the Third Australian International Crafts Triennial, organised by the Art Gallery of Western Australia. Exhibition dates: 2 July - 6 September 1998.pp. 95 illusts SCARCE #0619 Elizabeth's Bookshops have been one of Australia's premier independent book dealers since 1973. Elizabeth's family-owned business operates four branches in Perth CBD, Fremantle (WA), and Newtown (NSW). All orders are dispatched within 24 hours from our Fremantle Warehouse. All items can be viewed at Elizabeth's Bookshop Warehouse, 23 Queen Victoria Street\, Fremantle WA.…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. SIgned and dated by the artist on the ffep. First Printing of this exhibition monograph for the travelling exhibition in 2005-07. 9 x 11.25 in. 152pp. Illustrated with a section of color plates, plus numerous reproductions within text. Gray cloth over boards with titles stamped in silver on spine. A Fine copy in a Fine jacket. Signed by Artist.…

Hardcover. Condition: Como Nuevo. 1.995.170 páginas.English-Japanese.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Condition: Fine. Number of books: 1 book.

Condition: Fine. Number of pages: 120 pages Size: 46x size (B5 size) Number of books: 1 book.

Condition: Fine. Number of pages: 142 with col. and monochro. illus. Size: 27.5 x 22.5 Number of books: 1.

Condition: Fine. The book is in fine condition.

Hardcover. Condition: As New. Signed by Artist. In Slipcase. A Fine Book in a Fine Dust Jacket. Very Clean. No writing or tears. Solid Binding. Dust Jacket is bright and shiny.

Hardcover. Condition: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap.

Condition: Gut. 160 Seiten Zustand: Einband etwas berieben und minimal fleckig, Ränder gering lichtbedingt verfärbt / Cover slightly rubbed // Mit zahlreichen Abbildungen, with many illustrations. Includes the following chapters: The Lesson of Henry van de Velde (Toyojiro Hida), I Furniture (21 pictures), II Metal parts for furniture (8 pictures), III Vignette design (12 pictures), IV Advertisement (7 pictures), V Book binding design (13 pictures), VI Textile design (31 pictures), VII Tableware (35 pictures), VIII Interior decoration (11 pictures), IX Writing tools (5 pictures), X Accesory (9 pictures), XI Architecural plans, maquette and furniture plans (27 pictures), Books referring to van de Velde (5 pictures) - Japanes / English language /// Versand gratis Innerhalb Deutschlands - Portofrei in Deutschland- ab 20 Euro mit Post ID - Gratisversand deutschlandweit innerhalb Deutschlands gratis Versand -Versandkostenfrei innerhalb Deutschlands /// Sprache: Englisch Gewicht in Gramm: 940 4°, 30,4 x 22,2 cm, Broschur bzw. Taschenbuch.…

Hardcover. Condition: Wie neu. Dust Jacket Condition: Wie neu. Kyoto Shoin Inc, Kyoto, Japan. 1987, 1st Edition. Hardcover, with dust jacket and original box. Japanese text with introductory in ENGLISH .; 27 x 37.5 cm.; 3.5 kg.; 489 pages with numerous colour and black and white illustrations. Kiritsu Kosho Kaisha was established during the International Exposition in Vienna held in 1873. The art industries exported by Kiritsu Kosho Kaisha were enamelled ceramics, produced in the attached china-painting factory, lacquer were, metal works, cloisonné ware and art embroideries. This book contains a large number of designs of the products made in the attached factory. …

Hardcover. Condition: Good. Dust Jacket Included. 1st Edition. Japanese text with introductory text in English.; 27 x 37.5 cm.; 3.5 kg.; 489 pages with colour and black and white illustrations.; Used with signs of wear on the exterior and interior. The dust jackets shows edge wear, wear marks, scuffs and scratches. Edges slightly bumped and turning inwards. Interior with signs of wear namely on the first page which show a tiny mark of what looks like a sticker removed. Previous bookseller sticker glued to the rear of the back cover. Signs of wear on the remaining interior, namely some pages that show signs of have been bent in the past.; "Kiritsu Kosho Kaisha was established during the International Exposition in Vienna held in 1873. One reason for its establishment was the fact that Mr. Owen, Secretary-general of the British Exposition Office requested Jomin Sano, Vice- president of the Japanese Exposition Office, resident in Vienna, to cooperate with a British company, Alexander Park Co., in their project to remove and reconstruct the whole Japanese pavillion to London and sell varieties of Japanese craftwork there. Since its establishment derived from the governmental activity at the International Exposition in Vienna, Kiritsu Kosho Kaisha developed and declined in the context of Japan's representation at the many international expositions which were frequently held in various cities in the world at that time.The art industries exported by Kiritsu Kosho Kaisha were enamelled ceramics, produced in the attached china-painting factory, lacquer were, metal works, cloisonné ware and art embroideries manufactured in the first and the second factories, and other handicrafts purchased from various producing areas all over Japan. This book contains a number of designs of the products made in the attached factory. These designs are undoubtedly the realization of the idea of art industry. They preserved the traditional style of Japanese paintings, while removing aspects not to the taste of Western people. The company's products and goods purchased from all over Japan were not only exported to the above-mentioned Alexander Park Co. but also sold at overseas international expositions as well as through the New York Branch which was opened on the occasion of the International Exposition in Philadelphia in 1876, and through the Paris Branch which was opened on the occasion of the International Exposition in Paris in 1878. Now, however, there are only a few articles left which can be confirmed to have been produced by Kiritsu Kosho Kaisha. I have never researched in the U.S.A., but in Europe I found out only one bronze vase, on which flowers and birds are inlaid, in the collection of the Victoria & Albert Museum in London. The company's production and export rapidly increased due to the execution of the art industry promotion policy by the Meiji Government. However, the business was not profitable, and the company was actually maintained by the financial support of the Government. Financial difficulties were never solved, and the company was finally dissolved in the summer of 1891 when governmental support was cut off. We can say that Kiritsu Kosho Kaisha, which was born, and then disappeared in the context of the governmental idea of art industry, was part of the art industry promotion policy itself." excerpt from the introductory text by Toyojiro Hida. …