Tolles Thayer Edited (5 results)
Language: English
Published by The Metropolitan Museum of Art Yale University of At Yale University Press New Haven and London, New York, 2003
- Softcover
Seller: Henry Hollander, Bookseller, Los Angeles, CA, U.S.A.Henry Hollander, Bookseller
Contact seller4-star sellerCondition: Used - Very good
£ 11.41
£ 5.17 shippingShips within U.S.A.Quantity: 1 available
Softbound. Condition: Very Good. Royal octavo, illustrated card covers with flaps, color frontispiece photo, x, 150 pp., b/w photos throughout Preface by Morrison H. Heckscher. Introduction by Thayer Tolles. Articles are "The Neoclassic Relief," William H. Gerdts, "The Eccentric Life of a Perfectly Emancipated Female": Harriet H…osmer's Early Years in Rome," Melissa Dabakis, "Winged Victory, A Battle Lost: Augustus Saint-Gaudens's Intentions for the Sherman Monument Installation," Joyce K. Schiller, "In a Class by Themselves": Polychrome Portraits by Herbert Adams," Thayer Tolles, "Sculpture as Craft: Two Female Torsos by Paul Wayland Bartlett," Thomas P. Somma, "The Aesthetics of Extinction: Art and Science in the Indian Sculptures of Hermon Atkins MacNeil," Andrew J. Walker, "The Spectacle of a Merely Charming Girl": Abastenia St. Leger Eberle's Girl Skating," Alexis L. Boylan, "The Ethereal Icon: Malvina Hoffman's Worshipful Imagery of Anna Pavlova," Janis Conner.
Language: English
Published by The Metropolitan Museum of Art/Yale University, New York/New Haven, 2000
- Hardcover
- First Edition
- Signed
Seller: Andre Strong Bookseller, Blue Hill, ME, U.S.A.Andre Strong Bookseller
Contact seller5-star sellerAssociation member: MABA
Condition: Used - Fine
£ 22.83
£ 5.17 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Fine. near fine. First edition. 9 x 12 in. Blue cloth boards. Signed by the author of one of the essays, Morrison Heckscher on the title page "For George Hartoon with the thanks of the William Cullen Bryant Fellows. Washington, April 8. 2005 Morrison Heckscher". Numerous color and B&W plates. Condition is F…INE ; like new on all points. DJ is NEAR FINE ; very clean and fresh. NY. Stax.
Language: English
Published by Yale University Press, New Haven and London, 2003
- Softcover
Seller: Olana Gallery, Brewster, NY, U.S.A.Olana Gallery
Contact seller3-star sellerPaper. Condition: Good. Good paper copy catalog, x + 149 no. pp, 1 pp preface, 3 pp intro, many essays with 103 figure illus. in B/W.
William M. Harnett
Harnett, William M.; Bolger, Doreen, and Simpson, Marc, and Wilmerding, John, with Mickel, Thayer Tolles (Edited by)
Published by Amon Carter Museum and the Metropolitan Museum of Art; Abrams, Fort Worth, TX, and New York, 1992
- Hardcover
- First Edition
Seller: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.LEFT COAST BOOKS
Contact seller5-star sellerCondition: Used - Very good
£ 30.06
Free ShippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Very Good. Dust Jacket Condition: Fine. 1st. Cloth, xvi, 333 pages, illustrations (some colour); 31 cm. Published in conjunction with an exhibition organized by the Metropolitan Museum of Art, Amon Carter Museum, and Fine Arts Museums of San Francisco, and held at the Metropolitan Museum of Art from March 1…4 to June 14, 1992 and at three other museums through June 13, 1993. Firm binding, clean inside copy. Age toning, top edge lightly soiled. Dust jacket protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. *** "In his short but productive career, William Michael Harnett (1848-1892) became the great American master of trompe-l'oeil still-life painting. His works, popular with the public long before they were appreciated by the art critics, 'fool the eye' with their convincing, sharp-edged definition of form and careful rendering of materials. This volume provides the first thorough examination of Harnett's career and its significance for the history of American art. Twenty-two essays by a roster of leading scholars examine three major areas: Harnett's relationship to his contemporaries, among them painters, patrons, critics, and the general public; his formative training and experiences; and the meaning of his themes for the audience that supported him. These essays discuss not only Harnett's own technical skill and artistic development, but also the aesthetic issues of illusionism and trompe l'oeil, Harnett's relationship to other painters working in a similar vein, and the implications of his subject matter. Ultimately, the essays help to resolve the question of how Harnett's technically skillful imitations of real objects fit the definition of 'art' and what his popularity says about the culture in which he worked and lived. Each of the editors has written an essay for this volume; other contributors include Henry Adams, Maria Chamberlin-Hellman, Nicolai Cikovsky, Jr., Elizabeth Jane Connell, William H. Gerdts, Elizabeth Johns, Judy L. Larson, David M. Lubin, Chad Mandeles, Roxana Robinson, and Paul J. Staiti. The forty-nine works reproduced in full color and arranged chronologically provide the first comprehensive survey of Harnett's work. A bibliography, chronology, and thorough index add to the reference value of this handsome volume." - Publisher. *** CONTENTS: Approaches to still-life painting. "Sordid mechanics" and "monkey-talents": the illusionistic tradition, by Nicolai Cikovsky, Jr.; Illusionism, trompe l'oeil, and the perils of viewership, by Paul J. Staiti; Permanent objects in a changing world: Harnett's still lifes as a hold on the past, by David M. Lubin; A study in contrasts: the work of Harnett and La Farge, by Henry Adams; The patrons of the artist: emblems of commerce and culture, by Doreen Bolger; The artist's public face: lifetime exhibitions and critical reception, by William H. Gerdts; Harnett enters art history, by Elizabeth Johns; Elements of artistic development. Burin to brush: Harnett as an artisan, by Paul Raymond Provost; The artist and American art academies, by Maria Chamberlin-Hellman; Notes of change: Harnett's paintings of the late 1870s, by John Wilmerding; Common objects of everyday life, by Roxana Robinson; The artist's working methods, by Jennifer Milam; Harnett and photography, by Douglas R. Nickel; The late years, by Jennifer Hardin; The major themes. Permanent perishables: the artist's fruit paintings, by Thayer Tolles Mickel; "The best index of American life." newspapers in the artist's work, by Laura A. Coyle; "Job lot cheap": books, bindings, and the old bookseller, by Andrew Walker; Commodified displays: the bric-a-brac still lifes, by Sylvia Yount; Grave counsel: Harnett and Vanitas, by Chad Mandeles; Literary references in Harnett's still-life paintings, by Judy L. Larson; After the hunt, by Elizabeth Jane Connell; Harnett and music: many a touching melody, by Marc Simpson; Chronology, by Thayer Tolles Mickel. Size: 4to.
American Sculpture in the Metropolitan Museum of Art [2 Volume Set]
Dimmick, Lauretta, and Hassler, Donna J., and Tolles, Thayer (Catalogue by); Tolles, Thayer (Edited by)
Published by Metropolitan Museum of Art, 1999-2001, New York, 2001
- Hardcover
- First Edition
Seller: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.LEFT COAST BOOKS
Contact seller5-star sellerHardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. Cloth, 2 volumes, pages, illustrations (some colour); 32 cm. COMPLETE SET. Both volumes in fine condition. Dust jackets protected in mylar covers. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Profusely illustrated. Volume… 1. A Catalogue of Works by Artists born before 1865; Volume 2. A Catalogue of Works by Artists born between 1865 and 1885. Size: Folio. Collectible.
