Tinterow Gary Editor (19 results)

hardcover. Condition: As New. Used, hardcover like new copy in original dust jacket. No highlighting or underlining. A nice square copy. We have the other 5 titles in the MET Museum Series.

Hardcover. Condition: New. In shrink wrap.

Hardcover. Condition: As New. Hardcover and dust jacket. Light wear. Good binding and cover. Clean, unmarked pages. Ships daily. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

12 x 9 inches. 364 pages. Profusely illustrated. Printed wrappers. "This landmark publication presents for the first time a comprehensive catalogue of the works by Pablo Picasso (1881-1973) in the Metropolitan Museum. Comprising thirty-four paintings, fifty-eight drawings, a dozen sculptures and ceramics, and more than four hundred prints, the collection reflects the full breadth of the artist's multisided genius as it asserted itself over the course of his long and influential career" (the publisher). Corner of front wrapper just touched, but a fine copy.

Soft cover. Condition: Near Fine. First Edition. Minor surface abrasion extending across lower front cover approx. 1/2" above bottom edge (scratch, no paper loss), otherwise as issued, with square, uncreased binding. xiv,450 pp., illus. w/ 299 color, b&w figures. Size: 4to - over 9¾" - 12" tall. Book.

hardcover. Condition: As New. In very nice condition, clean interior with a tight binding. Excellent dust jacket.

Paperback. Condition: Very Good. 364pp paperback catalogue. Illustrated throughout with colour and b&w. In excellent condition with only slight signs of wear such as corners of front cover curling slightly.

Hardcover. Condition: VG. Cream cloth, blue & color illus. dust jacket, 214 pp., many illus., chiefly in color. Issued in conjunciton with a 2007-2008 exhibition. The Newman collection comprises 63 modern paintings, sculptures, and works on paper by fifty artists -- including "the only extant grouping of Abstract Expressionist works collected at the time of their creation." (dj) A nice introduction to the topic. Includes a conversation with the collector, as recorded by Gary Tinterow.

Condition: Very Good. Very Good condition. Volume 48, number 3. Stamped on inside. (Art history, Theodore Gericault, paintings).

Hardcover. Condition: As New. Dust Jacket Condition: Very Good+. Origins of Impressionism gives a day-by-day, year-by-year study of the genesis of an epoch-making style. Nine essays review the Parisian art world before Impressionism (The Salon of 1859) and the traditional genres both as they were known and as they would be transformed by the New Painting (History Painting, Realist Landscape, The Nude, Figures in Landscape, Still Life, Portraits and Figures, Impressionist Landscape, and Modern Life). Each is illustrated with an abundance of works by the new artists as well as by those who made up the rest of the artistic milieu. The breadth and depth of the art world become evident and our understanding is further expanded by a wealth of contemporaneous comments and criticism. The relations between artists?Manet and Degas, Cézanne and Pissarro, Monet and Bazille, among others?are made clear, and their implications are explored. Insightful commentary brings new dimensions to Monet, Fantin-Latour, and Renoir. Throughout, the history of this period is greatly augmented and much sharpened. Bibliographies and provenances are provided for each of the almost two hundred works in the exhibition, and there is an illustrated chronology. With more than two hundred superb color plates, this informative survey is an essential work for both the general reader and the scholar.

Paperback. Glossy, color-illustrated wraps with yellow/white lettering on blue spine. xi, 364 pp. with hundreds of images. Catalogue for the exhibition of the same name, April - August 2010. With essays, documentation, and technical notes by an array of specialist authors. "This volume presents for the first time a comprehensive catalogue of the works by Pablo Picasso (18811973) in The Metropolitan Museum of Art. Comprising thirty-four paintings, fifty-eight drawings, a dozen sculptures and ceramic plaques, and almost four hundred prints, the Museum's collection reflects the full breadth of the artist's multisided genius as it asserted itself over the course of his long and influential career. In his introduction, Gary Tinterow describes how the Metropolitan came to possess the particular works by Picasso in its collection, beginning with the arrival of Gertrude Stein's iconic portrait in 1947, the first work by Picasso to enter the Museum. Subsequent additions from the holdings of Alfred Stieglitz, Scofield Thayer, Florene M. Schoenborn, Klaus and Dolly Perls, and Jacques and Natasha Gelman, among many others, helped establish the Metropolitan as one of the worlds most important repositories of Picasso's art. In meticulously researched catalogue entries, the authors place the Metropolitan's Picassos in art historical context and discuss the significance of each work within the artist's constantly evolving oeuvre, from the early Blue and Rose Period masterpieces and revolutionary innovations of Cubism to the elegant neoclassicism of the 1920s and the joyous invention of the late work. Technical notes from Museum conservators describe the results of analyses and treatments that have revealed early states as well as previously lost compositions under the surfaces of many of the paintings. In addition, extensive provenances, exhibition histories, and references expand our understanding of the diffusion of Picasso's work in Europe and America, and its impact on criticism and art history in the twentieth century. Picasso's vast body of graphic work, which ranks in creativity alongside that of Dürer, Rembrandt, and Goya, is examined in an essay by Samantha Rippner and accompanied by checklists of the Museum's prints and ceramic plaques. In all, this important and richly illustrated publication is a fascinating look at one of the most protean artists of the recent past, proof that even an artist as well known as Picasso still has much to reveal." - from The Met's web site. NF with unbroken spine; likely an unread copy.

Paperback. Condition: Very Good/NO DUSTJACKET. Black & White/Color Illus.; & some B&W photos (illustrator). New York, NY: Metropolitan Museum of Art. Very Good/NO DUSTJACKET. 1999. . Paperback. 4to., 596 pp., cover very light shelf wear to edges and corners, spine lightly creased, otherwise very good; little underlining scattered throughout text, otherwise pages clean and unmarked. .

Hardcover. Condition: NF/VG+ (small ding to dj). Evergreen cloth/boards; gilt lettering. Color-illus. dj with blue spine; French folds. xi, 364 pp. with hundreds of images. Heavy at 5 pounds and may require extra postage. Catalogue for the exhibition of the same name, April - August 2010. With essays, documentation, and technical notes by an array of specialist authors. "This volume presents for the first time a comprehensive catalogue of the works by Pablo Picasso (18811973) in The Metropolitan Museum of Art. Comprising thirty-four paintings, fifty-eight drawings, a dozen sculptures and ceramic plaques, and almost four hundred prints, the Museum's collection reflects the full breadth of the artist's multisided genius as it asserted itself over the course of his long and influential career. In his introduction, Gary Tinterow describes how the Metropolitan came to possess the particular works by Picasso in its collection, beginning with the arrival of Gertrude Stein's iconic portrait in 1947, the first work by Picasso to enter the Museum. Subsequent additions from the holdings of Alfred Stieglitz, Scofield Thayer, Florene M. Schoenborn, Klaus and Dolly Perls, and Jacques and Natasha Gelman, among many others, helped establish the Metropolitan as one of the worlds most important repositories of Picasso's art. In meticulously researched catalogue entries, the authors place the Metropolitan's Picassos in art historical context and discuss the significance of each work within the artist's constantly evolving oeuvre, from the early Blue and Rose Period masterpieces and revolutionary innovations of Cubism to the elegant neoclassicism of the 1920s and the joyous invention of the late work. Technical notes from Museum conservators describe the results of analyses and treatments that have revealed early states as well as previously lost compositions under the surfaces of many of the paintings. In addition, extensive provenances, exhibition histories, and references expand our understanding of the diffusion of Picasso's work in Europe and America, and its impact on criticism and art history in the twentieth century. Picasso's vast body of graphic work, which ranks in creativity alongside that of Dürer, Rembrandt, and Goya, is examined in an essay by Samantha Rippner and accompanied by checklists of the Museum's prints and ceramic plaques. In all, this important and richly illustrated publication is a fascinating look at one of the most protean artists of the recent past, proof that even an artist as well known as Picasso still has much to reveal." - from The Met's web site.

hardcover. Condition: New. Brand New Book, factory sealed in original shrink wrap.

hardcover. Condition: Like New. Dust Jacket Condition: Like New. First Edition. Publisher: Metropolitan Museum of Art, New York, 1997. FINE hardcover book in FINE mylar-protected dust-jacket. Previous owner's artistic embossed stamp at bottom of title page, otherwise as new. First Edition, First Printing.

Hardcover. Condition: Brand New. illustrated edition. 318 pages. 12.00x9.25x1.25 inches. In Stock.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condition: New.