Tijtgat (32 results)

Original publisher's cream cloth hardback, illustration frontcover, 2nd printing, 12mo: title printed in red & black, 62pp. [ij], 4 page-large wood-engravings, advertisement. Volume 6: WB-Verhalen.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Good. 1st Edition. 164 Pp + Ads By Various Publishers At Rear. Errata Slip Tipped In. Light Yellow Ribbed Boards Printed In Blue, Spine Label. . First Printing. Worn And Dusty, Top And Bottom Of Spine Chipped Away, Spine Label Intact Except For Tiny Chip At Lower Left Corner. Elaborate Pictorial Engraved Bookplate Of Gwynneth Capes. …

Soft cover. Condition: Fine. (42) pp., pictorial paperboard wrappers. Light shelf wear, fine copy. Ills. in colour. 25 x 18 cm.

Laren, Sinder Museum & Gent, Museum voor Schone Kunsten, 1971. 17 blz.tekst & ills. Slappe kaft. [154967].

Taschenbuch. Condition: Neu. Neuware - Ischemic colitis is becoming increasingly one of the most important conditions involving the colon. This is due to a combination of multiple factors: (1) increasing age of the world population due to improved public health conditions and advances in medicine; (2) diagnostic advances in recognizing the condition; and, (3) education of physicians who suspect the disease in elderly individuals with colonic symptoms. The disease is a great masquerader of other conditions and can be mistaken for ulcerative colitis, Crohn's disease or almost any other inflammatory disease of the large bowel. It can have shallow ulcers, deep ulcers, filiform polyps, and pseudomembrane. It can produce fistulae or toxic megacolon. The thumb printing and other acute findings are not always seen and the site of involvement may be atypical. It is therefore so important to have a book dealing with this condition extensively and in detail. This scholarly presentation based on large clinical experience significantly contributes to the knowledge of this important disease that will assume even more importance as other conditions involving the colon are successfully treated. As physicians, radiologists and even pathologists have difficulty in diagnosing this condition that appears under multiple guises the information contained here should be invaluable. Alexander R. Margulis, M. D. March 1984, San Francisco PREFACE First of all, I would like to congratulate the authors on their successful publication of this monograph with many diagnostic radiographs of new touch taken by the modern technique. …

Paperback. Condition: Very Good. 1. French Dutch English Tarzan. Art and Communication is een meertalige promotiebrochure waarin het Belgische communicatie- en ontwerpbureau Tarzan zijn visie op grafische vormgeving, visuele communicatie en branding presenteert. Aan de hand van voorbeelden van gerealiseerde projecten en illustraties geeft de uitgave een beknopt overzicht van de creatieve aanpak van het bureau op het gebied van huisstijlontwikkeling, reclame, marketingcommunicatie en grafisch ontwerp. De teksten zijn opgesteld in het Frans, Nederlands en Engels, waardoor de brochure zich richt tot een internationaal publiek van opdrachtgevers en ontwerpers. Door haar beperkte oplage en commerciële karakter vormt deze uitgave een interessant document van Belgische grafische vormgeving en design uit de jaren negentig.…

Paperback. Condition: Very Good. 1. French Dutch English Marc Claerhout. De dingen die God vergat . is een meertalige kunstbrochure gewijd aan het werk van de Belgische kunstenaar Marc Claerhout. De publicatie presenteert een selectie van schilderijen en biedt een beknopte introductie tot de beeldtaal, thematiek en artistieke visie van de kunstenaar. Samengesteld door Alain Tijtgat en uitgegeven door Tarzan in Waregem, richt de brochure zich tot een internationaal publiek met teksten in het Nederlands, Frans en Engels. Door haar beperkte omvang en vermoedelijk kleine oplage vormt zij een interessant document voor verzamelaars van Belgische kunst, tentoonstellingsbrochures en kunstenaarspublicaties uit de jaren negentig.…

Condition: As New.

Condition: Bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme. Tijgat, Edgar (illustrator).

originele uitgeversomslag, 21,5 x 16cm., 88pp., mooie buitentekstillustraties in sepia. . mooi exemplaar met originele felle oranje kaft. 0 g. : Edgar Tijtgat (illustrator).

originele uitgeversomslag, 21,5 x 16cm., 103pp., mooie buitentekstillustraties in sepia. . Binnenin licht roestvlekkig. 0 g. : Edgar Tijtgat (illustrator).

Hardcover. Condition: Very Good. No Jacket. 1st Edition. Tan paper boards with black printing." Dedicated to the memory of (those specifically cited) and to all those gallant gentlemen who, but for having died in the service of their country, would have been pioneers along he new paths of literature and art." Including contributions by Walter de la Mare, D. H Lawrence, Aldous Huxley, Edith Sitwell and many others. Top 3 and 1/2 inches of spine detached and laid in. Rubbing and/or chipping to board corners and some edges. Light surface soil. Interior clean, binding tight. Anne Estelle Rice/ Frontispiece woodcut by Edgard Tijtgat (illustrator).…

23,5 x 15,5 cm - n.p. (28 pgs) - orig. wrappers -.

Amsterdam, Stedelijk Museum, 1950. Orig. stapled wrappers. With illustrations in b/w. Typ. des. Benno Wissing. 32 pag. [Stedelijk Museum / Municipal Museum [Stedelijk Museum Amsterdam] ].

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Yellow cloth binding in pictorial dustjacket. Binding is firm, pages are clean. Black & white and color photographs throughout. Typography by Dick Elffers and Ben Duijvelshoff. Top edge foxed. Dustjacket is bright with light edge wear, light creasing and small tears. Not paginated. 25,5 x 23,5 cm. Edgard Tijtgat (Tytgat) (illustrator).…

Small 4to. (260 x 192 mm). [37 leaves: 21 doubled leaves of papier antique, 16 leaves of Chine]. Leaf with vignette recto, leaf with half-title recto, leaf with title in red and green with colour floral motif recto and justification verso, 16 leaves with printed text verso to face leaf with illustration,inserted leaf of Chine with matching illustration in colour interposed between text and illustration, final leaf with achevé d'imprimer with the vignette of 'Imagerie de Watermael' dated 'Avril 1918'; text and illustration on doubled leaves stitched in the Japanese manner printed in sepia from original wood blocks (for the text) or original linoleum cuts (for the illustration) by Tijtgat throughout, inserted leaves of Chine with the illustrations in colour. Stitched as issued in original publisher's white printed paper boards with colour titles and vignettes by Tijtgat to front and rear boards, repeated colour floral motif to spine, printed endpapers with repeated colour floral motif. Edgard Tijtgat's charming Le Petit Chaperon Rouge. From the edition limited to 50 numbered copies, with this one of 40 on papier antique. Printed on thick doubled sheets of papier antique, stitched in the Japanese manner, Tijtgat's text and illustration detail the story, or at least Perrault's version, of Little Red Riding-Hood. Each of the linocuts on papier antique is preceded by a leaf of Chine with the same illustration in colour; there are, thus, 16 prints, each in two states, 32 linocuts in total. The entire text of the book, is printed from original woodblocks, including the title in three colours while all illustration (as outlined above) is linocut; the endpapers too are decorated with a repeated floral design in four colours. Tijtgat's version of Little Red Riding-hood was first printed in London in a folio edition of 15 copies in 1917. A second London edition - the present version - was published the following year in an edition of 50 copies. Both editions were issued under the imprint of Cyril Beaumont; a third edition of 100 copies was published in Tijtgat's native Belgium, in Brussells, in 1921. Tijtgat (or Tytgat) had finalised the work by 1910 but it was only issued in 1917 despite the cover of the Brussells edition indicating a date of '1915 - 1916'.…

Paperback. Condition: As New.

Hardcover. Condition: Very Good. 1st Edition. Boards with color illustrations on front and rear cover. Cloth covered spine. With 10 full page plates by Edgard Tijtgat, including cover illustrations + title illustration and colophon vignette, all colored by hand. The libretto by Ramuz was translated into Dutch by Martinus Nijhoff. This is number 67 of a limited edition of 225 copies printed on 'Hollandsch papier'. Corners a bit scuffed, light soiling to rear cover. Inside clean, no marks or inscriptions. 48 pp., 29 x 20 cm. Tijtgat, Edgard (illustrator).…

Van Tilborg & Kenens éditeurs. Anvers, sans date, [1935]. Un volume broché (17 x 22 cm) de 103 pages, 4 planches hors texte. Bon exemplaire. Cinq compositions originales d'Edgard Tijtgat, couverture en couleurs et quatre hors texte en sépia et noir d'après les gravures de l'artiste. L'histoire méconnue du quatrième roi mage par l'écrivain Gérard Walschap (1898-1989). Livres.…

Gent, 1930, origineel nummer zoals gepubliceerd, formaat in-4°. Zonder de twee linosneden buitentekst, volblad.van Jan frans Cantré.

The third woodcut from the artist's Carrousels et baraques first published in London by Cyril Beaumont in 1919, but here separately reissued for the first part of the shortlived (and now very rare) Brussels review Au Jardin de l'inutile in 1920, probably in an edition of 500. Edgard Tijtgat (1879-1957) attained something of a cult status among artists in the early twentieth-century, known for his quiet interpretation of Fauvism. His playful, nostalgic compositions, infused with melancholy, feel (to me, at least) like a graphic counterpart to the the music of Erik Satie or the Alain-Fournier's novel Le Grand-Meaulnes. As in Tijtgat's illustrations for Le petit Chaperon Rouge the colour palette is limited (though adding a bold pink to the range) but in Carrousels et Baraques there is more subtlety in tone. Several different shades of blue and green appear, for example, inked to different intensities to give a gauzy effect.The print is direct from the boxwood cut, printed by the artist at his 'Imagerie de Watermael' which must stand for his makeshift tabletop press in London rather than the village of Watermael itself, since Tijtgat was still living in London in 1919 since his flight from Belgium at the outbreak of the Great War. He printed with rollers rather than a press, and the vibrant colouring shows elements of pochoir colouring, though probably also applied with rollers to judge by the ink surfaces. Woodcut print in four colours on papier chine (152 × 204 mm, sheet size 188 × 240 mm). Signed in pencil. Marginal waterstain to blank margin at upper right. Original red printed upper wrapper. [Taillert, Tijtgat 41, 3.].…

Édition originale comprenant 19 illustrations dessinées et gravées sur bois par Edgard Tytgat : 6 hors-texte en couleurs sur chine collé, 2 illustrations en couleurs sur la chemise et 11 en noir dans le texte.Tirage limité à 150 exemplaires dits sur chine. Celui-ci est un des 110 (n° 92), sans le coloris réalisé à la main. Seuls les hors-texte sont tirés sur chine ; le livre est imprimé sur papier vergé filigrané " A.Millbourn & Co / British handmade ".Réfugié à Londres pour fuir la Première Guerre mondiale, Edgard Tytgat exprime dans cet ouvrage la nostalgie de sa belgique natale : " Toutes les étincelles des perles sur le velours noir et des petitesglaces aux mille et un reflets ornant les carrousels et baraques de mon village ».Restaurations aux coins de la chemise. En feuilles, chemise de l?éditeur illustrée en couleurs, dos entoilé crème, lacets d?attache bordeaux, rabats.…

Folder. Condition: Very Good. First Limited Edition. No. 107 of 150 limitation, on Papier de chine. Oblong, 23 by 27 cm. 7 pp. 6 mounted color plates, representing fairs in Belgium and England (three each. The palette is the artwork is tenebrous like pre-Provincal van Gogh, and the style is deliberately primitive as one finds with other post-Impressionists, among them Vlaminck, Vuillard, etc. Through these means Tijtgat conveys a sense of nostalgia, distance and loss towards the gay subject matter. The folder cover is lightly soiled. The contents are clean and fresh.…

Gent, 1930, origineel nummer zoals gepubliceerd, formaat in-4°. Bevat twee originele linosneden buitentekst, volblad.(door Jan frans Cantré).

Bruxelles, Rémy Havermans, s.d. (1913), lg. in-4°, 30 x 24,5 cm, 90 nn pp, printed at one side, containing 16 delicately coloured full-page lino-engravings by Edgard Tijtgat. Original illustrated wrapper. Printed .in 110 copies, this being copy n°39 on Japan paper, signed and numbered in pencil by the artist. A perfect copy of the first illustrated book by the artist. (Taillart nr. 17). This publication by Tijtgat is much rarer then the printed number suggests. Upon his homecoming after the First World War , which the artist had spent in London, he contacted the printer Havermans where he had left the unsold copies of this book, published just before the war. Tijtgat was severely disappointed to discover that many of the unsold copies where damaged and had become worthless due to bad stocking conditions.…