Thomas P Edited By (194 results)

Paperback. Condition: Acceptable. Some shelf wear Satisfaction 100% guaranteed.

Paperback. Condition: Good. Dust Jacket Condition: no dust jacket, as issued. This paperback edition is in excellent condition with a clean cover and tight binding. There are no inscriptions, signatures, or library markings. The pages are crisp and free of any annotations or damage, making it a great addition to any collection.…

Paperback. Condition: Very Good. Edition Not Stated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Good. Sorry, No international shipping on this item.Paperback. Good. General used condition. Evident wear. Some creasing to front cover.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Soft Cover. Condition: Very Good+. No Dust Jacket. 13th Edition. 8vo 8" - 9" tall; Dark green soft covers/leatherette. Gold lettering front and spine. There is penciling on inside front cover, first end page with previous owner's. Penciling on title page, back end page and inside back cover. .

Soft cover. Condition: Very Good. Revised Edition. 516 page reader which "provides a complete view of Merton, in all his aspects. . ." Church library sticker on flyleaf. Book.

Soft cover. Condition: Very Good. First Edition. "Daily meditations for his writings." 226 pages, illustrated with drawings. Thomas Merton (illustrator). Ex-Library.

Hardcover. Condition: Acceptable. no dust jacket visible. The book is in fair condition, with visible wear on the green cloth cover. It lacks a dust jacket and has library stamps indicating it was once part of a library collection. The binding appears intact, but the exterior shows signs of age, including some scuffing and edge wear. …

Hardcover. Condition: Very Good. Dust Jacket Condition: Fair. 3rd printing. edge wear and tape-repairs to price-clipped dust jacket, otherwise clean and sound, octavo, 353 pages, third printing.

paperback. Condition: Very Good. A nice softcover copy with a tight and square binding. Text is clean and bright. Softcovers are very good (clean, no creasing, no edge wear). Previous owner's name sticker is affixed to first front end paper. Careful packaging and fast shipping. We recommend EXPEDITED MAIL for even faster delivery. Shipped in 100% recyclable material.…

Single Issue magazine. Condition: Fair. Dust Jacket Condition: No Dust Jacket As Issued. First Edition. Chicago , IL: Ziff-Davis Publishing Company. 210 page Vintage Pulp Magazine with cover art by Arnold Kohn . Edited by Raymond Palmer with stories by Thomas P. Kelley, Robert Bloch, David Wright O'Brien and others . Contents Page in Photos A Fair to good copy with small edge tears and chips, dust soiling, text toned, creasing, old tape to the spine . See Photos mag 33. Cover art by Arnold Kohn (illustrator).…

Hardcover. Condition: Near Fine. Near Fine. First Edition. New York: Elsevier / Nelson Books [1979]. Fine in Fine dust jacket. 1979. First Edition. Hardcover. 0525666249 . First edition. 224 pages collecting 9 stories plus an introduction. Near fine with very slight wear in jacket with edge wear, and light rubbing. clph. …

Single Issue Magazine. Condition: Very Good. First Edition; First Printing. New York: Street & Smith Publications Inc. 1952. First Edition; First Printing. Magazine. Digest sized pictorial wrappers, 170 pages, illustrated. Cover Art by Alejandro A very good copy with small chips to the paper covers at the spine ends, text lightly toned. See Photos mag 33/ E. Cover Art by Alejandro (illustrator).…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Near fine/near fine, used but looks like new, navy colored end papers, vii-xx, 235pp. Interior clean, no marks, pages near bright, binding tight. Slightest of rubbing to dj, no chips or tears, dj is not price-clipped and is enclosed in a protective sleeve.…

Hardcover. Condition: Good. No Dust Jacket. First Edition. A clean, sound copy, with no markings in the text. It lacks a jacket. A short tear at the top of the spine has been repaired. The author has inscribed the front flyleaf. Fast shipping world wide.; Author Signed by Author.

Paperback. Condition: Good. No Jacket. Good condition. Size: 8vo - over 7¾" - 9¾" tall.

PAPERBACK. Condition: Fine. REVISED EDITION.

Trade Paperback. Condition: Good. 111 pp. Solidly bound copy with moderate to heavy use. Clean text. Edges worn. Presence of shelfwear.

Hardcover. Condition: Very Good. 1st Edition. The Batsford Book of Romantic Poetry Edited by Samuel Carr London: B.T. Batsford Ltd., 1982. First edition. Hardcover, original brick-red cloth with gilt lettering to the spine. Dust jacket present. 124 pages (including preliminaries and indexes), with 4 colour plates and numerous black-and-white illustrations throughout. Illustrated endpapers. 8vo (approximately 23 × 14 cm / 9 × 5½ inches). ISBN 0 7134 3903 3 / 9780713439038. Includes indexes of poets and artists. This handsomely produced Batsford anthology brings together poems of the Romantic period with the paintings and drawings that so often shared the same subjects and sensibility. The double aim, set out in the introduction, is both to give pleasure through the juxtaposition of memorable (and sometimes unfamiliar) verse and pictures, and to show how closely the poets and painters of the age responded to the same themes: night and nightmare, storm-lashed coasts, ruined abbeys, moonlight, the Lakes, the Alps, and the Italian landscape. Wordsworth's Tintern Abbey appears alongside views by Turner, Girtin and Crome; Shelley's The Cloud is paired with Constable; Byron and de Loutherbourg share stormy coastal scenes; Erasmus Darwin and Henry Fuseli are both preoccupied by the night-mare; and the Lakes, Alps and Italy recur throughout. The colour plates include works after William Blake (Thus wept the Angel voice… from America), Francis Towne (The Source of the Arveiron), John Constable (Stonehenge), and J.M.W. Turner (The Devil's Bridge, St Gothard — a detail of which also forms the striking jacket illustration, supplied by Thomas Agnew & Sons). Black-and-white reproductions throughout feature further works by Joseph Wright of Derby, James Ward, Henry Fuseli, John Crome, John Constable, George Barret Jnr, Thomas Girtin, J.C. Buckler, Edward Burney, John Martin, Samuel Palmer, and others. Front and back endpapers reproduce watercolours and paintings by J.S. Cotman and P.J. de Loutherbourg respectively. About the editor Samuel Carr (1913-) was a successful and prolific British editor of illustrated poetry anthologies, almost all published by Batsford. His other titles include The Poetry of Cats (1974), Birds, Beasts and Fishes, The Poetry of Childhood, The Poetry of Birds, The Poetry of Horses, The Poetry of Railways, Hymns as Poetry (with a preface by John Betjeman), The Batsford Book of Country Verse, and later volumes such as Ode to the Countryside and Ode to Flowers. He specialised in carefully chosen thematic collections that paired verse with fine reproductions of related art, producing attractive, accessible books that remain popular with collectors of both poetry and illustrated volumes. Condition (based on the copy shown) Book: Very Good. Clean, bright cloth boards with only light shelf-wear; tight binding; pages clean and unmarked, with the illustrations crisp. No significant foxing or inscriptions noted. Dust jacket: Very Good. The Turner jacket design is intact and attractive, with only minor edge-wear and light shelf-rubbing; protected or unclipped as applicable. The volume presents very well and is a strong, attractive copy of this first edition. A pleasing example of Batsford's characteristic illustrated poetry anthologies, offering both literary and visual enjoyment of the Romantic period. George Barret Jnr., J. Barnett, William Blake, J.C. Buckler, Edward Burney, John Constable, J.S. Cotman, David Cox, J.R. Cozens, John Crome, Francis Danby, Thomas Doughty, Henry Fuseli, Thomas Girtin, W.H. Hunt, P.J. de Loutherbourg, John Martin, S.Palmer (illustrator).…

Hardcover. Condition: Very Good. 1st Edition. 60 Pages Usual Ex-Lib Marks O/W Sound.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Reprint. Reissue of 1954-'79 Oxford University Press editions with new introduction and supplemenary materials.

Soft cover. Condition: Very Good -. No Jacket. Stated First Edition. Normal age/use wear. Book.

Hardcover. Condition: Acceptable. This hardcover edition is in good condition, with the dust jacket displaying signs of wear, including minor edge tears and chipping. The binding is strong and intact, ensuring the book's longevity. The pages are clean, with no inscriptions or library markings, making it a valuable addition for collectors of Russian literature. Worn with minor edge tears and chipping. …

Very good minus, top corners slightly bumped. First Edition hardbound Lightly edgeworn, lightly rubbed jacket.

Softcover. Condition: Fine. First Edition. 4to. 563 pages. We specialize in fine books in collectible condition. Orders are professionally packaged and shipped promptly. P12.

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.