Thomas H Kochheiser (7 results)

Soft cover. Condition: Very good. No jacket. Excellent condition. Cover corners are lightly worn. Binding is tight and inside is clean and unmarked.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Hardcover in dust jacket. Clean red cloth boards. Soil spot to first endpaper. Text pages are crisp and clean. Very nice photo illustrated dust jacket. Always carefully wrapped and shipped in cardboard boxes to protect your purchase.; Oblong 8vo 8" to 9" tall; 174 pages.…

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Hardcover in dust jacket. SIGNED and inscribed by Hannah Wilke on half title page. Clean red cloth boards. Text pages are crisp and clean. Very nice photo illustrated dust jacket. Looks great in new protective mylar. Always carefully wrapped and shipped in cardboard boxes to protect your purchase. ; Oblong 8vo 8" to 9" tall; 174 pages.…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Hardcover first edition monograph on pioneering feminist artist/performance artist Hannah WIlke. Titled "Hannah Wilke: A Retrospective," it was published in 1989 in conjunction with an exhibition at the University of Missouri, St. Louis. 176 pages filled with documentary photographs in black and white and color, along with writings by Wilke and an introductory essay. Signed by Wilke in the year of publication, along with her iconic labia drawing. From the library of renowned art critic and historian Dore Ashton, though unmarked thus. Now in a protective mylar wrapper. Inscribed by Author(s).…

Hardcover. SIGNED. First edition. For pioneering video artist Hannah Wilke (1940-1993), the point of departure was always the body and its discontinuous relationship with language. In the 1970s, Wilke's work was considered controversial. Today, when art is increasingly cognizant of social context, Wilke's work has found rightful place among the most important artwork of the past thirty years. Exhibition catalogue published in conjunction with a show held at Gallery 210, University of Missouri, St. Louis, April 3 - 28, 1989. Includes video texts, performance scripts, and other writings by Wilke. Text by Joanna Freuh & Hannah Wilke; edited by Thomas H. Kochheiser. SIGNED BY WILKE and dated in the year of publication with a drawing of a stylized vagina on the photographic half title. 168 pages; over 125 color and b&w photographs; 10.5 x 7.5 inches. Exhibition checklist; selected bibliography; illustration information; index. Condition: Near Fine clothbound hardcover in a Near Fine dust jacket, protected by a mylar cover. Ships the next business day, wrapped in padding, in a box. …

Hannah Wilke (1940-1993) was an American artist who worked in various mediums, including photography, video, sculpture, and performance, to challenge and examine prevailing notions of femininity, feminism, and sexuality. She was one of the first artists to use vaginal imagery in her work to engage with feminist issues directly. This book was published to accompany an exhibition of the same name at Gallery 210, University of Missouriâ"St Louis (3-28 April 1989). First edition, signed and dated in black pen on title-page with a small vulva drawing; (184 x 252 mm, 7¼ x 10 in); black & white and colour photographs and illustrations, essay by Joanna Frueh, texts by Hannah Wilke; black endpapers, pink cloth-covered boards, titles to spine in black, photo-illustrated dust jacket, minor shelfwear, near-fine; 176pp.…