Text John Rewald (19 results)

Soft cover. Condition: Good. Good clean tight copy. Shelf wear, Rubbing and fading to covers.

Large format softcover. Condition: Very Good. The Library of Great Painters, Portfolio Edition. 10 hand-tipped color plates, with authoritative text and commentary. 24 pages. Some darkening to covers. Gauguin, 1848-1903, was a French painter with a highly original and distinctive style. Poor and in ill health, in 1891 he separated from his family and went to Tahiti, spending the rest of his life in the South Pacific.

Softcover. Condition: Very Good-. Dust Jacket Condition: No Dust Jacket. Light creasing to lower outer corners throughout. Covers are very slightly smudged. ; 44 pages; Includes notice of private preview in honor of Dina Vierny.

Soft Cover with Attached Dust. Condition: Very Good. Dust Jacket Condition: Very Good. Page Numbers: N/A. Solidly bound copy and dj with moderate external wear, crisp pages and clean text. Slightly creased spine.

VERY GOOD condition.

hardcover. Condition: Good. First Edition. First edition. Ex owner markings on prelim pages. Some foxing threwout pages. General shelf wear.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st. Cloth, 40 pages, illustrations, 126 plates; 29 cm. Firm binding, clean inside copy. Expected browning. Dust jacket toned, with clipped flaps & light edgewear, protected in a mylar cover. *** "In this volume, John Rewald displays an unusual sensitivity and insight into the artist and his creative expression. There is no other publication (written 1958) devoted to Paul Gauguin's draftsmanship, yet as Mr. Rewald points out, Gauguin's drawings were his most intimate works. As the artist wrote shortly before his death: 'A critic comes to see my paintings, and somewhat hesitantly, asks for my drawings. My drawings! Oh, no! They are my private letters, my secrets.;" - Publisher. Size: 4to. Collectible.

Hardcover. Condition: FINE CONDITION. Dust Jacket Condition: FINE DUST JACKET. //NO REMAINDER MARK//owner name on end paper // PRICE CLIPPED//NEW MYLAR COVER// dozens of tipped-in plates, all in perfect condition.

paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Page Numbers: N/A. Over-sized and/or over weight book; extra postage required. Please note that large and/or heavy items may incur an additional shipping charge. Solidly bound copy and dj with minimal external wear, crisp pages and clean text.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st. Cloth, [47] pages, colour illustrations; 38 cm. Reproductions in colour of paintings in the museums of the world, 3. Text in French/Texte en francais. TRES BON ETAT. Legerement use. A very good copy, with some splitting along the hinges, expected age toning. Dust jacket toned, with light edgewear, protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. 10 colour plates, tipped in. *** Published on the eve of World War II with an introduction by the renowned art historian John Rewald (1912-1994). Size: Folio. Collectible.

softcover. Condition: Sehr gut. 36 p. Sprache: Englisch Gewicht in Gramm: 104.

Condition: Good. 16mo. Soft Cover,[ ca. 60 pp.] B&W and Color Plates. Very Good with Age Toning, Abrasions, CreasingProvenance: From the Collection of Frederick Gale Ruffner, Jr.,The Founder of Gale Research, Detroit.

Condition: Very Good. 1954. Paperback. Large format trade paperback with 16 tipped-in colour plates. Mylar covering is torn and there is some tearing to paper covers at spine. Previous owner's ex-libris plate to RFEP. Contents and plates in fine condition. Remains a very good copy. . . . . Books ship from the US and Ireland.

Condition: Very Good. 1954. Paperback. Large format trade paperback with 16 tipped-in colour plates. Mylar covering is torn and there is some tearing to paper covers at spine. Previous owner's ex-libris plate to RFEP. Contents and plates in fine condition. Remains a very good copy. . . . .

Condition: Good. [Exhibition catalogue]. 4to. 48 pp. Soft blue wraps with turquoise title box and black lettering. Very good with marginal sunning across top of front wrap. Black and white plates. Includes an introductory note by A. Varick Stout and a foreword by John Rewald. Includes works by Mary Cassatt, Edgar Degas, Paul Gauguin, Vincent Van Gogh, Edouard Manet, Berthe Morisot, Alfred Sisley, Henri Toulouse-Lautrec, Pierre Auguste Renoir et al./ Catalogue created to accompany the exhibition "Impressionist Treasures from the Private Collections in New York for the Benefit of St. Luke's Hospital Center Building Fund" held from January 12 through 29, 1966 at M. Knoedler & Co., Inc. Printed and bound by Clarks & Way, Inc., New York. From the Collection of the Art Historian Peter Selz.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st. Cloth, [122] pages, illustrations (some colour); 18 cm + two softcover volumes, each 64 pages; 17 cm. Errata slips laid in. Edition of 1000 copies. Issued in a slipcase. A fine copy, with light shelfwear to the slipcase. Numbered "204". Please note that the "soiling" on the sketchbook boards reproduces the condition of the original book. Facsimile reprint of a sketchbook, covering the period 1884-1888. Size: 12mo. Collectible.

Poster. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket. Promotional POSTER. (20 1/2 X 30") Close to near fine on a single high-gloss printed sheet) (Faint traces of scattered foxing along the white margins. Lightly discernable crease at upper lefthand corner of upper margin) A pleasing Cezanne still-life with fruit is here replicated from the jacket of the published book. Nicely suited for framing. (LR).

Hard Cover/Paperback. Condition: Fine/Fine/Fine. Dust Jacket Condition: Slipcase Very Good+. Gauguin, Paul (illustrator). Limited, Numbered. 64,64,&unpaginated; HB&SCs; brwn.w/blk.; fine condition w/clean,tight pgs. Slipcase brwn.; lt.rub&stain. Reproduction of one of Gauguin's sketchbooks. "The paintings which resulted from the sketches were done before 1888, and this is confirmed by correspondence." No.272 of 900.