Published by Museum of Art, Carnegie Institute
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Published by H. J. Heinz Company, 1943
Seller: Crotchety Rancher's Books, Dalton Gardens, ID, U.S.A.
Soft cover. Condition: Very Good. No Jacket. Swank, Luke (illustrator). Two staple bound booklet with brown wraps and black lettering. A picture of an Indian village on face. Light wear to wrap edges. Pages are clean throughout, although tanned with age. Profusely illustrated in b/w. A great history behind food preservation.
Published by Museum of Art, Carnegie Institute, Pittsburgh, PA, 1980
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition
First Edition. First edition. Softcover. 94 pages. Text by Clyde Hare and Beaumont Newhall. Includes 92 black and white images. A very good plus copy in wrappers with some very minor wear. Internally a clean copy.
Published by Museum of Art, Carnegie Institut, 1980
Seller: Webster's Bookstore Cafe, Inc., State College, PA, U.S.A.
Unknown Binding. Condition: Good. Mild general wear. Pages clean. Binding sound.
Language: English
Published by University of Pittsburgh Press, 2005
ISBN 10: 0822942534 ISBN 13: 9780822942535
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Condition: Good. Good condition. (artistic photography, exhibition catalogs) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Language: English
Published by University of Pittsburgh Press, 2005
ISBN 10: 0822942534 ISBN 13: 9780822942535
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by University of Pittsburgh Press, 2005
ISBN 10: 0822942534 ISBN 13: 9780822942535
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, 236 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra for this book.
Slipcase. Condition: Very Good +. Luke Swant (illustrator). Very nice copy of this World War II era book on the preservation of foods - discussing why foods spoil, how we preserve foods, and how quality foods are made. LIMITED EDITION presentation copy, with a SIGNED PRESENTATION BOOKPLATE on the front pastedown, signed H. J. Heinz II. Slipcase is worn on the edges. Illustrated, 101 pages. PRESENTATION COPY, SIGNED BY PUBLISHER. Book.
Language: English
Published by University of Pittsburgh Press, Pittsburgh, 2005
ISBN 10: 0822942534 ISBN 13: 9780822942535
Hardcover. Gray cloth boards with metallic stamped lettering. Gray and BW-photographic dust jacket with black and white lettering. 236 pp. BW photographs. "Luke Swank: Modernist Photographer reintroduces the work of an important artist who had been relegated to virtual anonymity after his untimely death in 1944. As both a biography of Swank (1890-1944) and an analysis of his work, the book focuses on his essential contribution to the modernist movement and positions Swank alongside contemporaries Edward Weston, Margaret Bourke-White, and Walker Evans." -Jacket. VG-/VG- minor corner bumping to boards, light corner/edge wear to dust jacket.
Published by Tulsa, Okla. : University of Tulsa, Winter-Spring2014, 2014
Seller: Joseph Valles - Books, Stockbridge, GA, U.S.A.
Soft cover. Condition: Fine. pages 282-552 + [6] pp. ; 23 cm ; LCCN 2007215003 ; ISSN 0021-4183, 1938-6036 ; pictorial stiff paper wrappers ; Contents: Contents: "Holy cow! A Dazibao!": A Remembrance of Simon Loekle / Carol Kealiher -- A World Without Cicci: Rosa Maria Bollettieri Bosinelli, 1940-2016 / Morris Beja -- An Untiring Scholar and a Generous Spirit: Remembering Joseph A. Kestner / Robert Spoo -- The Staffs of the James Joyce Quarterly and Tulsa Studies in Women's Literature -- Shakespearean Joyce/Joycean Shakespeare: A Review of the IX James Joyce Italian Foundation Conference in Rome, 2-3 February 2016 / Marta Altieri -- Exiles in the Grey Area / Jonathan Goodwin -- Trouble in Paradise: Violence and the Phoenix Park in Finnegans Wake / Alison Lacivita -- Joyce's Panarchy: Time, Ecological Resilience, and Finnegans Wake / Adam Barrows -- Curating the Colony: Museums in Ulysses / Julia Panko -- "Eat it and get all pigsticky": The Spinozist Body and Contagious Metaphor in "Circe" / Rasheed Tazudeen -- Free Indirect Style in Joyce's Book Reviews / James Horton -- "And words. They are not in my dictionary": A Lexicographical Study of James Joyce and the Oxford English Dictionary / Riv Chenier -- An Immodest Proposal: The Politics of the Portmanteau in Ulysses / Jordan Brower -- New Light on Lyric XXXVI in Joyce's Chamber Music: The Influences of Paul Gregan and James Clarence Mangan / Martin Connolly -- Current JJ Checklist / William S. Brockman -- Revisiting Molly's Lovers / Luca Crispi -- Limping in Edenville / Patrizia Grimaldi-Pizzorno -- Gumshoe Joyce! / Simon Loekle -- The Bloomiad: A Mock Heroic Epic in Eighteen Stanzas / Paul Claes -- Scandal Work: James Joyce, the New Journalism, and the Home Rule Newspaper Wars by Margot Gayle Backus (review) / Patrick Collier -- James Joyce in the Nineteenth Century ed. by John Nash (review) / Finn Fordham -- Derrida and Joyce: Texts and Contexts ed. by Andrew J. Mitchell, Sam Slote (review) / Damon Franke -- A Tale of a Pub: Re-Reading the "Cyclops" Episode of James Joyce's "Ulysses" in the Context of Irish Cultural Nationalism by Marianna Gula (review) / Greg Winston -- Zelfportret van de kunstenaar als jonge man by James Joyce, and: They Were Like Poetry by Elisabeth Tonnard (review) / Jack van der Weide -- Rereading the New Criticism ed. by Miranda B. Hickman, John D. McIntyre (review) / John Timberman Newcomb -- The Problem with Pleasure: Modernism and Its Discontents by Laura Frost (review) / Saikat Majumdar -- The Contemporary Novel and the City: Re-Conceiving National and Narrative Form by Stuti Khanna (review) / David Spurr -- Is There Hiberno-English on Them? Hiberno-English in Modern Irish Literature: The Use of Dialect in Joyce, O'Brien, Shaw and Friel by Gisela Zingg (review) / Cóilín Owens -- Ricorso, Act III of "Finnegans Wake," an Operoar composed and conducted by Martin Pearlman (review) / William Orem ; FINE. Book.
Published by Tulsa, Okla. : University of Tulsa, Summer 2014, 2014
Seller: Joseph Valles - Books, Stockbridge, GA, U.S.A.
Soft cover. Condition: Fine. pages 564-766 + [6] pp. ; 23 cm ; LCCN 2007215003 ; ISSN 0021-4183, 1938-6036 ; pictorial stiff paper wrappers ; Contents: Raising the Wind / Sean Latham -- The 37th Annual St. Patrick's Day Open Reading of Irish Poetry and Prose at D. G. Wills Books, La Jolla, California, 17 March 2016 / William Swank -- The Bog of Allen, the Tiber River, and the Pontine Marshes: An Ecocritical Reading of "The Dead" / James Fairhall -- Demonic Joyce / Luke Thurston -- Inverted Commas, Unreality, and Chiasmus in "Aeolus" / Susan L. Solomon -- Who Is M'Intosh? / Jonathan Bricke Rowan -- A Prompt from a Primer: A Sociolinguistic Approach to Finnegans Wake / Michelle McSwiggan Kelly -- Ernest Hemingway's Reading of James Joyce's Ulysses / John Beall -- Richard Ellmann's James Joyce: An Interview Revisited / William Baker -- Current JJ Checklist / William S. Brockman -- A Father and Daughter Excursion on the Erin's King / Luca Crispi -- Introducing Robert Berry and ULYSSES "seen" / Mike Barsanti -- Penelope Says / Robert Berry, Dan Pipito -- Zois in Nighttown: Prostitution and Syphilis in the Trieste of James Joyce and Italo Svevo: 1880-1920 by Erik Holmes Schneider (review) / Kevin Birmingham -- The Cambridge Companion to "Ulysses," ed. by Sean Latham (review) / Tim Conley -- Violence, Narrative and Myth in Joyce and Yeats: Subjective Identity and Anarcho-Syndicalist Traditions by Tudor Balinisteanu (review) / Miranda Hickman -- Brouillons d'un Baiser: Premiers pas vers "Finnegans Wake," by James Joyce (review) / Terence Killeen -- Sublime Noise: Musical Culture and the Modernist Writer by Josh Epstein (review) / Sebastian D. G. Knowles --Flann O'Brien: Contesting Legacies ed. by Ruben Borg, Paul Fagan, and Werner Huber (review) / Erika Mihálycsa -- David Lodge and the Tradition of the Modern Novel by J. Russell Perkin (review) / Rob Spence -- The Prose Elegy: An Exploration of Modern American and British Fiction by John B. Vickery (review) / Mary Power -- The Sixteenth of June: A Novel by Maya Lang (review) / William Kupinse -- Letters / Sidney Feshbach -- Citation of The James Joyce Archive / Michael Groden ; FINE. Book.
Language: English
Published by Museum of Art, Carnegie Institute, Pittsburgh, Pennsylvania, Pittsburgh, Pa, 1980
Seller: Gumshoe Books, Columbia, SC, U.S.A.
First Edition
Wraps. Condition: Near Fine. Luke Swank (illustrator). First Edition. a wonderful photographer. i was particularly taken by the steel industry photographs. and most especially the photograph on page 19.
Published by Pittsburgh, PA: Museum of Art Carnegie Institute, [1980?]., 1980
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. 4to. 94 pp. Very Good. Soft Cover. Illustrated paper wraps. B&W plates throughout.ISBN: 0881689998 9780881689990.
Language: English
Published by Univ of Pittsburgh Pr, 2005
ISBN 10: 0822942534 ISBN 13: 9780822942535
Seller: Revaluation Books, Exeter, United Kingdom
Hardcover. Condition: Brand New. illustrated edition. 248 pages. 10.50x11.00x1.00 inches. In Stock.
Published by Museum of Art, Carnegie Institute, Pittsburgh, 1980
Seller: Andrew Cahan: Bookseller, Ltd., ABAA, Akron, OH, U.S.A.
First Edition
Swank, Luke (illustrator). First edition. Small 4to., 94 pp., 92 b&w photo-plates. With additional texts by Beaumont Newhall and Robert Doherty. A fine copy in the illustrated dust jacket that is slightly toned, lacking a few tiny chips at the spine crown, and is scarred on the bottom of the rear panel from the removal of a 1 x 1 inch price label. Swank was born in 1890 in Pennsylvania; after a number of different occupations and serving in the army, he turned to photography around 1930. He exhibited in various salons around the U.S., in group exhibitions in major museums, exhibed at the Julien Levy Gallery in 1932, and was published in several photographic journals. His work is among the best of the American modernist documentarians. Of particular interest are his photos of the circus.