Studley Royal (7 results)

Unframed Print. Condition: Very Good. Alexander Francis Lydon (illustrator). An original 1860 colour print, image 13 x 19 cms, from Morris' work A Series of Picturesque Views of Seats of the Noblemen & Gentlemen of Great Britain and Ireland. Together with brief accompanying text pages. Printed using the coloured woodblock process known as Baxter Printing, by Benjamin Fawcett of Driffield, these bright and attractively coloured prints are often mistaken for chromolithographs. It has been noted that the printing is so subtle that it gives the appearance of a watercolour (Friedman, 1978). The print comes with a backing card, the accompanying descriptive text and is nicely presented in a cellophane sleeve, making a perfect present. IDEAL FOR FRAMING. Illustrator: Alexander Francis Lydon. Category: Prints from Morris' Seats; PRINTS : Buildings & Places; Antique Colour Prints. Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on.

No Binding. Condition: Very Good. A splendid original antique hand coloured engraving. Mounted - matted - and ready to frame. Excellent condition. Colouring not contemporary but delicately and expertly executed. Shows a fine view of the gardens, lake etc at Studley - Seat of William Aislabic.

No Binding. Condition: Very Good. N WHITTOCK (illustrator). An original antique engraving, printed 1831. Mounted (matted) and ready to frame. Very good condition. An engraving of Studley Royal House and Deer Park, destroyed by fire in 1946.

No Binding. Condition: Very Good. A splendid original antique coloured view - superbly printed in colour circa 1875. Mounted and ready ro frame. Mount size approximately 15 x 12 inches, 38 x 30 cms. Excellent condition - great detail and fine colouring. Shows the Country House, residence at the time of the Marquis of Ripon, in superb detail . A rare opportunity to purchase a vintage print.

Colour print, from Morris's "Views of Seats", 1880,

No Binding. Condition: Very Good. A fine Engraving , printed in circa 1830. Hand-colouring not contemporary but delicately and expertly executed. Mounted and ready to frame. A fine opportunity to purchase a attractive and decorative engraving.

Engraving,