Steve Childs (11 results)

Condition: New.

Paperback. Condition: Very Good. No Jacket. 3rd Edition. 110 pages, illustrated, maps.

Soft cover. Condition: Very Good. 36 pages. Illustrated. Bob Dylan / Commander Cody / Nick Kent / The Blue Oyster Cult / Kaleidoscope / Barry Melton / Steve Miller Band Sandy Perlman (BT#48).

292 pp.; 24 x 20 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Critical theory by Sally Banes on post modernist dance in the early 1960's with photographs by Robert Alexander. "'Terpsichore in Sneakers' is the first full-scale discussion of the artists who have made post-modern dance today's pre-eminent choreographic movement. Sally Banes traces post-modernism's origins in the work of Cunningham and Ann Halprin, its explosion in the Judson Dance Theater of the early '60s, and its relationship to other avant-garde movements in the arts during th 1960s and 70s including Happenings, pop and minimal art and related developments in the visual arts, theater and literature." -- taken from jacket cover. Individual chapters are devoted to Simone Forti, Yvonne Rainer, Steve Paxton, Trisha Brown, David Gordon, Deborah Hay, Lucinda Childs, Douglas Dunn, Meredith Monk, Kenneth King and The Grand Union. Includes photographs, chronology and a selected bibliography. Fine. Covers and contents clean and unmarked in unread condition. Due to size and weight additional shipping charges will be required for international orders.…

Paperback. Condition: Good. NOT an ex-library book. Clean copy in good condition. Quick dispatch from UK seller.

Paperback. Condition: Acceptable. NOT an ex-library book. Clean copy in good condition. First page creased. Quick dispatch from UK seller.

Condition: New. Print on Demand.

Soft cover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 2006 book presented by the MIT List Visual Arts Center regarding the legendary series of performances from 13 23 October 1966, where artists and engineers from Bell Laboratories in Murray Hill, New Jersey collaborated on what was to be the first event in a series of projects that would become known as E.A.T or Experiments in Art and Technology. Superb copy, with some light creasing to the thing paper dustjacket at the top and bottom edges. Some light rubbing along the spine edges of the DJ as well. Now preserved in custom cut mylar. Under the jacket, the book is in immaculate condition, with a bright crisp interior and solid, firm binding.…

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good. 5 mm. tear to spine edge. Four small tears at edges of staple binding. 2 mm. and 1 mm. tear to top edge of recto and chipping along top edge of verso. Light yellowing of covers and pages. Contents clean and unmarked.…

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good / Fine. 5 mm. tear with creasing to top left corner of recto. 2.9 cm. tear to spine edge of recto. 3.6 cm. dog-ear to bottom left corner of verso with light 1 cm. dog-ear to bottom right corner of most pages. Contents clean and unmarked.…

[16] pp.; 40 x 27.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Oversize program for a series of performances held over nine evenings -- October 13-16, 18-19, 21-23, 1966 -- of collaborative works between engineers and artists including John Cage, Lucinda Childs, Oyvind Fahlström, Alex Hay, Deborah Hay, Steve Paxton, Yvonne Rainer, Robert Rauschenberg, David Tudor and Robert Whitman. An early art and technology event that yielded experimental events melding cutting-edge [of the day] technology and avant-garde [of the day] artistic activity. Introduction by Billy Klüver and notes by each artist for their project. Very Good. Covers and contents clean unmarked. Mild rusting around staples, otherwise Fine.…