Stein Carl (336 results)

Paperback. Condition: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

paperback. Condition: Good. General wear from age and use. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Hardcover, with dust jacket. 296 pgs. Fine/fine.

Hardcover. Condition: Very Good. Complete with dust jacket. Binding is tight and square. Contents are crisp, clean, complete and undamaged. Book was donated to Friends of Omaha Public Library.

hardcover. Condition: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.

Hardcover. Condition: USED Fair. No Jacket. Red cloth, cocked.

Flexible Blue Cloth. Condition: Good-. No Dust Jacket. Spine area and edges of binding are sunned; spine tips and corners of covers are chipped; binding has wear and faint stains; former owner's signature and other information pencilled on free front endpaper; bottom margins at front have small soil; body of text clean. xi, 4-279 p. [otob: 12] Size: 6 11/16 x 4 3/8 inches.…

Condition: New.

Soft cover. Condition: Good Plus. Soft Cover. Good Plus. Includes F.W. Dupee essay.

Condition: Good. Good condition. (play, theater, stage) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: Very Good. First printing. Previous owner note on front end paper. Moderate wear around the extremities of the cover. Sec 53AA.

Paperback. Condition: Brand New. 1.0 edition. 184 pages. 8.00x5.00x0.42 inches. In Stock.

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket As Issued. 5.5 X 0.75 X 6.5 inches; 12 pages.

Soft cover. Condition: Near Fine. First Edition. Near fine in original wrappers with a small pencil erasure on the front panel and light wear. Complete issue. Carl Van Vechten, photograph of Gertrude Stein (illustrator).

hardcover. Condition: New.

Hardcover. Condition: Near Fine condition. Near Fine dust jacket. First Printing of the First Edition. New York: Columbia University Press, 1986. Vol. 2 only covering the years 1935 -1946. Appears seldom, if ever read. Near Fine condition in a bright and shiny Very Good dust jacket. Square and tight. Sharp corners. NO owner's name or bookplate. NOT a library discard. NOT a remainder. Pages are clean and unmarked. This volume also includes: 2 appendicies: A) The First Meeting of Gertrude Stein and Carl Van Vechten. B) An Unpublished Portrait of Carl Van Vechten by Gertrude Stein. Principal Works of Gertrude Stein. Principal Works of Carl Van Vechten. Selected Bibliography. Index. Bound in the original gold-stamped black cloth. Complete with dust jacket. From the publisher: "This monumental collection of correspondence between Gertrude Stein and critic, novelist, and photographer Carl Van Vechten provides crucial insight into Stein's life, art, and artistic milieu as well as Van Vechten's support of major cultural projects, such as the Harlem Renaissance. From their first meeting in 1913, Stein and Van Vechten formed a unique and powerful relationship, and Van Vechten worked vigorously to publish and promote Stein's work. Existing biographies of Stein -- including her own autobiographical writings -- omit a great deal about her experiences and thought. They lack the ordinary detail of what Stein called "daily everyday living": the immediate concerns, objects, people, and places that were the grist for her writing. These letters not only vividly represent those details but also showcase Stein and Van Vechten's private selves as writers. Edward Burns's extensive annotations include detailed cross-referencing of source materials.". First Printing of the First Edition. Hardcover. Near Fine condition/Near Fine dust jacket. Illus. by NOT a library discard. 8vo. (x), pp. 433-901. Great Packaging, Fast Shipping. NOT a library discard (illustrator).…

Condition: New. Stein, Harve (illustrator).

Paperback or Softback. Condition: New. Rebellion at Quaker Hill: A Story of the First Rent War. Stein, Harve (illustrator). Book.

Condition: As New. Unread book in perfect condition. Stein, Harve (illustrator).

Soft cover. Condition: Good. Dust Jacket Condition: Fair. Jacket worn, now covered with a brodart book cover, book good with shelfwear.

Hardcover. Condition: Good. No Jacket. The Magic Flute (Die Zauberflote), Opera in two Acts by Wolfgang Amadeus Mozart(Words by Carl Ludwig Giesecke and Emanuel Schikaneder), English Version by Edward J. Dent, Vocal Score by Erwin Stein, from The Royal Edition of Operas series, was published by Boosey & Hawkes, Inc.(especially for the London FFRR recording XLLA-33) in 1944. This 7 1/2" X 11", 200-page, 69-year-old offering is an ex-library copy in G condition. This quite special offering, FYI, was presented, lo these many years ago, to the Lima Public Library, a Gift of The Metropolitan Opera Guild. Still in overall quite sound, nice physical shape despite its 69 years, there is some modest, light browning of text's pages, and there is the presence of fairly minimal library markings. There is a mild, just over 6"-long, diagonal crease beginning at bottom edge of front cover board. Mild shelf wear is seen, mostly at the four outer tips of front/back cover boards. From Summary, "The story of 'The Magic Flute' has often been regarded as a childish jumble of absurdities. The opera was planned as a spectacular fairy play with music for a popular theater, but for some unknown reason the whole plot was altered at an early stage and the opera became an allegory of Freemasonry, which, largely under English influences, had spread all over Germany during the eighteenth century and was secretly disseminating ideals of English liberalism and humanitarianism. These ideals met with the determined hostility of the absolute monarchies and of the Roman Catholic Church, all the more so since in France they had led to the Revolution. Mozart was a devoted Freemason and so were many of the leading spirits of his time such as Goethe and Haydn. .The libretto of [this opera] had been first suggested by an oriental fairy-tale., but for the Masonic symbolism the main source of its episodes was Sethos, an edifying novel by the Abbe Terrasson, first published in Paris, 1731, and soon translated into both German and English; it was much read in Masonic circles." This is, Reader, the complete scoring, with words(provided in both German and English) of Mozart's "The Magic Flute"(completed in 1791, the year of his death), from "Overture, Act I" to "Finale, Act II". Tamino, Pamina, Sarastro, the Queen of Night, Monostatos, and, of course, Papageno--they're all on board within this offering which was, as noted above, specially printed/published to assist anyone listening to/following along with the London Records recording of "The Magic Flute" as performed by the Vienna Philharmonic Orchestra(Karl Bohm, Conductor), the Vienna State Opera Chorus(Richard Rossmayer, Director), and featuring Leopold Simoneau, tenor, and Hilde Gueden, soprano. Also included are (List of) Characters and Index(for Acts I, II, listing all musical pieces, complete). Thank you very much!.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st. First Edition, First Printing; dj w/chipping, smalll tears, unclipped price, in mylar; 480 clean, unmarked pages.

Hardcover. Condition: Very Good. No Jacket. 1st. 1st printing; green c w/tan boards; illustrated end papers; 174 clean, unmarked pages. Harve Stein (illustrator). Signed By Author.