Stefanson (50 results)

Staple-bound Softcover. Condition: Good. Crisp and clean; no owners' marks; soft cover shows some fading along the spine and a line of shallow edge chips along the top rear, otherwise excellent. 32pp incl. 4pp b/w photo reproductions.

Hardback. Condition: Very Good Condition. First Edition 1st Edition. Size: Oversized.

dvd. Condition: Used - Good.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardcover. Condition: Very Good. No Jacket. Light wear to the binding. No slope, no twist from reading or improper shelving. Pages tight and clean with no marks. Name of previous owner top of the front flyleaf. No odor. No water stains. No soiling. No sun fading. No dust jacket.

Paperback. Condition: Brand New. 365 pages. 9.00x6.00x0.92 inches. In Stock.

Soft Binding. Condition: Fine Condition. First Edition 1st Edition. Signed by Stefanson.

HARDCOVER. 2nd edition. 253pp, small octavo, inscribed by Stefansson on the title page. inscribed by Stefansson. inscribed by Stefansson, tight binding, edgewear, soiled on back, Good.

hardcover. Condition: Good. 1916 unwin edirion on somehwat worn red cloth small splits to right side seam.

Hardcover. Condition: Good. Dust Jacket Condition: Fair. 1st Edition. Light blue cloth, a little wear to extremities, some discolouration and foxing in places. Edges of the page block a little foxed/discoloured. A little foxing to preliminary pages and prefce, otherwise very clean. jacket has some edge wear/discolouration and is darkened on the spine Heavier book, may incur some extra postagte (at cost) outside the UK.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condition: New.

Paperback. Condition: new. Paperback. Eschewing the postcolonial hubris that suggests Africa could only define itself in relation to its colonizers, a problem plaguing many studies published in the West on African cinema, this entry in the Directory of World Cinema series instead looks at African film as representing Africa for its own sake, values, and artistic choices. With a film industry divided by linguistic heritage, African directors do not have the luxury of producing comedies, thrillers, horror films, or even love stories, except perhaps as DVDs that do not travel far outside their country of production. Instead, African directors tend to cover serious sociopolitical ground, even under the cover of comedy, in the hopes of finding funds outside Africa. Contributors to this volume draw on filmic representations of the continent to consider the economic role of women, rural exodus, economic migration, refugees, and diasporas, culture, religion, and magic as well as representations of children, music, languages, and symbols. A survey of national cinemas in one volume, DirectoryofWorldCinema: Africa is a necessary addition to the bookshelf of any cinephile and world traveler. Eschewing the postcolonial hubris that suggests Africa could only define itself in relation to its colonizers, a problem plaguing many studies published in the West on African cinema, this entry in the Directory of World Cinema series instead looks at African film as representing Africa for its own sake, values, and artistic choices. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Eschewing the postcolonial hubris that suggests Africa could only define itself in relation to its colonizers, a problem plaguing many studies published in the West on African cinema, this entry in the Directory of World Cinema series instead looks at African film as representing Africa for its own sake, values, and artistic choices.With a film industry divided by linguistic heritage, African directors do not have the luxury of producing comedies, thrillers, horror films, or even love stories, except perhaps as DVDs that do not travel far outside their country of production. Instead, African directors tend to cover serious sociopolitical ground, even under the cover of comedy, in the hopes of finding funds outside Africa. Contributors to this volume draw on filmic representations of the continent to consider the economic role of women, rural exodus, economic migration, refugees and diasporas, culture, religion and magic as well as representations of children, music, languages and symbols.A survey of national cinemas in one volume, Directory of World Cinema: Africa is a necessary addition to the bookshelf of any cinephile and world traveller.

Hardcover. Condition: Very Good. No Jacket. Scarce 1943 reprint, better than very good hardcover book. Seven maps in text and two large fold-out maps in back. Many black and white photo plates. Binding tight. Unmarked pages. 812 pages with index.

Paperback. Condition: New.

Condition: New.

Soft Cover. Condition: Good. Inscription and apparent signature of Rochelle on last blank page. Limited edition of 125 copies. Two pages of haiku plus endpapers and title page. Tied with cord and a velvet ribbon. Cover shows very light wear. Signed by Author.

Paperback. Condition: New.

Condition: New. In.

Condition: As New. Unread book in perfect condition.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Soft cover. Condition: Fair. Mos. -Dal'giz- 1933/, pp. 152. Translated from the German with new intro. Leading northern peoples out of the dark past. Condition: first 2 pages repaired; ed. a bit fragile.

Paperback. Condition: new. Paperback. Eschewing the postcolonial hubris that suggests Africa could only define itself in relation to its colonizers, a problem plaguing many studies published in the West on African cinema, this entry in the Directory of World Cinema series instead looks at African film as representing Africa for its own sake, values, and artistic choices. With a film industry divided by linguistic heritage, African directors do not have the luxury of producing comedies, thrillers, horror films, or even love stories, except perhaps as DVDs that do not travel far outside their country of production. Instead, African directors tend to cover serious sociopolitical ground, even under the cover of comedy, in the hopes of finding funds outside Africa. Contributors to this volume draw on filmic representations of the continent to consider the economic role of women, rural exodus, economic migration, refugees, and diasporas, culture, religion, and magic as well as representations of children, music, languages, and symbols. A survey of national cinemas in one volume, DirectoryofWorldCinema: Africa is a necessary addition to the bookshelf of any cinephile and world traveler. Eschewing the postcolonial hubris that suggests Africa could only define itself in relation to its colonizers, a problem plaguing many studies published in the West on African cinema, this entry in the Directory of World Cinema series instead looks at African film as representing Africa for its own sake, values, and artistic choices. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: New. Eschewing the postcolonial hubris that suggests Africa could only define itself in relation to its colonizers, a problem plaguing many studies published in the West on African cinema, this entry in the Directory of World Cinema series instead looks at Afric.

8vo. 159 S. OLn. mit farbigem Kopfschnitt. Einband leicht berieben und leicht fleckig, Kapitale leicht bestoßen, Seiten leicht gebräunt, sonst gut erhalten. = Reisen und Abenteuer; 28. Sprache: deutsch.

Paperback. Condition: New. Eschewing the postcolonial hubris that suggests Africa could only define itself in relation to its colonizers, a problem plaguing many studies published in the West on African cinema, this entry in the Directory of World Cinema series instead looks at African film as representing Africa for its own sake, values, and artistic choices.With a film industry divided by linguistic heritage, African directors do not have the luxury of producing comedies, thrillers, horror films, or even love stories, except perhaps as DVDs that do not travel far outside their country of production. Instead, African directors tend to cover serious sociopolitical ground, even under the cover of comedy, in the hopes of finding funds outside Africa. Contributors to this volume draw on filmic representations of the continent to consider the economic role of women, rural exodus, economic migration, refugees and diasporas, culture, religion and magic as well as representations of children, music, languages and symbols.A survey of national cinemas in one volume, Directory of World Cinema: Africa is a necessary addition to the bookshelf of any cinephile and world traveller.