Staley Gregory a (24 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Audio Book (CD). Condition: Fine. This course introduces you to the sounds of spoken Latin. Two Audio cassettes and verbatim phrase book. Every day Latin words and phrases. Basic Grammar, Pronunciation Hints, Phrases in both English and Latin. Recommended for beginners or as a refresher course. Proceeds from the sale of this book benefit environmental restoration and education.

Soft cover. Condition: Fine. 1st US Ed. A collection of essays that explores the paradoxical attitudes that women in the US have exhibited over a span of more than two centuries. It examines the attempts of several influential American women, including Margaret Fuller, Edith Hamilton and Hilda Doolittle, to interpret myth for an audience that distrusted it.281p, illus bibliography, Note on ffep else fine. Book.

Paperback. Condition: new. Paperback. American women, in contrast to their European counterparts, have long engaged with and critiqued the myths of antiquity. American Women and Classical Myths is a collection of essays exploring the paradoxical attitudes that women in the U.S. have exhibited over a span of more than two centuries. Contributors address two broad topics. They examine the attempts of several influential American women, including Margaret Fuller, Edith Hamilton and Hilda Doolittle, to interpret myth for an audience that distrusted it. In addition, they show how American women have reinterpreted myths about women such as Antigone, Penelope, or the Amazons to create identities appropriate to women in the New World. American women, in contrast to their European counterparts, have long engaged with and critiqued the myths of antiquity. American Women and Classical Myths is a collection of essays exploring the paradoxical attitudes that women in the US have exhibited over a span of more than two centuries. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Softcover. Condition: Gut. 282 p. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Guter Zustand, Schnitt teilweise angeschmutzt, wenige Seiten leicht geknickt / Good condition, cut partly soiled, few pages slightly creased. - Table of Contents List of Illustrations Acknowledgments Introduction: The Book of Myths Part I: American Women 1. Examples of Classical Myth in the Poems of Phillis Wheatley Julian Mason 2. Margaret Fuller and Her Timeless Friends Marie Cleary 3. H.D., Daughter of Helen: Mythology as Actuality Sheila Murnaghan 4. Those Two or Three Human Stories: Willa Cather, Classical Myth, and the New World Epic Mary R. Ryder 5. Edith Hamilton and Greco-Roman Mythology Judith P. Hallett Part II: Classical Myths 6. Liberating Woman: Athena as Cultural Icon in the United States Elzbieta Foeller-Pituch 7. Victorian Antigone: Classicism and Womens Education in America, 1840-1900 Caroline Winterer 8. The Figure of Penelope in Twentieth-Century Poetry by American Women Lillian E. Doherty 9. The Amazons: Wonder Women in America Gregory A. Staley. ISBN 9781932792850 Sprache: Englisch Gewicht in Gramm: 495.

Paperback. Condition: Brand New. 300 pages. 9.06x6.06x0.94 inches. In Stock.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Condition: good. Used book in good condition. May have some wear to binding, spine, cover, and pages. Some light highlighting markings writing may be present. May have some stickers and or sticker residue present. May be Ex-lib. copy. May NOT include discs, or access code or other supplemental material. We ship Monday-Saturday and respond to inquiries within 24 hours.

Condition: New. American women, in contrast to their European counterparts, have long engaged with and critiqued the myths of antiquity. American Women and Classical Myths is a collection of essays exploring the paradoxical attitudes that women in the US have exhibited ove.

Condition: New. In.

Hardback. Condition: New. As both a literary genre and a view of life, tragedy has from the very beginning spurred a dialogue between poetry and philosophy. Plato famously banned tragedians from his ideal community because he believed that their representations of vicious behavior could deform minds. Aristotle set out to answer Plato's objections, arguing that fiction offers a faithful image of the truth and that it promotes emotional health through the mechanism of catharsis. Aristotle's definition of tragedy actually had its greatest impact not on Greek tragedy itself but on later Latin literature, beginning with the tragedies of the Roman poet and Stoic philosopher Seneca (4 BC - AD 65). Scholarship over the last fifty years, however, has increasingly sought to identify in Seneca's prose writings a Platonic poetics which is antagonistic toward tragedy and which might therefore explain why Seneca's plays seem so often to present the failure of Stoicism. As Gregory Staley argues in this book, when Senecan tragedy fails to stage virtue we should see in this not the failure of Stoicism but a Stoic conception of tragedy as the right vehicle for imaging Seneca's familiar world of madmen and fools. Senecan tragedy enacts Aristotle's conception of the genre as a vivid image of the truth and treats tragedy as a natural venue in which to explore the human soul. Staley's reading of Seneca's plays draws on current scholarship about Stoicism as well as on the writings of Renaissance authors like Sir Philip Sidney, who borrowed from Seneca the word "idea" to designate what we would now label as a "theory" of tragedy. Seneca and the Idea of Tragedy will appeal broadly to students and scholars of classics, ancient philosophy, and English literature.

Condition: New. Num Pages: 200 pages, Illustrations. BIC Classification: 2ADL; DSBB; DSG. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 239 x 158 x 20. Weight in Grams: 446. . 2010. Illustrated. hardcover. . . . .

Taschenbuch. Condition: Neu. Neuware - American women, in contrast to their European counterparts, have long engaged with and critiqued the myths of antiquity. 'American Women and Classical Myths' is a collection of essays exploring the paradoxical attitudes that women in the U.S. have exhibited over a span of more than two centuries. Contributors address two broad topics. They examine the attempts of several influential American women, including Margaret Fuller, Edith Hamilton and Hilda Doolittle, to interpret myth for an audience that distrusted it. In addition, they show how American women have reinterpreted myths about women such as Antigone, Penelope, or the Amazons to create identities appropriate to women in the New World.

Condition: New. Num Pages: 200 pages, Illustrations. BIC Classification: 2ADL; DSBB; DSG. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 239 x 158 x 20. Weight in Grams: 446. . 2010. Illustrated. hardcover. . . . . Books ship from the US and Ireland.

Hardback. Condition: New. As both a literary genre and a view of life, tragedy has from the very beginning spurred a dialogue between poetry and philosophy. Plato famously banned tragedians from his ideal community because he believed that their representations of vicious behavior could deform minds. Aristotle set out to answer Plato's objections, arguing that fiction offers a faithful image of the truth and that it promotes emotional health through the mechanism of catharsis. Aristotle's definition of tragedy actually had its greatest impact not on Greek tragedy itself but on later Latin literature, beginning with the tragedies of the Roman poet and Stoic philosopher Seneca (4 BC - AD 65). Scholarship over the last fifty years, however, has increasingly sought to identify in Seneca's prose writings a Platonic poetics which is antagonistic toward tragedy and which might therefore explain why Seneca's plays seem so often to present the failure of Stoicism. As Gregory Staley argues in this book, when Senecan tragedy fails to stage virtue we should see in this not the failure of Stoicism but a Stoic conception of tragedy as the right vehicle for imaging Seneca's familiar world of madmen and fools. Senecan tragedy enacts Aristotle's conception of the genre as a vivid image of the truth and treats tragedy as a natural venue in which to explore the human soul. Staley's reading of Seneca's plays draws on current scholarship about Stoicism as well as on the writings of Renaissance authors like Sir Philip Sidney, who borrowed from Seneca the word "idea" to designate what we would now label as a "theory" of tragedy. Seneca and the Idea of Tragedy will appeal broadly to students and scholars of classics, ancient philosophy, and English literature.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: new. Questo è un articolo print on demand.

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condition: new. Hardcover. As both a literary genre and a view of life, tragedy has from the very beginning spurred a dialogue between poetry and philosophy. Plato famously banned tragedians from his ideal community because he believed that their representations of vicious behavior could deform minds. Aristotle set out to answer Plato's objections, arguing that fiction offers a faithful image of the truth and that it promotes emotional health through the mechanism of catharsis. Aristotle's definition of tragedy actually had its greatest impact not on Greek tragedy itself but on later Latin literature, beginning with the tragedies of the Roman poet and Stoic philosopher Seneca (4 BC - AD 65). Scholarship over the last fifty years, however, has increasingly sought to identify in Seneca's prose writings a Platonic poetics which is antagonistic toward tragedy and which might therefore explain why Seneca's plays seem so often to present the failure of Stoicism. As Gregory Staley argues in this book, when Senecan tragedy fails to stage virtue we should see in this not the failure of Stoicism but a Stoic conception of tragedy as the right vehicle for imaging Seneca's familiar world of madmen and fools. Senecan tragedy enacts Aristotle's conception of the genre as a vivid image of the truth and treats tragedy as a natural venue in which to explore the human soul. Staley's reading of Seneca's plays draws on current scholarship about Stoicism as well as on the writings of Renaissance authors like Sir Philip Sidney, who borrowed from Seneca the word "idea" to designate what we would now label as a "theory" of tragedy. Seneca and the Idea of Tragedy will appeal broadly to students and scholars of classics, ancient philosophy, and English literature. As both a literary genre and a view of life, tragedy has from the very beginning spurred a dialogue between poetry and philosophy. Plato famously banned tragedians from his ideal community because he believed that their representations of vicious behavior could deform minds. Aristotle set out to answer Plato's objections, arguing that fiction offers a faithful image of the truth and that it promotes emotional health through the mechanism of catharsis. Aristotle's definition of tragedy actually had its greatest impact not on Greek tragedy itself but on later Latin literature, beginning with the tragedies of the Roman poet and Stoic philosopher Seneca (4 BC - AD 65). Scholarship over the last fifty years, however, has increasingly sought to identify in Seneca's prose writings a Platonic poetics which is antagonistic toward tragedy and which might therefore explain why Seneca's plays seem so often to present the failure of Stoicism. As Gregory Staley argues in this book, when Senecan tragedy fails to stage virtue we should see in this not the failure of Stoicism but a Stoic conception of tragedy as the right vehicle for imaging Seneca's familiar world of madmen and fools. Senecan tragedy enacts Aristotle's conception of the genre as a vivid image of the truth and treats tragedy as a natural venue in which to explore the human soul. Staley's reading of Seneca's plays draws on current scholarship about Stoicism as well as on the writings of Renaissance authors like Sir Philip Sidney, who borrowed from Seneca the word "idea" to designate what we would now label as a "theory" of tragedy. Seneca and the Idea of Tragedy will appeal broadly to students and scholars of classics, ancient philosophy, and English literature. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condition: New. Print on Demand pp. xiii + 185.

Condition: New. Print on Demand pp. xiii + 185 Illus.

Condition: New. PRINT ON DEMAND pp. xiii + 185.