Stadler Jc (50 results)

No Binding. Condition: Good. 1st Edition. A hand coloured aquatint of the interior main room in the Law School of Cambridge, from Ackermann's History of Cambridge, August 1814. Colours little muted or age browned and once framed and borders have browned also, borders have sellotape burn marks at edges and an uneven edge lower left side, would frame nicely still. Measures10.5 x 12.5 inches (edge to edge).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. [1st edition, 1st printing] 160 pp. ; illustrations (some in color), maps ; 20 x 26 cm. ; ISBN: 1855852748; 9781855852747 ; LC: DA87.1.N4; Dewey: 359.03092; 923.5 ; OCLC: 36292054 ; black cloth with gold lettering and color illustrated dustjacket ; artwork featured, by Lemuel Abbott, Giacomo Guardi, J P Knight, P.-J. de Loutherbourg, Thomas Rowlandson, J. Fairburn, F G Fuger, J C Stadler, William Beechey, M E Cotman, Thomas Bardwell, Dominic Serres, Samuel Buck, Nathaniel Buck, Edward Orme, Gi lbert Stuart, Richard Westall, John Francis Rigaud, John Augustus Atkinson, Benjamin West, John Downman, Daniel Orme, Nicholas Pocock, Hugh Douglas Hamilton, Samuel Shelley, David Allan, James Gillray, George Romney, Vigee Lebrun, John Thomas Serres , Leonardo Guzzardi, Johann Heinrich Schmidt, Isaac Cruikshank, Richard Cosway, and Thomas Baxter ; VG/VG. Book.

Condition: Good. Hand-colored Aquatint. 10.5" x 8". Good with edge tears and minor losses. In mylar protective sleeve.

Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condition: New. Brand New! Fast Delivery This is an International Edition and ship within 24-48 hours. Deliver by FedEx and Dhl, & Aramex, UPS, & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India, United states & United Kingdom. Depending on your location and availability.

No Binding. Condition: Very Good. J. C. Stadler (illustrator). 1st Edition. Hand Coloured aquatint plate from Ackermann's History of Oxford showing an interior scene of the "stacks" in the Bodleian Library. A light brown age mark bottom edge and some old water markings to right edge along the length. Image not affected by these plate make noted and hand-made laid cartridge paper. Measures; Approx 11 x 13. 3 inches to edges and 8 x 10.5 to print edges. (20 x 26 cm). Guaranteed 1814.

Soft cover. Condition: Very Good. Depicts the famous inn and surrounding area in the aftermath of the battle of Waterloo. Soldiers seen idly digging holes to bury the dead some of whose extremities are protruding from hastily dug graves. Artist is E. Walsh, aquatint hand coloured, two original folds, measures 7.25x11.25", taken on the spot. Printer flaw in that reverse type seen along lower margin of the image.

Hardcover. Condition: Very Good. A.C. E.K. Saunders. Rev T Rackett. J.S. Mertz. W. Boys. S.H.Grimm. JG Wood. J. Caldwall. J. Storer. J.C. Stadler. G Richardson. (illustrator). 1st Edition. Four volumes with One Hundred and Eighty Five Plates 1799-1805, First editions, 185 pls, some coloured, some folding, in 4 Vols in green cloth, corners bumped. Spines faded at base, edges bumped, gilt titles to red labels (some loss). Vol 1, half title, frontis, [4], [1], (ii-xxxii), [1], 326, [326* ie 4O1 is a cancel), 327-345 pp, [1], [8] index, [2] pl list, [1] errata, 29 pls (3 large folding), with 43 views + 1 vignette, paper repair at p33. Vol 2, 1801, half title, frontis, [4], [1], (ii-iv), [1], 2-289 pp, [1], [11] index, [2] p-l list, [1] errata, 37 pls with 39 views (3 coloured & 1 folding). Vol 3, half title, frontis, [4], [1], (ii-vi), [1], 2-270 pp, [10] index, [2] pl list, 41 pls (with 50 views, with 2 large folding). Vol 4, 1805, half title (with crease), frontis, [6], [1], (ii-vi), [4], [1], 2-279 pp, [1], [12] index, [2] pl list, 78 pls (with 100 views). [4], [1], 2-35 (Appendix answers to PML Dutens), [1], [12] index, [1] advert, tp dated 1805, introduction & appendix pages dated 1806, txt leaves water marked 1803. Short crack to Vol 2 spine joint, Malvern Library label to fpds, occasional unobtrusive oval stamps, lib pocket to epds V1,2 & 4, removed from 3. Oval embossed stamp of AJV Radford to tps, some light spotting, but overall an excellent copy. An important work on the castles and other important buildings, ruins and sites of Britain by the end of the 18th century. (446*280 mm). (ESTC T136033).

Condition: Good. 10.5" x 8" mounted on white backing board. Color Engraving. In mylar protective sleeve. Very Good.

Condition: Good. Folio. 18 x 12.5 inches. 46 x 3.5 cm. Original qtr. red morocco gilt spine rubbed with later marbled boards and matching morocco corners , together with a matching slipcase with leather ties housing the aquatints.iv, [2], 42, [2]pp. Abbey, Travel in Aquatint and Lithography, no. 381; Colas 2788; Blackmer 1585; OCLC Number: 458998508.This unique package includes 6 aquatints from Spilsbury and 7 from Luigi Mayer, "Views in Palestine," Abbey, Travel, 369, Vol. II.The Spilsbury aquatints include Abbey 381, nos. 1; 4; 7 (stained in lower margin) ; 12; 13; 14; three with full margins and three trimmed but with margins. The Mayer aquatints include, Abbey 369, nos. 5; 6; 7; 12; 18; 20; 21. Full margins, few with remnants of corner hinges; 3 matted. First edition of English naval surgeon Francis Spilsbury's account of his travels in the Holy Land and Syria during the Napoleonic campaigns there.Spilsbury was surgeon on board HMS Tigre during the campaigns of 1799 and 1800. The Tigre brought Sir William Sidney Smith to defend Acre against Napoleon's siege, and led a naval force in support of Turkish armies which finally relieved Acre, and his text gives some account of the military campaigns and the Turkish dignitaries. In his reminiscences Napoleon accused Smith of making him miss his destiny, as Smith's timely appearance thwarted Napoleon's drive to invade Syria and forced him to retreat to Egypt. The magnificent views (sadly missing from this book which is reflected in the price) are mostly connected with the coastal towns of modern Lebanon and Israel, though several are from Spilsbury's travels inland to meet the Grand Vizier in charge of the Turkish army, Jezzar Pacha, and other dignitaries.

Aquatint. Size: 29 x 23.5 cm. Vertical fold line across plate, some discolouration, in good condition.

Print. Condition: Very Good. Size: 290 x 175 mm. Attractive hand-coloured aquatint of Dawlish Seafront prior to the railway being constructed.

Aquatint printed in colours, finished by hand. Dimensions: 310 x 415mm. (12.25 x 16 inches).

Dimensions: 310 x 415mm. (12.25 x 16 inches).

Aquatint printed in colours and finished by hand.

No Binding. Condition: Good. 1st Edition. London: Pub. by J & J Boydell, Shakspeare Gallery, 1793, First Edition. Aquatint with hand colouring print, by Joseph Constantine Stadler after Joseph Farington. Sellotape remains to the reversr of the print where previously mounted. From A History of the River Thames published by John and Joshia Boydell in 1793 and 1796. The brothers originally intended to include the rivers Thames, Severn, Forth and Clyde 'and intended to illustrate an original History of those Rivers, including all that adorns, dignifies or enriches them and their Vicinities, whether of Art or Nature'. The project was abandoned at the completion of the History of the Thames. Joseph Constantine Stadler was a printmaker of German origins, working in London between 1780-1819. Joseph Farington (1747-1821) was a landscape painter and diarist. He studied in Manchester, and moved to London in 1763 to be taught in the studio of Richard Wilson. He became a member of the Society of Artists in 1765, joined the Royal Academy at its inception in 1769, and became an academician in 1785. Approximately 16 ¼ inches wide, by 12 inches tall to the outer margin (42 x 31cm). Condition Report See above and photos. Publisher: see above. Publication Date: 1793 Binding: Hardback.

22,2 x 29,2 cm. 8¾ x 11½" inches Aquatinta. Unter Passepartout. Gut erhalten. A fine and good condition. Reference: Porter, R. K. "Travelling sketches in Russia and Sweden during the years 1805-1808", an English archaeologist and diplomat. The theatre was built in 1783 and was in the 19th century the main Russian theatre for Ballet and Opera. Sprache: english.

Black Aquatint, 12 X 6½ inches in original hand-colour. Drawn by George Walker and Engraved by I.C. Stadler A fine example. Rare view of Ramsgate with Seven Bathing Machines in the water and two more on the sands. Sailing ships at anchor in the harbour and couples promenading in the foreground in Regency costume. A charming view of fashionable Ramsgate sands with Smeaton's newly completed harbour in the background. KENT THANET KENT.

Condition: Good. Color aquatint. 12.5 x 16.5 inches. A little soiled. From History of the River Thames, Abbey no. 432. Marginal tears.

No Binding. Condition: Good. 1st Edition. London: Pub. by J & J Boydell, Shakspeare Gallery, 1793, First Edition. Aquatint with hand colouring print, by Joseph Constantine Stadler after Joseph Farington. Some thinning to the paper in the margin and on the image with resulting holes to the image (see photo) and to top margin. Remains of Sellotape marks to the rear. From A History of the River Thames published by John and Joshia Boydell in 1793 and 1796. The brothers originally intended to include the rivers Thames, Severn, Forth and Clyde 'and intended to illustrate an original History of those Rivers, including all that adorns, dignifies or enriches them and their Vicinities, whether of Art or Nature'. The project was abandoned at the completion of the History of the Thames. Joseph Constantine Stadler was a printmaker of German origins, working in London between 1780-1819. Joseph Farington (1747-1821) was a landscape painter and diarist. He studied in Manchester, and moved to London in 1763 to be taught in the studio of Richard Wilson. He became a member of the Society of Artists in 1765, joined the Royal Academy at its inception in 1769, and became an academician in 1785. Approximately 16 ¼ inches wide, by 12 inches tall (42 by 31). Condition Report See above and photos. Publisher: see above. Publication Date: 1793 Binding: Hardback.

Aquatint with hand-colour. Dimensions: 305 x 415mm. (12 x 16 inches).

Technic: Copper print- Aquatinta, colorit: original colored, condition: Perfect condition, size (in cm): 19,5 x 24, Decorative view of Gamla stan (The Old Town) and Stockholm Palace.

No Binding. Condition: Good. 1st Edition. London: Pub. by J & J Boydell, Shakspeare Gallery, 1793, First Edition. Framed Aquatint with hand colouring print, by Joseph Constantine Stadler after Joseph Farington. From A History of the River Thames published by John and Joshia Boydell in 1793 and 1796. The brothers originally intended to include the rivers Thames, Severn, Forth and Clyde 'and intended to illustrate an original History of those Rivers, including all that adorns, dignifies or enriches them and their Vicinities, whether of Art or Nature'. The project was abandoned at the completion of the History of the Thames. Joseph Constantine Stadler was a printmaker of German origins, working in London between 1780-1819. Joseph Farington (1747-1821) was a landscape painter and diarist. He studied in Manchester, and moved to London in 1763 to be taught in the studio of Richard Wilson. He became a member of the Society of Artists in 1765, joined the Royal Academy at its inception in 1769, and became an academician in 1785. Framed dimensions approximately 20 ½ inches wide by 16 ¼ inches tall. Print - Approximately 16 ¼ inches wide, by 12 inches tall to the outer margin (42 x 31cm). Condition Report See above and photos. Publisher: see above. Publication Date: 1793 Binding: Hardback.

Technic: Copper print, colorit: original colored, condition: Perfect condition, size (in cm): 16,5 x 21,5 cm, View of the city of Haifa with Mount Carmel in Israel.

Colour-printed aquatint with hand-coloring. A brilliant panorama of a patriotic convocation during the Napoleonic Wars. As George III raises his hat, seated upon a white horse and the rest of the Royal Family watches from carriages, the smartly uniformed volunteer troops of Hertfordshire march and ride through Hatfield Park. Painted in 1800 by Richard Livesay (1750-1823), the aquatint print was done by J. C. Stadler and published in 1802. The parade seems to stretch on for miles, though the military display seems to be somewhat secondary to the beautiful rolling landscape in the distance and Hatfield House, symbol of British stability and ascendency. By 1802, fighting the French to preserve Britannia had become a perpetual task for every generation since William and Mary. And of course enthusiasm for it had to be constantly re-ignited by demonstrations of the glamour of soldiery and war, and reminders of the greatness and loveliness of England. Livesay's print does all of these things extremely well, giving us an elevated view of the King and family, row upon row of earnest young men in dress uniforms and an infinite landscape.

Original hand-coloured aquatint engravings, some fading and overall browning. Dimensions: Plate size: 445 x 642mm (17.5 x 25.25 inches).

Original hand-coloured aquatint after the drawing by J. Farington R.A, as published in 'An History of the Principle Rivers of Great Britain', Vol.I, London; W.Bulmer and Co., Shakspeare Printing Office, for John and Josiah Boydell, 1794. 210 x 310 mm.

Original hand-coloured aquatint after the drawing by J. Farington R.A, as published in 'An History of the Principle Rivers of Great Britain', Vol.I, London; W.Bulmer and Co., Shakspeare Printing Office, for John and Josiah Boydell, 1794. 210 x 310 mm.

Original hand-coloured aquatint after the drawing by J. Farington R.A, as published in 'An History of the Principle Rivers of Great Britain', Vol.I, London; W.Bulmer and Co., Shakspeare Printing Office, for John and Josiah Boydell, 1794. 210 x 310 mm.

Original hand-coloured aquatint after the drawing by J. Farington R.A, as published in 'An History of the Principle Rivers of Great Britain', Vol.I, London; W.Bulmer and Co., Shakspeare Printing Office, for John and Josiah Boydell, 1794. 210 x 310 mm.