St Phane Gu Gan (12 results)

Condition: Very Good. 2004. Paperback. Good clean copy. . . . .

paperback. Condition: Used; Good.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Good. FAST Despatch by First Class Royal Mail.

Trade Paperback. Condition: Used - Very Good. French edition. Very nice tight clean copy.

Condition: New. 2026. 1st Edition. hardcover. . . . . .

Condition: NEW.

Condition: New. . 1st Edition. hardcover. . . . . .

paperback. Condition: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

hardcover. Condition: Fine. Black quarto, color illus.; 297 pages: illustrations (chiefly color), portraits; 29 cm. English content: Essays. Manet in view, Manet on view / St?phane Gu?gan -- Painting in Morceaux / Laurence des Cars -- What market for Manet? / Simon Kelly -- The social character of Manet's art / Nancy Locke -- Manet's Parisiennes/ Helen Burnham -- "Monsieur Manet, who draws quite well." / Louis-Antonie Prat -- The Manet revival / Interview Philippe Sollers; St?phane Gu?gan -- Catalogue. Couture's choices -- The Baudelaire moment -- A supspicious Catholicism -- From the Prado to the Place d l'Alma -- "The Promise of a Face" -- Impressionism caught in a trap -- The turning point of 1879 -- Less is more? -- The end of the story. "Obviously unique, erotic and political, highly autobiographical, at times ironic, and always turned toward the public space, Manet's art was also playful. To gamble, to take risks, and to collect the winnings if possible, all three things were vital to this man of great ambition. The former sailor navigated by sight, always in open waters. No retreat, no safe haven, no evasion. Manet feared his doubts less than he feared failure and routine. To become tied down to some formula or particular genre would have been, for him, the worst way of giving up. A revolutionary, certainly, a history painter in his own way, he was above all a Salon painter, ready to do battle with the jury and the public so as to impose the Modern into great art."--Page 4 of cover. Impressionism (Art) -- France -- Exhibitions Catalogue published in conjunction with an exhibition held at Mus?e d'Orsay, Paris, 5 April-3 July 2011 **A large, heavy book. Extra shipping charges may apply.**. Fine with very light shelfwear to boards.…

hardcover. Condition: Very fine. Black quarto, color illus.; 297 pages: illustrations (chiefly color), portraits; 29 cm. English content: Essays. Manet in view, Manet on view / St?phane Gu?gan -- Painting in Morceaux / Laurence des Cars -- What market for Manet? / Simon Kelly -- The social character of Manet's art / Nancy Locke -- Manet's Parisiennes/ Helen Burnham -- "Monsieur Manet, who draws quite well." / Louis-Antonie Prat -- The Manet revival / Interview Philippe Sollers; St?phane Gu?gan -- Catalogue. Couture's choices -- The Baudelaire moment -- A supspicious Catholicism -- From the Prado to the Place d l'Alma -- "The Promise of a Face" -- Impressionism caught in a trap -- The turning point of 1879 -- Less is more? -- The end of the story. "Obviously unique, erotic and political, highly autobiographical, at times ironic, and always turned toward the public space, Manet's art was also playful. To gamble, to take risks, and to collect the winnings if possible, all three things were vital to this man of great ambition. The former sailor navigated by sight, always in open waters. No retreat, no safe haven, no evasion. Manet feared his doubts less than he feared failure and routine. To become tied down to some formula or particular genre would have been, for him, the worst way of giving up. A revolutionary, certainly, a history painter in his own way, he was above all a Salon painter, ready to do battle with the jury and the public so as to impose the Modern into great art."--Page 4 of cover. Impressionism (Art) -- France -- Exhibitions Catalogue published in conjunction with an exhibition held at Mus?e d'Orsay, Paris, 5 April-3 July 2011 **A large, heavy book. Extra shipping charges may apply.**. Very fine.…

Hardcover. Condition: New. HardCover. Pub Date: 2022-07-01 Pages: 264 Language: Chinese Publisher: Huazhong University of Science and Technology Press The humanistic concept of the Renaissance also influenced the realism. cubism. fauvism and expressionism of later generations. and it is an important existence linking the past and the future in the history of western art. Delacroix was a burning flame under the banner of French Romanticism. Delacroix's works broke through the creative norms of classicism by depicting re.…