Simper Deloy (1 results)
Film Literature Quarterly, Volume 3, Number 3 (Summer 1975). Film Theory and the Detective Genre: Chinatown, Long Goodbye, Orient Express, Sabotage
Erskine, Thomas L. (ed.); Sobchack, Thomas; Atkins, Irene Kahn; Anderegg, Michael A.; Simper, DeLoy; McDougal, Stuart Y.; Oliver, Bill; McGInnis, Wayne D.; Eidsvik, Charles; McWilliams, Dean; Fiore, Robert L.; Jorgens, Jack; others
Published by Salisbury State College, Salisbury, Maryland 1975
- Softcover
Seller: Cat's Cradle Books, Archdale, NC, U.S.A.Cat's Cradle Books
Contact seller5-star sellerSoftcover. Binding is sound. Pages clean, off-white. Wrappers have fading at spine, address label on back, general light handling wear. Contents: Sobchack, Genre film: a classical experience. Atkins, Agatha Christie and the etective film: a timetable for success. Anderegg, Conrad and Hitchcock: The Scret Agent inspires Sabotage.… Simper, Poe, Hitchcock, and the well-wrought effect. McDougal, Mirth, sexuality and suspense: Alfred Hitchcock's adaptation of The Thirty-Nine steps. Oliver, The Long Goodbye and Chinatown: debunking the private eye tradition. McGInnis, Chinatown: Roman Polanski's contemporary Oedipus story. Documents of film theory: Ricciotto Canudo's "Manifesto of the Seven Arts." Eidsvik, Toward a "Politique des Adaptations." McWIlliams, The novelist as filmmaker, Maruerite Duras' Destroy, She Said. Fiore, The picaresque tradition in Midnight Cowboy. Jorgens, The opening scene of Polanski's Macbeth. Reviews. Film notes and queries. 9.0" tall; 94 pages. Very Good in No Dust Jacket dust jacket.
