Shoemaker Innis John Ittmann (14 results)

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Near Fine. Very minor shelf wear to bottom edge of front board. Else Fine. No dust jacket as issued. there may be an additional charge for shipping outside the uSA. Please request a quote. Seller Inventory # CC . HB . 726.

Hardcover. Condition: New. New - unused and unread.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: New in shrinkwrap. Color-illustrated wraps with white lettering. 60 pp. Color illustrations. Catalogue of an exhibition at the Philadelphia Museum of Art from April 2 to July 31, 2011.

paperback. Condition: Good. Satisfaction 100% guaranteed.

Soft cover. Condition: New. No Jacket. 1st Edition. Yale University Press, 2011. First printing. Very fine. A pristine copy, new and unread, still in original shrink-wrap. Color-illustrated wraps with white lettering. 60 pp. Color illustrations. Catalogue of an exhibition at the Philadelphia Museum of Art from April 2 to July 31, 2011. Measures 8.25x11 inches. Presents some 50 of the nearly 200 posters in the renowned Helfand Collection, and includes the work of prominent artists such as Jules Cheret and Leonetto Cappiello. YALE.…

Hardcover. Condition: New. No Jacket. 1st Edition. First edition 1996, first printing. Published in conjunction with the exhibition by Philadelphia Museum of Art. Hardcover without DJ as issued. Condition new, square tight and clean book, corners not bumped, no edgewear, no names, no underlinings no highlights, no bent page corners, not a reminder. Oblong 4to, 91 pages, illustrated throughout with full page plates.…

Hardcover. Condition: Sehr gut. 1. Auflage. Z : 91 pages, halfcloth - This catalogue marks the second installment of works acquired by the Museum since 1988, when the Museum first exhibited printmaking, drawing, and photography from the collection. Featured in this volume are acquisitions that stretch the established boundaries of composition or imagery, either through the use of centuries-old techniques or new technologies of the camera and the computer. Discussions of each work, contributed by Museum curators, and color reproductions are supplemented by brief biographies of the thirty-five artists featured in this most recent look at a unique collection of contemporary art.…

Condition: Sehr gut. 91 S.mit zahlr.Abbildungen; Original-halbleinenband; Quer-4°. Gutes bis sehr gutes Exemplar. (In Englisch).

Hardcover. A bright red fabric hardcover with the title debossed in black lettering down the spine. There is an illustrated dust jacket, with the title printed in red and in orange across the front cover, as well as in red and in orange down the black spine. The headband is black. The front and back free and pasted end pages are a nice pumpkin color. 8, ix-xi, (2), 2-289, (1). Profusely illustrated with full-color and true-tone images. "Along with 300 illustrated prints, this text includes essays that investigate the dynamic cultural exchange between Mexico and other countries. It analyses the work of Mexican artists such as Emilio Amero and Jesus Escobedo and international artists such as Elizabeth Catlett and Jean Charlot." Contents are as follows: Preface --; Acknowledgments --; Evolution of a revolution : a brief history of printmaking in Mexico /; Lyle W. Williams --; Crossing borders : the Weyhe Gallery and the vogue for Mexican art in the United States, 1926-40 /; Innis Howe Shoemaker --; Propaganda gráfica : printmaking and the radical left in Mexico, 1920-50 /; James M. Wechsler --; Catalogue --; Dr. Atl (Geraldo Murillo) /; John Ittmann --; Open air schools and early print workshops /; John Ittmann --; Rufino Tamayo /; John Ittmann --; Gringos : foreign artists in Mexico in the 1920s and 1930s /; John Ittmann --; José Clemente Orozco /; John Ittmann --; Diego Rivera /; John Ittmann --; David Alfaro Siqueiros /; John Ittmann --; Surrealism in Mexico /; James M. Wechsler --; Leopoldo Méndez /; James M. Wechsler --; Mexicanidad /; James M. Wechsler --; Alfredo Zalce /; Lyle W. Williams --; Francisco Dosamantes /; Lyle W. Williams --; Isidoro Ocampo /; James M. Wechsler --; Jesús Escobedo /; Lyle W. Williams --; Taller de gráfica popular : the life and drama of Mexico /; James M. Wechsler --; Framing the revolution /; James M. Wechsler --; Checklist of prints --; Notes --; Index of names. VG+/VG+: The book has clean pages and tight binding. The dust jacket has no visable tears or marks. Looks like the book was rarely, if ever, taken from the shelf.…

Paperback. Condition: New. Since the late 1960s, William H. Helfand has donated more than 1,000 posters, prints, and ephemera to the Philadelphia Museum of Art's Ars Medica Collection, the world's only collection of medical prints housed in an art museum. This fascinating volume presents some 50 of the nearly 200 posters in the renowned Helfand Collection, and includes the work of prominent artists such as Jules Chà ret and Leonetto Cappiello. Chà ret's large, colorful lithographs elevated the commercial placard to the rank of art, while Cappiello's arresting figures revolutionized 20th-century poster design. Additional examples demonstrate the wide range of compositions produced by unidentified artists working in Europe and the United States between the late 19th and 20th centuries. Dating from the mid-19th to the late 20th century, these postersâ"sometimes strange or startling but most often amusingâ"address a wide range of topics, including hygiene, medical conferences, and spurious miracle cures.…