Scott Delap (5 results)

[52] pp.; 21 x 24 cm.; sewn bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with two-part show held March 14 ? May 18, 2014 and May 25 ? August 3. "Other Primary Structures revisited the premise of and built upon the Museum''s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. Primary Structures introduced the public to such artists as Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, and others--figures unknown at the time but soon to become synonymous with a radically new approach to sculpture. Nearly 50 years later, Other Primary Structures revisits this formative moment in art history while also reexamining the period from today''s far more global perspective. "Presented in two parts, the first part of the exhibition titled Others 1, examined work created between 1960 and 1967, while Others 2, on view from May 25 ? August 3, presented work created between 1967 and 1970, some of which was directly influenced by the 1966 Primary Structures exhibition at the Jewish Museum." -- publisher''s statement. This publication includes a faithful reprint of the original 1966 catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition''s curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. A seminal exhibition. Catalogue incorporates statements by many of the participating artists along with bibliographies and biographies. Catalogue design by Elaine Lustig Cohen. The second volume includes text by Jens Hoffmann and excerpts from the transcript of a symposium, "The New Sculpture," held May 2, 1966. Artists include Rasheed Araeen, Sérgio de Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandel, Gego, Stanislav Kolíbal, Edward Krasinski, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahovic, Oscar Bony, Benni Efrat, Yoshida Katsuro, Stanislav Kolíbal, Susumu Koshimizu, Ivan Kozaric, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Juro Takamatsu, and Lee Ufan. Also includes artist biographies. Reference : "Primary Structures : Younger American and British Sculptors" by Kynaston McShine. New York, NY : The Jewish Museum, 1966. New. In publisher's plastic wrap as issued.…

108 pp.; 21.6 x 19.6 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 17 - March 14, 1981. Texts by Laurence Dreiband, Peter Plagens, Michael Kurcfeld, and Walter Gabrielson. Artists include Laurence Dreiband, Walter Gabrielson, Peter Plagens, Lita Albuquerque, Peter Alexander, Martha Alf, Chuck Arnoldi, Don Bachardy, Joel Bass, Billy Al Bengston, Tony Berlant, Doug Bond, Paul Brach, William Brice, Jerrold Burchman, Carole Caroompas, Karen Carson, Judy Chicago, Max Cole, Ron Cooper, Mary Corse, Ron Davis, James DeFrance, Tony DeLap, Richard Diebenkorn, Laddie Dill, Paul Dillon, Dan Douke, Bruce Everett, Llyn Foulkes, Sam Francis, Joe Goode, Scott Grieger, D.J. Hall, Marvin Harden, Charles Christopher Hill, Patrick Hogan, Richard Joseph, Craig Kauffman, Claude Kent, Peter Liashkov, Ron Linden, Peter Lodato, John Mandel, Jay McCafferty, David Mocarski, Ed Moses, James Murray, John Okulick, Margit Omar, Edward Ruscha, Miriam Schapiro, Don Sorenson, Masami Teraoka, Joyce Treiman, James Valerio, Guy Williams, Tom Wudl, and Norman Zammitt. Includes images of artworks included in the exhibition as well as photographs of the artists. Good. 1.6 cm. and 6 mm. tears to bottom edges of spine with additional rubbing of spine edges. Rubbing and dust soiling of covers with 1 cm., 1 mm., and 4 mm. areas of soiling to recto. Loosening of glue binding along inside of front and back covers, text block still attached to spine. …

UNKNOWN. Condition: Very Good. The book is in excellent condition, with a sturdy hardcover binding. There are no visible signs of wear, inscriptions, or library markings. The pages are clean and free from annotations, making it a pristine copy for collectors or developers seeking a reliable reference. unknown (no dust jacket visible).…

48 pp.; 27.6 x 21.4 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; First issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "News;" "Spaces: Los Angeles Institute of Contemporary Art;" "Interviews: Suzanne Lacy by Richard Newton, Norma Jean DeAk by Moira Roth;" "Artist's Chronicle: Jill Scott, Barbara Smith, James Pomeroy, Paul DeMarinis, Darryl Sapien, Constancia Vokietaitis, Gina Pane, Alison Knowles, Jürgen Klauke, Paul McCarthy, Nancy Buchanan, Brian Dailey, Tony DeLap, Bradley Smith, Bob Wilhite, BDR Ensemble, Richard Turner, D. Gatlin, and Richard Newton "Hot Shorts," by C.C. Hill. Cover: Suzanne Lacy. Good / Very Good. 2.1 cm. crease to recto. 12.8 cm. crease to bottom right area of recto. Additional light handling wear with rubbing of covers and light edge wear. 1.4 cm. and 1 cm. of soiling to verso. Contents clean and unmarked. …

Mid-eighteenth century bound collection of 'Graveyard' poems including elegies and meditations such as the earliest publication by John Scott of Amwell (the first notable Quaker poet) and works by Thomas Gray, Edward Young, John Delap and Reginald Heber. Small quarto bound in eighteenth century speckled calf, the boards decorated with a border of coronets, cracking along outer hinges, reinforced within. Two faded spine labels: 'Select Poems Vol I'. Marbled edges to text block. All eleven imprints are complete with the exception of a couple of half-title which are noted below. One of the imprints, Keate's Epistle from Jane Gray, has been sent through the post and still bears an address on the verso of the title page and traces of the wax seal. Eleven imprints: J Langhorne, The Visions of Fancy, 1752, H Payne, pp24 (no half-title); ownership stamp of 'Emile Racaud, La Rochelle', ESTC locates 9 copies William Whitehead Elegies with an Ode to the Tiber, 2nd Ed, 1757, Dodsley, pp24, half-title present; 'Boitard sculp' vignette to title page. John Delap, Elegies, 1760, Dodsley, pp12: ESTC locates 10 copies. Delap wrote these Elegies in imitation of Gray's Elegy, subsequently making his name by writing for David Garrick. [Reginald Heber] An Elegy Written among the Tombs in Westminster Abbey, 1762, Dodsley, pp12 [Thomas Gray]An Elegy Written in a Country Church Yard The Eleventh Edition, 1759, Dodsley, pp12; woodcut decorations to title page [John Scott] Four Elegies Descriptive and Moral, Buckland, 1760, pp24; engraved vignette by Grignion and Wale to title page and engraved tailpiece; half title present. The Elegies are Scott's first separate publication and inspired by Gray they record the passing of the seasons rather than an individual. The verses are written in cross-rhymed quatrains [Edward Jerningham] The Magdalens: an Elegy. By the author of the Nunnery, 1763, Dodsley, pp12; ESTC locates 7 copies; printed dedication to Mary Lepel of Ickworth in Suffolk. William Mason, Elegies. Second Edition, 1763, Robert Horsfield [4] pp22 [George Keate] An Epistle from Lady Jane Gray to Lord Guilford Dudley, 1762, Dodsley, [4] pp20: this has been folded and sent through the post early in its life with an eighteenth century address written on the verso of the title page 'For Mr George Laidler at Newcastle on T[yne]' and a hole to title page where wax seal has been opened. The poem is dedicated to Mary Lepel. [Edward Young] Resignation in Two Parts and a Postscript to Mrs B[oscawen], 1762, William Owen, pp64, advertisement leaf follows title page with 'Erratum' leaf pasted to verso of this leaf, A2. Small loss to A1/A2 close to foreedge at head of page. Young's last work published in his own lifetime. No copy at auction since 1933. [Thomas Denton] The House of Superstition. A Poem, 1762, J Hinxman, [2] pp10; half title present. a poem written in imitation of Spenser's Faerie Queen. Please contact Christian White Rare Books Ltd for more information or images of this item.…