Schoenfeld William C (12 results)

Soft Cover/Stapled. Condition: Very Good. Text/NEW & Bright. Stapled softcover/VG w/sticker removal scar to upper front corner. 30 pages. An array of easy music for the clarinet - solos or duets with piano accompaniment.

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Soft cover. Condition: Very Good. First Printing - First Thus. 96 pp. Light but general wear. This issue contains: Blood, Oil and Bullets by Bill Jones; Ranch for the Dying by William R. Cox; Left Fork to Hell by Frank Bonham; Gunsmoke Trail to Peace by Norman A. Fox; The Hero of Blacksmith Bend by Dave Sands; Terror of the Rio Grande by Ralph C. Schoenfeld; Gun Whelp's Heritage by Frank MacIntosh; No Gun Law by Mark Martin; Gold Madness by Tom W. Blackburn; and Meat Hunger by Tom Roan. Size: 4to. Book.

Stapled. Condition: Good. Edition Not Stated. Wear to wraps, sheet music very good+. Sticker show and rubbing/ tear to area on front wraps.

Soft cover. Condition: Very Good. 1st Edition. as pictured A First Edition, a very good condition softcover 80 pages, gently read clean pages.

paperback. Condition: Very Good. 4th Printing. 80 p., clean and completely unmarked on strong paper only mildly age-toned; binding firm; glossy orange wrapper is clean with rubbing and slight chipping at crown and foot of spine. Simplified versions of light classics and folk songs: Volga Boat Song, La Paloma, Mendelssohn's Spring Song, Dvorak Humoresque, and 37 others.

Soft cover. Condition: Good. Orange/brown card covers, stapled book, brown title to spine, lightly rubbed edges. Size: 4to - over 9¾ - 12" tall. Book.

Dialogue and Continuity for the 1944 film. Based on the 1942 novel by Cornell Woolrich under the pseudonym William Irish. A man is arrested for murdering his wife, only he was not home at the time of the murder, but no one will confirm his alibi. His secretary, who is secretly in love with him, attempts to prove his innocence. Robert Siodmak's first Hollywood noir. The first film produced by Joan Harrison, a former Oscar-nominated screenwriter for Alfred Hitchcock ("Rebecca," "Foreign Correspondent") and Universal's first woman executive. Set in Manhattan, New York. White titled self-wrappers, noted as Dialogue Continuity on the front wrapper, production No. 1346, dated January 5, 1944, with credits for director Robert Siodmak. Approximately 110 leaves, with last page of text numbered 13. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, with a small closed tear at the top edge, bound with two gold brads along the top edge. Grant US. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US.

Shooting Final Draft script for the 1946 film, in maroon leather owner's binding belonging to actor William Bendix, with his name in gilt on front board, and title in gilt on spine. William Bendix was an American stage, film, radio, and television actor who is best remembered as one of television's archetypal patriarchs, the blundering Chester A. Riley in "The Life of Riley," first on the 1944-1951 ABC and NBC radio serial, then in the 1949 film, directed by Irving Brecher, then finally in the 1953-1958 NBC television series. Bendix was nominated for an Academy Award in 1942 for his supporting role in the WWII drama "Wake Island," directed by John Farrow. Based on the 1945 story, serialized in "Good Housekeeping" magazine, by Leo Rosten, about a private detective, just released from prison after being framed by his ex-partner, and now finding himself framed for murder, with only the help of his quick-witted secretary to clear his name. Set in and shot on location in New York City. Maroon three quarter leather binding over brown leather boards with title in gilt on spine and William Bendix in gilt on lower right of front board with endpapers crediting BooKraft Hollywood. Title page present, dated October 31, 1945, noted as Shooting Final, with credits for screenwriter Jay Dratler. 135 leaves, with last page of text numbered 134. Mimeograph duplication, rectos only. Pages Near Fine, leather binding Near Fine. Grant US. Selby Canon US. Selby Masterwork US. Silver and Ward US. Spicer US.

Shooting Final Draft script for the 1946 film, containing an earlier alternate ending, and a revised "New Ending," bound in following the primary narrative. The additional material consists of a pink "New Ending" announcement page dated February 12, 1946, ten blue revision pages that include one carbon typescript page on onionskin stock. Notations in manuscript pencil throughout the set of revision pages. Based on the 1945 story, serialized in "Good Housekeeping" magazine, by Leo Rosten, about a private detective, just released from prison after being framed by his ex-partner, and now finding himself framed for murder, with only the help of his quick-witted secretary to clear his name. Set in and shot on location in New York City. Beige titled wrappers, noted as SHOOTING FINAL on the front wrapper, rubber-stamped copy No. 72, dated Oct. 31, 1945. Distribution page present, with receipt removed. Title page present, dated October 31, 1945, noted as Shooting Final, with credits for screenwriter Jay Dratler. 151 leaves, with last page of text numbered 10. Mimeograph duplication, rectos only, with blue and pink revision pages throughout, dated variously between 11/29/45 and February 12, 1946. Pages Near Fine, wrapper Very Good plus with some edgewear and small closed tears, bound internally with two gold brads. Grant US. Selby Canon US. Selby Masterwork US. Silver and Ward US. Spicer US.

Five vintage studio still photographs from the 1944 film, including a photograph of a mockup of the Tower edition of the Cornell Woolrich (William Irish) novel, released the same year. Director Robert Siodmak's first Hollywood noir, and one of the finest in the canon. Based on Cornell Woolrich's first novel, written under the William Irish pseudonym in 1942, about a secretary who searches for the titular lady to clear her boss' name before he is executed for murdering his wife. The first film produced by Joan Harrison, a former Oscar nominated screenwriter for Alfred Hitchcock ("Rebecca," "Foreign Correspondent") and Universal's first female executive. Set in Manhattan. 8 x 10 inches. Very Good plus. Grant US. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US.

Vintage photograph of the Tower reader's edition of Cornell Woolrich's crime novel, written under the pseudonym William Irish, made as publicity the 1944 film adaptation. Robert Siodmak's first Hollywood noir, and one of the finest in the canon. Based on Cornell Woolrich's first novel, written in 1942, about a secretary who searches for the titular lady to clear her boss' name before he is executed for murdering his wife. The first film produced by Joan Harrison, a former Oscar nominated screenwriter for Alfred Hitchcock ("Rebecca," "Foreign Correspondent") and Universal's first female executive. 8 x 10 inches. Near Fine. Grant US. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US.