Scaravelli Enrico (22 results)

Paperback. Condition: Used-Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Paperback. Condition: Near Fine. A nice, bright copy. ; 9.0 X 6.0 X 0.5 inches; 261 pages.

Softcover. Condition: As New. Leichte Kratzer / Abnutzungen / Druckstellen. This book explores from a new perspective the adaptations of Shakespeare in the Restoration, and how they contributed to the rise of the cult of the National Poet in an age where his reputation was not yet consolidated. Adaptations are fully independent cultural items, whose paratexts play a crucial role in the development of Bardolatry; their study initially follows seminal works of Bakhtin and Genette, but the main theoretical background is anthropology, with the groundbreaking theories of Mary Douglas. The many voices that feature the paratexts of the adaptations and the other texts, such as those of John Dryden, Thomas Betterton, William Davenant, Nahum Tate, John Dennis, and many others, create a composite choir where the emerging sacrality of the cult of the Bard was just one of the tunes, in an age when Shakespeare has not yet become Shakespeare.

Paperback. Condition: New. Paperback. New. AM.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

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Condition: New.

Condition: New. This book explores from a new perspective the adaptations of Shakespeare in the Restoration, and how they contributed to the rise of the cult of the National Poet in an age where his reputation was not yet consolidated. Num Pages: 261 pages. BIC Classification: DSB; DSBD. Category: (P) Professional & Vocational. Dimension: 152 x 225 x 17. Weight in Grams: 378. . 2016. New edition. Paperback. . . . .

Paperback. Condition: New. This book explores from a new perspective the adaptations of Shakespeare in the Restoration, and how they contributed to the rise of the cult of the National Poet in an age where his reputation was not yet consolidated. Adaptations are fully independent cultural items, whose paratexts play a crucial role in the development of Bardolatry; their study initially follows seminal works of Bakhtin and Genette, but the main theoretical background is anthropology, with the groundbreaking theories of Mary Douglas.The many voices that feature the paratexts of the adaptations and the other texts, such as those of John Dryden, Thomas Betterton, William Davenant, Nahum Tate, John Dennis, and many others, create a composite choir where the emerging sacrality of the cult of the Bard was just one of the tunes, in an age when Shakespeare has not yet become Shakespeare.

Paperback. Condition: new. Paperback. This book explores from a new perspective the adaptations of Shakespeare in the Restoration, and how they contributed to the rise of the cult of the National Poet in an age where his reputation was not yet consolidated. Adaptations are fully independent cultural items, whose paratexts play a crucial role in the development of Bardolatry; their study initially follows seminal works of Bakhtin and Genette, but the main theoretical background is anthropology, with the groundbreaking theories of Mary Douglas.The many voices that feature the paratexts of the adaptations and the other texts, such as those of John Dryden, Thomas Betterton, William Davenant, Nahum Tate, John Dennis, and many others, create a composite choir where the emerging sacrality of the cult of the Bard was just one of the tunes, in an age when Shakespeare has not yet become Shakespeare. This book explores from a new perspective the adaptations of Shakespeare in the Restoration, and how they contributed to the rise of the cult of the National Poet in an age where his reputation was not yet consolidated. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Condition: New. This book explores from a new perspective the adaptations of Shakespeare in the Restoration, and how they contributed to the rise of the cult of the National Poet in an age where his reputation was not yet consolidated. Num Pages: 261 pages. BIC Classification: DSB; DSBD. Category: (P) Professional & Vocational. Dimension: 152 x 225 x 17. Weight in Grams: 378. . 2016. New edition. Paperback. . . . . Books ship from the US and Ireland.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book explores from a new perspective the adaptations of Shakespeare in the Restoration, and how they contributed to the rise of the cult of the National Poet in an age where his reputation was not yet consolidated. Adaptations are fully independent cultural items, whose paratexts play a crucial role in the development of Bardolatry; their study initially follows seminal works of Bakhtin and Genette, but the main theoretical background is anthropology, with the groundbreaking theories of Mary Douglas.The many voices that feature the paratexts of the adaptations and the other texts, such as those of John Dryden, Thomas Betterton, William Davenant, Nahum Tate, John Dennis, and many others, create a composite choir where the emerging sacrality of the cult of the Bard was just one of the tunes, in an age when Shakespeare has not yet become Shakespeare.; Dissertationsschrift.

Taschenbuch. Condition: Neu. The Rise of Bardolatry in the Restoration | Paratexts of Shakespearean Adaptations and other Texts 1660-1737 | Enrico Scaravelli | Taschenbuch | 262 S. | Englisch | 2016 | Peter Lang | EAN 9783034320306 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Paperback. Condition: New. This book explores from a new perspective the adaptations of Shakespeare in the Restoration, and how they contributed to the rise of the cult of the National Poet in an age where his reputation was not yet consolidated. Adaptations are fully independent cultural items, whose paratexts play a crucial role in the development of Bardolatry; their study initially follows seminal works of Bakhtin and Genette, but the main theoretical background is anthropology, with the groundbreaking theories of Mary Douglas.The many voices that feature the paratexts of the adaptations and the other texts, such as those of John Dryden, Thomas Betterton, William Davenant, Nahum Tate, John Dennis, and many others, create a composite choir where the emerging sacrality of the cult of the Bard was just one of the tunes, in an age when Shakespeare has not yet become Shakespeare.

Paperback. Condition: new. Paperback. This book explores from a new perspective the adaptations of Shakespeare in the Restoration, and how they contributed to the rise of the cult of the National Poet in an age where his reputation was not yet consolidated. Adaptations are fully independent cultural items, whose paratexts play a crucial role in the development of Bardolatry; their study initially follows seminal works of Bakhtin and Genette, but the main theoretical background is anthropology, with the groundbreaking theories of Mary Douglas.The many voices that feature the paratexts of the adaptations and the other texts, such as those of John Dryden, Thomas Betterton, William Davenant, Nahum Tate, John Dennis, and many others, create a composite choir where the emerging sacrality of the cult of the Bard was just one of the tunes, in an age when Shakespeare has not yet become Shakespeare. This book explores from a new perspective the adaptations of Shakespeare in the Restoration, and how they contributed to the rise of the cult of the National Poet in an age where his reputation was not yet consolidated. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book explores from a new perspective the adaptations of Shakespeare in the Restoration, and how they contributed to the rise of the cult of the National Poet in an age where his reputation was not yet consolidated. Adaptations are fully independent cultural items, whose paratexts play a crucial role in the development of Bardolatry; their study initially follows seminal works of Bakhtin and Genette, but the main theoretical background is anthropology, with the groundbreaking theories of Mary Douglas.The many voices that feature the paratexts of the adaptations and the other texts, such as those of John Dryden, Thomas Betterton, William Davenant, Nahum Tate, John Dennis, and many others, create a composite choir where the emerging sacrality of the cult of the Bard was just one of the tunes, in an age when Shakespeare has not yet become Shakespeare. 262 pp. Englisch.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book explores from a new perspective the adaptations of Shakespeare in the Restoration, and how they contributed to the rise of the cult of the National Poet in an age where his reputation was not yet consolidated.This book explores from a new .

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book explores from a new perspective the adaptations of Shakespeare in the Restoration, and how they contributed to the rise of the cult of the National Poet in an age where his reputation was not yet consolidated. Adaptations are fully independent cultural items, whose paratexts play a crucial role in the development of Bardolatry; their study initially follows seminal works of Bakhtin and Genette, but the main theoretical background is anthropology, with the groundbreaking theories of Mary Douglas.The many voices that feature the paratexts of the adaptations and the other texts, such as those of John Dryden, Thomas Betterton, William Davenant, Nahum Tate, John Dennis, and many others, create a composite choir where the emerging sacrality of the cult of the Bard was just one of the tunes, in an age when Shakespeare has not yet become Shakespeare.Books on Demand GmbH, Überseering 33, 22297 Hamburg 262 pp. Englisch.