Sachs Samuel (111 results)

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condition: Very Good. 1st Abbeville Ed. Used - Very Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Good. No markings; 11.4 X 8.5 X 0.4 inches.

Soft cover. Condition: As New. 1st Edition.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Good. Still in shrink wrap.; 11.4 X 8.5 X 0.4 inches.

Soft cover. Condition: Very Good. Soft cover. Condition: Very Good. 1st. rubbing to extremities, Softcover is green ground with inset painting, on the cover, of a portrait by John Singer Sargent. Gold lettering on front; white lettering on green spine. Endpapers are grey/green. Pages are clean and tight catalogue of an exhibition at the Yale University Art Gallery, New Haven, Connecticut, April 3 - July 31,1993, the Detroit Institute of Arts, Detroit Michigan, September 11 - November 14, 1993, and The High Museum of Art, Atlanta, Georgia, December 18, 1993 - March 6, 1994. 37 works by 28 artists are described and illustrated in color. 148pp 1.36lb 11.5x8.4x0.4in. Sections are Foreword; Preface; Acknowledgments; Contributors to the Catalogue; Catalogue; Artists' Biographies; Index of Artists and Works in the Exhibition.

Softcover staple bound pamphlet, 8 total pages, good condition, small library stamps and writing to front cover and first page; no other internal marks.

paperback. Condition: Good. Minor wear and creasing pages yellowed.

Paperback. Condition: Very Good. 1st. [36] pages, illustrations; 23 cm. Circulated in conjunction with the exhibition, "Barbizon Paintings from the George P. Tweed Memorial Collection of the Tweed Museum of Art," 1968-. A very good copy with caption information handwritten under the reproductions of two paintings by a previous owner. *** Tweed Museum of Art, Duluth, MN. Size: 8vo.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condition: Very Good. 102 pages, illustrations (some colour); 39 cm. Firm binding, clean inside copy. Age toning. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. *** The roots of the Minneapolis Institute of Arts, in Minneapolis, Minnesota, go back to the Minneapolis Society of Fine Arts, which was established in 1883. The museum, designed McKim, Mead and White in the Beaux-Arts style, opened in 1915. Size: Folio.

Soft cover. Condition: Very Good. Very Good, staple-bound paperback with light edgewear to wraps.

Tight. First. A very large softcover, with minor cover wear, clean illustrations and tight binding.

Paperback. Condition: Very Good. First Edition. Softcover in stapled wraps. 12mo. No date or edition given. Has light wear and stickers from museum library. Essay by chief curator Samuel Sachs. All plates in black and white. Unpaginated (24 pp. ) .

Paperback. Condition: Very Good. 1st. 68 pages, illustrations; 26 cm. Edition of 500 copies. Exhibition held at the Minneapolis Institute of Arts, April 1 through May 3, 1959. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. Size: 4to. Collectible.

Paperback. Condition: Very Good. Unmarked. Significant age tanning on cover. Floor plan is the only illustration. Introduction by Samuel Sachs II, Director. This 36-page guide includes a few sentences about the works and offers visitors an introduction of the collection as displayed in 1999.

Soft Cover. Condition: Near Fine. Softcover is green ground with inset painting, on the cover, of a portrait by John Singer Sargent. Gold lettering on front; white lettering on green spine. Endpapers are grey/green. Pages are clean and tight; appears as if unused. Illstrated with 67 mostly color pictures. This is the exhibition catalogue put out by Yale University Art Gallery, New Haven and the Detroit Institutute of Arts for exhibitions that ran from 11 September 1993 through 6 March 1994, in both museums. Richard Manoogian is one of the foremost art collectors in the USA. He founded Masco Corporation and uses much of the profit to collect an exceptional body of art. He likes to have exhibitions of his works, usually broken down by categories [as is this one, on American Paintings], in the areas where he has factories and offices, so that his employees may enjoy the works. This was a terrific show, as have been all of his exhibitions [being in the Detroit area I get to see them]. The foreword is written by the then directors of the museums. Sections are Foreword; Preface; Acknowledgments; Contributors to the Catalogue; Catalogue; Artists' Biographies; Index of Artists and Works in the Exhibition. Fabulous collection and catalogue by an industrialist with a highly discerning eye. Oversized, 4#. ; B/W and The Color Illustrations; 8 1/2 x 11 1/2; 147 pages; Cover has light rubbing/scuffing; some minor shelf wear and bumping.

Soft Cover. Condition: Near Fine. Softcover is green ground with inset painting, on the cover, of a portrait by John Singer Sargent. Gold lettering on front; white lettering on green spine. Endpapers are grey/green. Pages are clean and tight; appears as if unused. Illstrated with 67 mostly color pictures. This is the exhibition catalogue put out by Yale University Art Gallery, New Haven and the Detroit Institutute of Arts for exhibitions that ran from 11 September 1993 through 6 March 1994, in both museums. Richard Manoogian is one of the foremost art collectors in the USA. He founded Masco Corporation and uses much of the profit to collect an exceptional body of art. He likes to have exhibitions of his works, usually broken down by categories [as is this one, on American Paintings], in the areas where he has factories and offices, so that his employees may enjoy the works. This was a terrific show, as have been all of his exhibitions [being in the Detroit area I get to see them]. The foreword is written by the then directors of the museums. Sections are Foreword; Preface; Acknowledgments; Contributors to the Catalogue; Catalogue; Artists' Biographies; Index of Artists and Works in the Exhibition. Fabulous collection and catalogue by an industrialist with a highly discerning eye. Oversized, 4#. ; B/W and The Color Illustrations; 8 1/2 x 11 1/2; 147 pages; Cover has light rubbing/scuffing; some minor shelf wear and bumping.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Unpaginate - but several hundred - with many b/w illustrations. Exhibition catalog of and exhibit held between July 11 - Sept. 29, 1973. Bibliography at end. Printing limitation of 5000 copies. DJ has a small clean tear at top along spine.

Condition: Very Good. Hardcover, 147 pages. In coordination with an exhibition held at Yale, Detroit Institute of Arts and The High Museum in Atlanta during 1993-1994, similar to an earlier exhibition but focuses on the art the Manoogian's had in their home. Record # 363451.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st. Cloth, [272] pages, illustrations; 22 cm. Catalogue of an exhibition at the Minneapolis Institute of Arts, July 11 to September 29, 1973. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket, with light edgewear, protected in a mylar cover. Profusely illustrated. *** "'Fakes, Forgeries, and Other Deceptions,' a unique show organized by Samuel Sachs II, acting director of the Minneapolis Institute of Arts, was exhibited in 1973 and was the first such exhibit of fakes and forgeries by a major museum in over 20 years. The catalogue includes over 240 forgeries and originals in styles from ancient art to the present. Some of the forgeries are so outrageously bad that even an untrained eye can detect the original; but more often the fakes are subtle and convincing, and in these instances modern technology, x-ray analysis, spectroscopic examination, and pigment comparison have been necessary to separate the fakes from the originals. The truly education character of both the exhibition and the catalogue lies in Mr. Sachs' learned and lively comparisons between the genuine and the fake, and both are juxtaposed on the same page with accompanying text." - Publisher. Size: 8vo. Collectible.