Sachs Herman (25 results)

29x23.5cm. 280 pages. Hardcover laid in a slipcase. Cover bottom corners slightly bumped. Ex-Libris on first whitepage. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs. The book is in : German.

Blue Cloth. Condition: Very Good +. Dust Jacket Condition: No Dust Jacket. Forty B/W Illustrations [plates] (illustrator). First Edition. 63 Pp + 40 Plates At End. Original Blue Cloth, Dark Blue Lettering, Brown Endpapers, With Piece Of Tapa Bark Cloth Laid In Loosely. Inscribed From Artist And Designer Herman Sachs To His Friend The Artist Pasquale Napolitano, Dated 1925, And With Napolitano's Ownership Signature Dated Christmas 1925. Born In Romania To Jewish Parents, Herman [Hermann] Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father, A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe, Spending The 1910S In Germany, Where He Founded The Munich School Of Expressionists (Munich Expressionist Werkstätten). Upon Returning To The United States In 1920, Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School, Which Soon Failed Due To Lack Of Sufficient Funding. Afterward, Sachs Became The First Director Of The Dayton Museum Of Fine Arts, Now The Dayton Art Institute. During This Time, He Also Served As The U.S. Representative Of Artist George Grosz. Around 1925, Sachs Moved To Los Angeles To Design The Interiors Of The New Gas Company Building. As A Muralist And Decorator, Sachs Went On To Design And Decorate The Interiors Of Many Los Angeles Landmarks, Including The Bullocks Wilshire Building (Now Home To Southwestern Law School), Union Station, Los Angeles City Hall, And The Title Insurance And Trust Company Building. An Educator As Well As An Artist, Sachs Also Directed The Creative Art Students League Of Los Angeles. Sachs Was Active Within The L.A. Weimar Exile Community Of Artists, Writers, And Filmmakers. His Friend, The Architect Rudolph Schindler, Designed Sachs' L.A. House, The Manola Court Apartments. Sachs Gifted And Inscribed Many Books To Napolitano, An Artist Who Is Better Known For His Commissioned Murals And Paintings In Southern California; Napolitano Worked With Sachs In The 1920'S, Including Bullocks Wilshire Among Many Other Buildings, And Was The Subject Of A 1935 Book By Merle Armitage, For Whom Napolitano Later Illustrated Many Books.

Hardcover. Condition: Very Good. Plates (illustrator). First Edition Thus. 289 Pp. Green Cloth, Gilt. Lightly Used, Spine And Cover Gilt Fairly Bright, Point Of Fraying At Upper And Lower Front Tips, Hinges Solid. Inscribed "To P J Napolitano From My New York Trip- Herman Sachs 8 Sept-28", And With Napolitano's Ownership Signature Also Dated In 1928. Napolitano, A Muralist, Artist, Book Illustrator, Ceramicist, Textile Designer, Etc. Worked Under Artist And Architectural Muralist Herman [Hermann] Sachs On Interior Decorations For Bullock's Wilshire, The Roosevelt Hotel, And Other Los Angeles Buildings In The Later 1920'S, Also Buildings In Midwest, A Very Prominent Florida Hotel, Etc. All Material From Sachs Is Rare, Although He Was Well Known In The 1920'S And 1930'S And Lived In A House Designed By His Friend Schindler.

Hardcover. Condition: Very Good. Frontispiece And Photographs And Drawings Throughout (illustrator). 1st Edition. Xvi, 242 Pp. Marbled Cloth, Possibly By Herman Sachs. First Printing, 1909 Date On Title Page. Near Fine. Inscribed In 1925 By Architectural Painter Herman Sachs To His Worker Pasquale Giovanni Napolitano; They Provided Architectural Decorations On Many Of The Most Prominent Los Angeles Buildings Circa 1924-1929, Etc.

Hardcover. Condition: Very Good. Photographs And Drawings Throughout (illustrator). 1st Edition. Xiv, 325, [Ii]. Marbled Cloth, Possibly By Herman Sachs. First Printing, 1909 Date On Title Page. Near Fine. Inscribed In 1925 By Architectural Painter Herman Sachs To His Worker Pasquale Giovanni Napolitano, And With Napolitano's Ownership Signature; They Provided Architectural Decorations On Many Of The Most Prominent Los Angeles Buildings Circa 1924-1929, Etc.

Soft cover. Condition: Good. 1st Edition. 10 Pp+ 12 Illustrations In Black And White From The Stock Of Herman Sachs, Then Agent In America For Grosz. Covers With Lithographic Illustrations In Red By Georg Grosz. Wear, 1 1/4" Tear At Top Of Front Cover, Faint Dampstaining To Top Of Covers, Endpapers, And Last Illustration. Rare In Original Covers. Born In Romania To Jewish Parents, Herman [Hermann] Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father, A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe, Spending The 1910-1920 Period In Germany, Where He Founded The Munich School Of Expressionists (Munich Expressionist Werkstätten). Upon Returning To The United States In 1920, Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School, Which Soon Failed Due To Lack Of Sufficient Funding. Afterward, Sachs Became The First Director Of The Dayton Museum Of Fine Arts, Now The Dayton Art Institute. During This Time, He Also Served As The U.S. Representative Of Artist George Grosz. Around 1924, Sachs Moved To Los Angeles Where He Designed The Interiors Of The New Gas Company Building. As A Muralist And Decorator, Sachs Went On To Design The Interiors Of Many Los Angeles Landmarks, Including The Bullocks Wilshire Building (Now Home To Southwestern Law School), Union Station, Los Angeles City Hall, And The Title Insurance And Trust Company Building. An Educator As Well As An Artist, Sachs Also Directed The Creative Art Students League Of Los Angeles. Sachs Was Active Within The L.A. Weimar Exile Community Of Artists, Writers, And Filmmakers. His Friend, The Architect Rudolph Schindler, Designed Sachs' L.A. House, The Manola Court Apartments.

Framed. Condition: Very Good. Original Oil Painting. 8" X 3 5/8" Painting, Heavily Gilt, On Paper, Mounted, In Antique Gilt Frame Under Glass. From The Collection Of Pasquale Napolitano, Probably From The Collection Of Herman Sachs.

No Binding. Condition: Near Fine. Original Photographs (illustrator). 1st Edition. Two Photographs, One Mounted On Card, Of Modernist Ceramics By Herman Sachs, An American Artist And Architectural Decorator, Who Also Worked In Textiles And Ceramics Of Modernist Design. Born In Romania To Jewish Parents, Herman [Hermann] Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father, A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe, Spending The 1910-1920 Period In Germany, Where He Founded The Munich School Of Expressionists (Munich Expressionist Werkstätten). Upon Returning To The United States In 1920, Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School, Which Soon Failed Due To Lack Of Sufficient Funding. Afterward, Sachs Became The First Director Of The Dayton Museum Of Fine Arts, Now The Dayton Art Institute. During This Time, He Also Served As The U.S. Representative Of Artist George Grosz. Around 1924, Sachs Moved To Los Angeles Where He Designed The Interiors Of The New Gas Company Building. As A Muralist And Decorator, Sachs Went On To Design The Interiors Of Many Los Angeles Landmarks, Including The Bullocks Wilshire Building (Now Home To Southwestern Law School), Union Station, Los Angeles City Hall, And The Title Insurance And Trust Company Building. An Educator As Well As An Artist, Sachs Also Directed The Creative Art Students League Of Los Angeles. Sachs Was Active Within The L.A. Weimar Exile Community Of Artists, Writers, And Filmmakers. His Friend, The Architect Rudolph Schindler, Designed Sachs' L.A. House, The Manola Court Apartments.

No Binding. Condition: Very Good. 1st Edition. Original Silk Embroideries, Circa 1800 (?), Embellished With Gold Leaf-Wrapped Yarn, Mounted On Old Paper, Framed Under Glass. From The Collection Of Los Angeles Architectural Decorator Herman Sachs (Bullock's Wilshire, Los Angeles City Hall, Etc.).

No Binding. Condition: Good. Original Sketch (illustrator). Original Art Work. Original Color Sketch For Architectural Decoration, 19" X 12", Mounted On Board And Annotated By His Pupil, Employee, And Friend, Muralist Pasquale G Napoilitano,With His Pencil Note ""By Herman Sachs/ 27 (H. S. After Fra Angelico)". Born In Romania To Jewish Parents, Herman [Hermann] Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father, A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe, Spending The 1913-1920 Period In Germany, Where He Founded The Munich School Of Expressionists (Munich Expressionist Werkstätten). Upon Returning To The United States In 1920, Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School ( Which Soon Failed Due To Lack Of Sufficient Funding). Afterward, Sachs Became The First Director Of The Dayton Museum Of Fine Arts, Now The Dayton Art Institute. During This Time, He Also Served As The U.S. Representative Of Artist George Grosz. Around 1924, Sachs Moved To Los Angeles Where He Designed The Interiors Of The New Gas Company Building. As A Muralist And Decorator, In The Firm Herman Sachs And Joseph Konde, Sachs Went On To Design The Interior Decorations Of Many Los Angeles Landmarks, Including The Bullocks Wilshire Building (Now Home To Southwestern Law School), Union Station, Los Angeles City Hall, And The Title Insurance And Trust Company Building. An Educator As Well As An Artist, Sachs Also Directed The Creative Art Students League Of Los Angeles. Sachs Was Active Within The L.A. Weimar Exile Community Of Artists, Writers, And Filmmakers. His Friend, The Architect Rudolph Schindler, Designed Sachs' L.A. House, The Manola Court Apartments.

No Binding. Condition: Near Fine. Original Sketch (illustrator). Original Art Work. Original Color Sketch For Architectural Decoration, Much Larger Than The Exposed11" X 9 1/4" Matted Display Of The Colored Part Of The Sketch, Color And Gilt. Matted By His Pupil, Employee, And Friend, Muralist Pasquale G Napoilitano,With His Pencil Note "Herman Sachs- Job Sketch". Born In Romania To Jewish Parents, Herman [Hermann] Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father, A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe, Spending The 1913-1920 Period In Germany, Where He Founded The Munich School Of Expressionists (Munich Expressionist Werkstätten). Upon Returning To The United States In 1920, Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School ( Which Soon Failed Due To Lack Of Sufficient Funding). Afterward, Sachs Became The First Director Of The Dayton Museum Of Fine Arts, Now The Dayton Art Institute. During This Time, He Also Served As The U.S. Representative Of Artist George Grosz. Around 1924, Sachs Moved To Los Angeles Where He Designed The Interiors Of The New Gas Company Building. As A Muralist And Decorator, In The Firm Herman Sachs And Joseph Konde, Sachs Went On To Design The Interior Decorations Of Many Los Angeles Landmarks, Including The Bullocks Wilshire Building (Now Home To Southwestern Law School), Union Station, Los Angeles City Hall, And The Title Insurance And Trust Company Building. An Educator As Well As An Artist, Sachs Also Directed The Creative Art Students League Of Los Angeles. Sachs Was Active Within The L.A. Weimar Exile Community Of Artists, Writers, And Filmmakers. His Friend, The Architect Rudolph Schindler, Designed Sachs' L.A. House, The Manola Court Apartments.

No Binding. Condition: Near Fine. Original Sketch (illustrator). Original Art Work. Original Color Sketch For Architectural Decoration, Exposed 16 1/2" X 7 1/2" Matted Display. Matted By His Pupil, Employee, And Friend, Muralist Pasquale G Napoilitano,With His Inkedpencil Note "Sketch By ", In Pencil "And Assistants", Again In Ink "Property Of P. G. Napolitano / Los Angeles". Born In Romania To Jewish Parents, Herman [Hermann] Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father, A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe, Spending The 1913-1920 Period In Germany, Where He Founded The Munich School Of Expressionists (Munich Expressionist Werkstätten). Upon Returning To The United States In 1920, Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School ( Which Soon Failed Due To Lack Of Sufficient Funding). Afterward, Sachs Became The First Director Of The Dayton Museum Of Fine Arts, Now The Dayton Art Institute. During This Time, He Also Served As The U.S. Representative Of Artist George Grosz. Around 1924, Sachs Moved To Los Angeles Where He Designed The Interiors Of The New Gas Company Building. As A Muralist And Decorator, In The Firm Herman Sachs And Joseph Konde, Sachs Went On To Design The Interior Decorations Of Many Los Angeles Landmarks, Including The Bullocks Wilshire Building (Now Home To Southwestern Law School), Union Station, Los Angeles City Hall, And The Title Insurance And Trust Company Building. An Educator As Well As An Artist, Sachs Also Directed The Creative Art Students League Of Los Angeles. Sachs Was Active Within The L.A. Weimar Exile Community Of Artists, Writers, And Filmmakers. His Friend, The Architect Rudolph Schindler, Designed Sachs' L.A. House, The Manola Court Apartments.

No Binding. Condition: Near Fine. Original Sketch (illustrator). 1st Edition. Original B/W Sketch 25" X 7 1/2"" By Herman Sachs, Showing Design For An Architectural Mural, Annotated As By Joseph Konde And Herman Sachs. Born In Romania To Jewish Parents, Herman [Hermann] Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father, A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe, Spending The 1913-1920 Period In Germany, Where He Founded The Munich School Of Expressionists (Munich Expressionist Werkstätten). Upon Returning To The United States In 1920, Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School ( Which Soon Failed Due To Lack Of Sufficient Funding). Afterward, Sachs Became The First Director Of The Dayton Museum Of Fine Arts, Now The Dayton Art Institute. During This Time, He Also Served As The U.S. Representative Of Artist George Grosz. Around 1924, Sachs Moved To Los Angeles Where He Designed The Interiors Of The New Gas Company Building. As A Muralist And Decorator, In The Firm Herman Sachs And Joseph Konde, Sachs Went On To Design The Interior Decorations Of Many Los Angeles Landmarks, Including The Bullocks Wilshire Building (Now Home To Southwestern Law School), Union Station, Los Angeles City Hall, And The Title Insurance And Trust Company Building. An Educator As Well As An Artist, Sachs Also Directed The Creative Art Students League Of Los Angeles. Sachs Was Active Within The L.A. Weimar Exile Community Of Artists, Writers, And Filmmakers. His Friend, The Architect Rudolph Schindler, Designed Sachs' L.A. House, The Manola Court Apartments.

No Binding. Condition: Good. Original Artwork. Wood Block Print, Image 10" X 6 7/8" With 1 1/4" Margins. Simple Wood Frame Printed Black, Glass. Browning, Light Dampstain At Edges Of Lower Right Margin. A Chicago Native, William Jacobs (1897-1973) Studied At The Art Institute Of Chicago And At Hull House. His Teachers Were The German-American Modernist Herman Sachs And Enella Benedict, The Artist-In-Residence Who Lived At Hull House. During The Early 1930S, Jacobs Painted In Dayton, Ohio, And Chicago. His Works Were Exhibited At The Art Institute Of Chicago, The Chicago Woman's Aid And The Jewish Women's Art Club. He Was Awarded The Artists' Guild Prize In Design From The Art Institute Of Chicago. As One Of The Wpa Artists During The Depression, He Participated In The Painting Of Murals In The Corridors Of Chicago's Spaulding High School. He Was Featured In The Hull-House Year Book 40Th Year" Issue (1929) And The Book "Art Of Today: Chicago" Published In 1933.

No Binding. Condition: Near Fine. Original Art Work (illustrator). 1st Edition. Three Original Color Sketches By Herman Sachs, Showing Designs For Architectural (Building) Decorations. Born In Romania To Jewish Parents, Herman [Hermann] Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father, A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe, Spending The 1910-1920 Period In Germany, Where He Founded The Munich School Of Expressionists (Munich Expressionist Werkstätten). Upon Returning To The United States In 1920, Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School, Which Soon Failed Due To Lack Of Sufficient Funding. Afterward, Sachs Became The First Director Of The Dayton Museum Of Fine Arts, Now The Dayton Art Institute. During This Time, He Also Served As The U.S. Representative Of Artist George Grosz. Around 1924, Sachs Moved To Los Angeles Where He Designed The Interiors Of The New Gas Company Building. As A Muralist And Decorator, Sachs Went On To Design The Interiors Of Many Los Angeles Landmarks, Including The Bullocks Wilshire Building (Now Home To Southwestern Law School), Union Station, Los Angeles City Hall, And The Title Insurance And Trust Company Building. An Educator As Well As An Artist, Sachs Also Directed The Creative Art Students League Of Los Angeles. Sachs Was Active Within The L.A. Weimar Exile Community Of Artists, Writers, And Filmmakers. His Friend, The Architect Rudolph Schindler, Designed Sachs' L.A. House, The Manola Court Apartments.

No Binding. Condition: Near Fine. Original Photograph (illustrator). 1st Edition. Six Photographs Printed On Folding Cards Or Vellum, As Greeting Cards Or Stationary, Showing The Interior Of Herman Sachs' Apartment In Silverlake, Designed For Him By Architect Rudolph Schindler. Also, Two Additional Original Photographs. Sachs Was An American Artist And Architectural Decorator, Who Also Worked In Textiles And Ceramics Of Modernist Design. One Mounted Photograph Is Signed "Merry Christmas. Herman Sachs 19-27"; Another To P. G. Napolitano Herman Sachs 1927" (Pasquale Giovanni Napolitano Was An Apprentice, Later Employee, Later Friend Of Napolitano, And They Worked Together On Such Buildings As Los Angeles City Hall And Bullock's Wilshire). Another "To P. G. N. Palaro Sachs. 1927". Palaro Was Possibly Sach's Spouse. Born In Romania To Jewish Parents, Herman [Hermann] Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father, A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe, Spending The 1910-1920 Period In Germany, Where He Founded The Munich School Of Expressionists (Munchen Expressionist Werkstätten). Upon Returning To The United States In 1920, Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School, Which Soon Failed Due To Lack Of Sufficient Funding. Afterward, Sachs Became The First Director Of The Dayton Museum Of Fine Arts, Now The Dayton Art Institute. During This Time, He Also Served As The U.S. Representative Of Artist George Grosz. Around 1924, Sachs Moved To Los Angeles Where He Designed The Interiors Of The New Gas Company Building. As A Muralist And Decorator, Sachs Went On To Design The Interiors Of Many Los Angeles Landmarks, Including The Bullocks Wilshire Building (Now Home To Southwestern Law School), Union Station, Los Angeles City Hall, And The Title Insurance And Trust Company Building. An Educator As Well As An Artist, Sachs Also Directed The Creative Art Students League Of Los Angeles. Sachs Was Active Within The L.A. Weimar Exile Community Of Artists, Writers, And Filmmakers. His Friend, The Architect Rudolph Schindler, Designed Sachs' L.A. House, The Manola Court Apartments. Inscribed by Author(s).

4°. Erste Auflage, 94 S., 1 weisses Bl. OLeinen, OU. Mit 4 mont. Farbtafeln, 16 schwarz-weissen Tafeln, 2 (1 ganzseitigen) mont. Farbabbildungen im Text und 3 Textfiguren. Schutzumschlag stark angerändert bzw. lädiert (langer Einriss am Schutzumschlagrücken, kleinere Randfehlstellen und Randeinrisse); Einband leicht bestoßen und gebräunt; Vordervorsatz seitlich mit sxchwacher Knickspur über die gesamte Höhe; teils etwas stockfleckig und leicht gebräunt. Herman Sachs (1883-1940); rumänisch-deutsch-US-amerikanischer Künstler und Kunstpädagoge; Sachs engagierte sich in der jüdischen Exilgemeinschaft von Künstlern, Schriftstellern und Filmschaffenden in Los Angeles gegen Antisemitismus und Nationalsozialismus.

Softcover. Condition: Near Fine. George Grosz (illustrator). First edition. George Grosz was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic. 12 Illustrations In Black And White From The Stock Of Herman Sachs, Then Agent In America For Grosz. Covers With Lithographic Illustrations In Red By Georg Grosz. Slight darkening to the edges of the covers. First edition. 6½" - 8½". book.

No Binding. Condition: Fine. Original Embroidery On Silk, Overall 19" X 17", From The Estate Of Artist Herman (Hermann) Sachs. Born In Romania To Jewish Parents, Herman [Hermann] Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father, A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe, Spending The 1910-1920 Period In Germany, Where He Founded The Munich School Of Expressionists (Munich Expressionist Werkstätten). Upon Returning To The United States In 1920, Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School, Which Soon Failed Due To Lack Of Sufficient Funding. Afterward, Sachs Became The First Director Of The Dayton Museum Of Fine Arts, Now The Dayton Art Institute. During This Time, He Also Served As The U.S. Representative Of Artist George Grosz. Around 1924, Sachs Moved To Los Angeles Where He Designed The Interiors Of The New Gas Company Building. As A Muralist And Decorator, Sachs Went On To Design And Install The Interior Architectural Decorations Many Los Angeles Landmarks, Including The Bullocks Wilshire Building (Now Home To Southwestern Law School), Union Station, Los Angeles City Hall, And The Title Insurance And Trust Company Building. Directed The Creative Art Students League Of Los Angeles. Sachs Was Active Within The L.A. Weimar Exile Community Of Artists, Writers, And Filmmakers. His Friend, The Architect Rudolph Schindler, Designed Sachs' L.A. House, The Manola Court Apartments.

No Binding. Condition: Fine. Original Textile Embroidery, Abstract Design, Wool On Silk, 7 5/8" X 5 1/2". From The Estate Of Artist Herman (Hermann) Sachs. Born In Romania To Jewish Parents, Herman [Hermann] Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father, A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe, Spending The 1910-1920 Period In Germany, Where He Founded The Munich School Of Expressionists (Munich Expressionist Werkstätten). Upon Returning To The United States In 1920, Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School, Which Soon Failed Due To Lack Of Sufficient Funding. Afterward, Sachs Became The First Director Of The Dayton Museum Of Fine Arts, Now The Dayton Art Institute. During This Time, He Also Served As The U.S. Representative Of Artist George Grosz. Around 1924, Sachs Moved To Los Angeles Where He Designed The Interiors Of The New Gas Company Building. As A Muralist And Decorator, Sachs Went On To Design And Install The Interior Architectural Decorations Many Los Angeles Landmarks, Including The Bullocks Wilshire Building (Now Home To Southwestern Law School), Union Station, Los Angeles City Hall, And The Title Insurance And Trust Company Building. Directed The Creative Art Students League Of Los Angeles. Sachs Was Active Within The L.A. Weimar Exile Community Of Artists, Writers, And Filmmakers. His Friend, The Architect Rudolph Schindler, Designed Sachs' L.A. House, The Manola Court Apartments.

No Binding. Condition: Fine. Original Textile, Abstract Design, Wool, 10" X 10". From The Estate Of Artist Herman (Hermann) Sachs.Born In Romania To Jewish Parents, Herman [Hermann] Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father, A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe, Spending The 1910-1920 Period In Germany, Where He Founded The Munich School Of Expressionists (Munich Expressionist Werkstätten). Upon Returning To The United States In 1920, Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School, Which Soon Failed Due To Lack Of Sufficient Funding. Afterward, Sachs Became The First Director Of The Dayton Museum Of Fine Arts, Now The Dayton Art Institute. During This Time, He Also Served As The U.S. Representative Of Artist George Grosz. Around 1924, Sachs Moved To Los Angeles Where He Designed The Interiors Of The New Gas Company Building. As A Muralist And Decorator, Sachs Went On To Design And Install The Interior Architectural Decorations Many Los Angeles Landmarks, Including The Bullocks Wilshire Building (Now Home To Southwestern Law School), Union Station, Los Angeles City Hall, And The Title Insurance And Trust Company Building. Directed The Creative Art Students League Of Los Angeles. Sachs Was Active Within The L.A. Weimar Exile Community Of Artists, Writers, And Filmmakers. His Friend, The Architect Rudolph Schindler, Designed Sachs' L.A. House, The Manola Court Apartments.

No Binding. Condition: Fine. Original Textile Embroidery, Abstract Design, Wool On Linen, 7 1/4" X 4 7/8". From The Estate Of Artist Herman (Hermann) Sachs. Born In Romania To Jewish Parents, Herman [Hermann] Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father, A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe, Spending The 1910-1920 Period In Germany, Where He Founded The Munich School Of Expressionists (Munich Expressionist Werkstätten). Upon Returning To The United States In 1920, Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School, Which Soon Failed Due To Lack Of Sufficient Funding. Afterward, Sachs Became The First Director Of The Dayton Museum Of Fine Arts, Now The Dayton Art Institute. During This Time, He Also Served As The U.S. Representative Of Artist George Grosz. Around 1924, Sachs Moved To Los Angeles Where He Designed The Interiors Of The New Gas Company Building. As A Muralist And Decorator, Sachs Went On To Design And Install The Interior Architectural Decorations Many Los Angeles Landmarks, Including The Bullocks Wilshire Building (Now Home To Southwestern Law School), Union Station, Los Angeles City Hall, And The Title Insurance And Trust Company Building. Directed The Creative Art Students League Of Los Angeles. Sachs Was Active Within The L.A. Weimar Exile Community Of Artists, Writers, And Filmmakers. His Friend, The Architect Rudolph Schindler, Designed Sachs' L.A. House, The Manola Court Apartments.

Hardcover. Condition: Near Fine. No Jacket. Color Plates And B/W Illustrations (illustrator). 1st Edition. 367 Pp. Carbon Copy Of Typewritten Manuscript, With Hand Corrections Throughout, For The Techniques Of Fresco And Related Techniques. Text And Color Plates By Sachs, B/W Illustrations Of Other Work. With The Original Stucco Bust Of A Woman By Sachs, Which Is Illustrated In The Book. Born In Romania To Jewish Parents, Herman [Hermann] Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father, A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe, Spending The 1910-1920 Period In Germany, Where He Founded The Munich School Of Expressionists (Munich Expressionist Werkstätten). Upon Returning To The United States In 1920, Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School, Which Soon Failed Due To Lack Of Sufficient Funding. Afterward, Sachs Became The First Director Of The Dayton Museum Of Fine Arts, Now The Dayton Art Institute. During This Time, He Also Served As The U.S. Representative Of Artist George Grosz. Around 1924, Sachs Moved To Los Angeles Where He Designed The Interiors Of The New Gas Company Building. As A Muralist And Decorator, Sachs Went On To Design The Interiors Of Many Los Angeles Landmarks, Including The Bullocks Wilshire Building (Now Home To Southwestern Law School), Union Station, Los Angeles City Hall, And The Title Insurance And Trust Company Building. An Educator As Well As An Artist, Sachs Also Directed The Creative Art Students League Of Los Angeles. Sachs Was Active Within The L.A. Weimar Exile Community Of Artists, Writers, And Filmmakers. His Friend, The Architect Rudolph Schindler, Designed Sachs' L.A. House, The Manola Court Apartments. Inscribed by Author(s).

No Binding. Condition: Good. 1st Edition. First Edition. Original Printed patent disbound with printed front blue wrapper present but not the back wrapper (both often lacking in early patents) About 27cm by 18 cm some wear and tear due to the disbinding.

LeatherBound. Condition: New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 126. A perfect gift for your loved ones. Reprinted from 1927 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: German Pages: 126.